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Art, Theory, and Culture in Sixteenth-Century Italy

Art, Theory, and Culture in Sixteenth-Century Italy
Author: Robert Williams
Publisher: Cambridge University Press
Total Pages: 0
Release: 2011-02-17
Genre: Art
ISBN: 9780521184335

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Art, Theory and Culture in Sixteenth-Century Italy offers a critical overview of the literature on the visual arts produced during the High and Late Renaissance. Analyzing and interpreting texts by such writers as Vasari, Lomazzo, Zuccaro, and Tasso, Robert Williams demonstrates how these works offer insight into the experience of contemporary viewers, thus permitting a clearer view of the relationship between abstract thought and lived experience. By focusing on a heretofore neglected, but important body of literature, Williams shows how an understanding of it can transform our knowledge and appreciation of the Renaissance.


Raphael and the Redefinition of Art in Renaissance Italy

Raphael and the Redefinition of Art in Renaissance Italy
Author: Robert Williams
Publisher: Cambridge University Press
Total Pages: 976
Release: 2017-04-03
Genre: Art
ISBN: 1108146147

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Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry.


Literature and Artistic Practice in Sixteenth-Century Italy

Literature and Artistic Practice in Sixteenth-Century Italy
Author: Angela Cerasuolo
Publisher: BRILL
Total Pages: 498
Release: 2017-01-05
Genre: History
ISBN: 900433534X

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In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.


Too Beautiful to Picture

Too Beautiful to Picture
Author: Elizabeth Mansfield
Publisher: U of Minnesota Press
Total Pages: 257
Release:
Genre:
ISBN: 1452909164

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Few tales of artistic triumph can rival the story of Zeuxis. As first reported by Cicero and Pliny, the painter Zeuxis set out to portray Helen of Troy, but when he realized that a single model could not match Helen’s beauty, he combined the best features of five different models. A primer on mimesis in art making, the Zeuxis myth also illustrates ambivalence about the ability to rely on nature as a model for ideal form. In Too Beautiful to Picture, Elizabeth C. Mansfield engages the visual arts, literature, and performance to examine the desire to make the ideal visible. She finds in the Zeuxis myth evidence of a cultural primal scene that manifests itself in gendered terms. Mansfield considers the many depictions of the legend during the Renaissance and questions its absence during the eighteenth century. Offering interpretations of Angelica Kauffman’s paintings, Mary Shelley’s Frankenstein, and Picasso’s Les Demoiselles d’Avignon, Mansfield also considers Orlan’s carnal art as a profound retelling of the myth. Throughout, Mansfield asserts that the Zeuxis legend encodes an unconscious record of the West’s reliance on mimetic representation as a vehicle for metaphysical solace. Elizabeth C. Mansfield is associate professor of art history at the University of the South.


Art Theory

Art Theory
Author: Robert Williams
Publisher: Wiley-Blackwell
Total Pages: 328
Release: 2004-02-23
Genre: Art
ISBN: 9781405107068

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Art Theory: An Historical Introduction is a unique survey of Western thought about art from ancient times to the present. Provides a lucid and lively narrative geared to the needs of the general reader and beginning student. Covers the major periods of Western art history: Antiquity and the Middle Ages, the early modern period (Renaissance and Baroque), the Enlightenment, the nineteenth century, early twentieth-century modernism, and postmodernism. Relates theory to the practice as well as to the intellectual- and cultural-historical currents of each period, thus demonstrating the value of an historical approach to theoretical issues. Includes an extensive bibliography that provides a useful and up-to-date guide to the primary sources and secondary literature and 93 illustrations.


Absolute Art

Absolute Art
Author: Robert Williams
Publisher:
Total Pages: 332
Release: 1994
Genre:
ISBN:

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Music and Visual Culture in Renaissance Italy

Music and Visual Culture in Renaissance Italy
Author: Chriscinda Henry
Publisher: Taylor & Francis
Total Pages: 411
Release: 2023-05-24
Genre: Art
ISBN: 1000875334

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The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emerge in the depiction of music within visual arts, the conceptualization of music in ethics and poetics, and in the practice of musical harmony. This book brings together contributors from across musicology and art history to consider the trajectories of these changes and the connections between them, both in theory and in the practices of everyday life. In sixteen chapters, the contributors blend iconographic analysis with a wider range of approaches, investigate the discourse surrounding the arts, and draw on both social art history and the material turn in Renaissance studies. They address not only paintings and sculpture, but also a wide range of visual media and domestic objects, from instruments to tableware, to reveal a rich, varied, and sometimes tumultuous exchange among musical and visual arts and ideas. Enriching our understanding of the subtle intersections between visual, material, and musical arts across the long Renaissance, this book offers new insights for scholars of music, art, and cultural history. Chapter 15 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.


Mannerism and Imagination

Mannerism and Imagination
Author: Milton Kirchman
Publisher:
Total Pages: 278
Release: 1979
Genre: Aesthetics, Italian
ISBN:

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The Italian Renaissance

The Italian Renaissance
Author: Peter Burke
Publisher: Princeton University Press
Total Pages: 336
Release: 2014-02-23
Genre: Art
ISBN: 0691162409

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In this brilliant and widely acclaimed work, Peter Burke presents a social and cultural history of the Italian Renaissance. He discusses the social and political institutions that existed in Italy during the fifteenth and sixteenth centuries, and he analyses the ways of thinking and seeing that characterized this period of extraordinary artistic creativity. Developing a distinctive sociological approach, Peter Burke is concerned not only with the finished works of Michelangelo, Raphael, Leonardo da Vinci, and others, but also with the social background, patterns of recruitment, and means of subsistence of this 'cultural elite.' He thus makes a major contribution to our understanding of the Italian Renaissance, and to our comprehension of the complex relations between culture and society. Burke has thoroughly revised and updated the text for this new edition, including a new introduction, and the book is richly illustrated throughout. It will have a wide appeal among historians, sociologists, and anyone interested in one of the most creative periods of European history.