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| Author | : Gleb Prokhorov |
| Publisher | : Craftsman House (AU) |
| Total Pages | : 138 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : |
Socialist Realism appeared in order to proceed towards what was then conceived as a bright new future - the Communist paradise on earth.
| Author | : Matthew Cullerne Bown |
| Publisher | : |
| Total Pages | : 506 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780300068443 |
After the Bolshevik revolution in 1917, the new government took control of Russian art, nationalizing art collections and laying down the principles that were to govern the creation of new art. Soviet Realism was the result. This book traces the style from its artistic and intellectual origins in 19th-century Russia to its decline at the end of the Soviet period. 184 color and 346 b&w illustrations.
| Author | : Trisha Low |
| Publisher | : Emily Books |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Art |
| ISBN | : 9781566895514 |
Moving west--from Singapore to America, from New York to California--a woman examines the myth of "finding home" even as she comes to terms with its impossibilities.ibilities.
| Author | : Christine I. Ho |
| Publisher | : University of California Press |
| Total Pages | : 320 |
| Release | : 2020-02-11 |
| Genre | : Art |
| ISBN | : 0520309626 |
Drawing from Life explores revolutionary drawing and sketching in the early People’s Republic of China (1949–1965) in order to discover how artists created a national form of socialist realism. Tracing the development of seminal works by the major painters Xu Beihong, Wang Shikuo, Li Keran, Li Xiongcai, Dong Xiwen, and Fu Baoshi, author Christine I. Ho reconstructs how artists grappled with the representational politics of a nascent socialist art. The divergent approaches, styles, and genres presented in this study reveal an art world that is both heterogeneous and cosmopolitan. Through a history of artistic practices in pursuit of Maoist cultural ambitions—to forge new registers of experience, new structures of feeling, and new aesthetic communities—this original book argues that socialist Chinese art presents a critical, alternative vision for global modernism.
| Author | : Jérôme Bazin |
| Publisher | : Central European University Press |
| Total Pages | : 531 |
| Release | : 2016-01-01 |
| Genre | : Art |
| ISBN | : 9633866804 |
This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe’s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists’ strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period.
| Author | : Jan Plamper |
| Publisher | : Yale University Press |
| Total Pages | : 337 |
| Release | : 2012-01-17 |
| Genre | : History |
| ISBN | : 0300169523 |
Between the late 1920s and the early 1950s, one of the most persuasive personality cults of all times saturated Soviet public space with images of Stalin. A torrent of portraits, posters, statues, films, plays, songs, and poems galvanized the Soviet population and inspired leftist activists around the world. In the first book to examine the cultural products and production methods of the Stalin cult, Jan Plamper reconstructs a hidden history linking artists, party patrons, state functionaries, and ultimately Stalin himself in the alchemical project that transformed a pock-marked Georgian into the embodiment of global communism. Departing from interpretations of the Stalin cult as an outgrowth of Russian mysticism or Stalin's psychopathology, Plamper establishes the cult's context within a broader international history of modern personality cults constructed around Napoleon III, Mussolini, Hitler, and Mao. Drawing upon evidence from previously inaccessible Russian archives, Plamper's lavishly illustrated and accessibly written study will appeal to anyone interested in twentieth-century history, visual studies, the politics of representation, dictator biography, socialist realism, and real socialism.
| Author | : Boris Groys |
| Publisher | : Verso Books |
| Total Pages | : 145 |
| Release | : 2014-05-27 |
| Genre | : Art |
| ISBN | : 1844678091 |
From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.
| Author | : Thomas Lahusen |
| Publisher | : Duke University Press |
| Total Pages | : 380 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : 9780822319412 |
Socialist Realism Without Shores also addresses the critical discourse provoked by socialist realism - Stalinist aesthetics; "anthropological" readings; ideology critique and censorship; and the sublimely ironic approaches adapted from sots art, the Soviet version of postmodernism.
| Author | : Christina Kiaer |
| Publisher | : University of Chicago Press |
| Total Pages | : 360 |
| Release | : 2024-04-05 |
| Genre | : Art |
| ISBN | : 022682716X |
"Dislodging the avant-garde from its central position in the narrative of Soviet art, Collective Body presents painter Aleksandr Deineka's haptic and corporeal version of Socialist Realist figuration not as the enemy of revolutionary art, but as an alternate experimental aesthetic that, at its best, activates and organizes affective forces for collective ends. Tracing Deineka's path from his avant-garde origins as the inventor of the proletarian body in illustrations for mass magazines after the Revolution through his success as a state-sponsored painter of monumental, lyrical canvases during the Great Terror and beyond, Collective Body demonstrates that Socialist Realism is best understood not as a totalitarian style, but rather as a fiercely collective art system that organized art outside the market and formed part of the legacy of the revolutionary modernisms of the 1920s. Collective Body accounts for the way the art of the October Revolution continues to capture viewers' imaginations through the sheer intensity of its evocation of the elation of collectivity, making viewers not only comprehend but also truly feel socialism, and retaining the potential to inform our own art-into-life experiments within contemporary political art. Deineka figures in this study not as a singular master, in the spirit of a traditional monograph, but as a limited case of the system he inhabited and helped to create"--
| Author | : Stacy I. Morgan |
| Publisher | : University of Georgia Press |
| Total Pages | : 374 |
| Release | : 2004 |
| Genre | : Literary Criticism |
| ISBN | : 9780820325798 |
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
