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Artaud Anthology

Artaud Anthology
Author: Antonin Artaud
Publisher: City Lights Books
Total Pages: 260
Release: 1965
Genre: Drama
ISBN: 9780872860001

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"I am the man," wrote Artaud, "who has best charted his inmost self." Antonin Artaud was a great poet who, like Poe, Holderlin, and Nerval, wanted to live in the infinite and asked that the human spirit burn in absolute freedom. To society, he was a madman. Artaud, however, was not insane but in luciferian pursuit of what society keeps hidden. The man who wrote Van Gogh the Man Suicided by Society raged against the insanity of social institutions with insight that proves more prescient with every passing year. Today, as Artaud's vatic thunder still crashes above the "larval confusion" he despised, what is most striking in his writings is an extravagant lucidity. This collection gives us quintessential Artaud on the occult, magic, the theater, mind and body, the cosmos, rebellion, and revolution in its deepest sense.


Watchfiends & Rack Screams

Watchfiends & Rack Screams
Author: Antonin Artaud
Publisher:
Total Pages: 356
Release: 1995
Genre: Drama
ISBN:

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Translated by Clayton Eschleman A collection of writings ranging from cogent theoretical works to scatological glossolalia written during and after Artaud's incarceration in an aslum at Rodez creating one of the most powerful outpourings ever recorded.


Heliogabalus

Heliogabalus
Author: Antonin Artaud
Publisher: SCB Distributors
Total Pages: 101
Release: 2020-05-15
Genre: Biography & Autobiography
ISBN: 190992380X

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Antonin Artaud’s novelised biography of the 3rd-century Roman Emperor Heliogabalus is simultaneously his most accessible and his most extreme book. Written in 1933, at the time when Artaud was preparing to stage his legendary Theatre of Cruelty, HELIOGABALUS is a powerful concoction of sexual excess, self-deification and terminal violence. Reflecting its author’s preoccupations of the time with the occult, magic, Satan, and a range of esoteric religions, the book shows Artaud at his most lucid as he assembles an entire world-view from raw material of insanity, sexual obsession and anger. Artaud arranges his account of Heliogabalus’s reign around the breaking of corporeal borders and the expulsion of body fluids, often inventing incidents from the Emperor’s life in order to make more explicit his own passionate denunciations of modern existence. No reader of this, Artaud’s most inflammatory work – translated into English here for the very first time – will emerge unscathed from the experience. Translated by Alexis Lykiard and with an introduction by Stephen Barber (author and cultural historian).


Artaud on Theatre

Artaud on Theatre
Author: Antonin Artaud
Publisher: Ivan R. Dee Publisher
Total Pages: 0
Release: 2004
Genre: Performing Arts
ISBN: 9781566635585

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This revised and updated edition contains all of Artaud's key writings on theatre and cinema from 1921 to his death in 1948, including new selections never before in English. Artaud's ideas have inspired the work of Genet, Arrabal, The Living Theatre, Grotowski, Brook, and most of the experimental drama and performance work of recent decades. One of the great daring mapmakers of consciousness in extremis.-Susan Sontag.


Antonin Artaud

Antonin Artaud
Author: Antonin Artaud
Publisher: Univ of California Press
Total Pages: 740
Release: 1988-10-10
Genre: Literary Criticism
ISBN: 9780520064430

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"Artaud remains one of the significant and influential theorists of modern theatre."—Gerald Rabkin, Rutgers University


Theater of the Avant-Garde, 1890-1950

Theater of the Avant-Garde, 1890-1950
Author: Robert Knopf
Publisher: Yale University Press
Total Pages: 512
Release: 2015-04-28
Genre: Drama
ISBN: 030021054X

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An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.


Theater and Film

Theater and Film
Author: Robert Knopf
Publisher: Yale University Press
Total Pages: 458
Release: 2008-10-01
Genre: Performing Arts
ISBN: 9780300128703

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This is the first book in more than twenty-five years to examine the complex historical, cultural, and aesthetic relationship between theater and film, and the effect that each has had on the other’s development.Robert Knopf here assembles essays from performers, directors, writers, and critics that illuminate this ongoing inquiry. The book is divided into five parts—historical influence, comparisons and contrasts, writing, directing, and acting—with interludes by major artists whose work and words have shaped the development of theater and film. A comprehensive bibliography and filmography support further work in this area.The book contains contributions from Susan Sontag, Stanley Kauffmann, Sarah Bey-Cheng, Bertolt Brecht, Ingmar Bergman, Harold Pinter, David Mamet, Julia Taymor, Judi Dench, Sam Waterston, Orson Welles, Antonin Artaud, and Milos Forman, among others.


New Media and the Artaud Effect

New Media and the Artaud Effect
Author: Jay Murphy
Publisher: Springer Nature
Total Pages: 216
Release: 2021-11-20
Genre: Social Science
ISBN: 3030834883

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This book proposes, following Antonin Artaud, an investigation exploring the virtual body, neurology and the brain as fields of contestation, seeking a clearer understanding of Artaud's transformations that ultimately leads into examining the relevance Artaud may have for an adequate theory of the current media environment. New Media and the Artaud Effect is the only current full-length study of the relation of Artaud’s work to dilemmas of digital art, media and society today. It is also singular in that it combines a far-reaching discussion of the theoretical implications and ramifications of the ‘late’ or ‘final’ Artaud, with a treatment of individual media works, sometimes directly inspired from Artaud’s travails. Artaud has long been justly regarded as one of the seminal influences in mid- and late-20th century performance and theater: it is argued here that Artaud’s insights are if anything more applicable to digital/post-digital society and the plethora of works that are made possible by it.


The Theater and Its Double

The Theater and Its Double
Author: Antonin Artaud
Publisher: Grove Press
Total Pages: 174
Release: 1958
Genre: Drama
ISBN: 9780802150301

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A collection of manifestos originally published in 1938, in which the French artist and philosopher attacks conventional assumptions about the drama, and calls for the influx of irrational material - based on dreams, religion, and emotion - in order to make the theater vital for modern audiences.


Proensa

Proensa
Author: George Economou
Publisher: New York Review of Books
Total Pages: 353
Release: 2017-01-10
Genre: Poetry
ISBN: 1681370301

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It was out of medieval Provence—Proensa—that the ethos of courtly love emerged, and it was in the poetry of the Provençal troubadours that it found its perfect expression. Their poetry was also a central inspiration for Dante and his Italian contemporaries, propagators of the modern vernacular lyric, and seven centuries later it was no less important to the modernist Ezra Pound. These poems, a source to which poetry has returned again and again in search of renewal, are subtle, startling, earthy, erotic, and supremely musical. The poet Paul Blackburn studied and translated the troubadours for twenty years, and the result of that long commitment is Proensa, an anthology of thirty poets of the eleventh through thirteenth centuries, which has since established itself not only as a powerful and faithful work of translation but as a work of poetry in its own right. Blackburn’s Proensa, George Economou writes, “will take its place among Gavin Douglas’ Aeneid, Golding’s Metamorphoses, the Homer of Chapman, Pope, and Lattimore, Waley’s Japanese, and Pound’s Chinese, Italian, and Old English.”