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| Author | : Christina Neilson |
| Publisher | : Cambridge University Press |
| Total Pages | : 367 |
| Release | : 2019-07-18 |
| Genre | : Art |
| ISBN | : 1107172853 |
Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1998 |
| Genre | : Architecture, Italian |
| ISBN | : 9780859643443 |
The database is a collection of treatises on art and architecture from the period 1470 to 1775. It is structured around the two Italian editions of Giorgio Vasari's Lives of the artists.
| Author | : Stephen J. Campbell |
| Publisher | : |
| Total Pages | : 722 |
| Release | : 2017 |
| Genre | : Art |
| ISBN | : 9780500293348 |
A new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.
| Author | : Anthony Blunt |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 212 |
| Release | : 1962 |
| Genre | : Art |
| ISBN | : 9780198810506 |
Leonardo da Vinci - Alberti - Michelangelo - Vasari - Social position of the artist - Religious art - Minor writers of the High Renaissance - Later mannerists.
| Author | : James Elkins |
| Publisher | : Routledge |
| Total Pages | : 818 |
| Release | : 2008-04-01 |
| Genre | : Art |
| ISBN | : 1135902453 |
Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have sought to reconceptualize the period. They then turn to the issue of the relation between modern art and the Renaissance: Why do modern art historians and critics so seldom refer to the Renaissance? Is the Renaissance our indispensable heritage, or are we cut off from it by the revolution of modernism? The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.
| Author | : Anthony Blunt |
| Publisher | : |
| Total Pages | : 216 |
| Release | : 1940 |
| Genre | : Aesthetics |
| ISBN | : |
"This book seeks to broaden the comprehension of the student of Italian Renaissance painting by concentrating not on the works of art themselves, but on the various artistic theories which influenced them or were expressed by them. Taking Alberti's treatises as his starting-point, Anthony Blunt traces the development of artistic theory from Humanism to Mannerism. He discusses the writings of Leonardo, Savonarola, Michelangelo, and Vasari, examines the effect of the Council of Trent on religious art, and chronicles the successful struggle of the painters and sculptors themselves to elevate their status from craftsmen to creative artists."--Amazon
| Author | : Giancarla Periti |
| Publisher | : Routledge |
| Total Pages | : 252 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351569236 |
Vasari's celebration of the art of the central Italian cities of Florence, Rome and Venice, has long left in shadow the art of northern Italy. The economic and historical decline of the region compounded this effect with the dispersal of the treasures of the Farnese to Naples, the Este to Dresden and the Gonzaga to Madrid and Paris. Each chapter in this volume celebrates a stunning work from the region, among them Correggio's famed Camera di San Paolo in Parma, Parmigianino's Camerino in the Rocca Sanvitale near Parma, the studiolo of Alberto Pio at Carpi, and the Tomb of the Ancestors in the Tempio Malatestiano in Rimini. The volume as a whole offers fascinating insights into the tussle between the maniera moderna and the maniera devota in the first half of the sixteenth century, when the unity between the elegance and beauty of art and its religious significance came under debate. Around the year 1550, when Michelangelo's Last Judgement came under attack for impiety and lasciviousness and the reformists called for an art that would invoke in the viewer a devotional response that identified manifestations of the divine with human feelings and emotions. In northern Italy, it was on the foundation laid by Correggio, with his tenderness and ability to evoke the softness of living flesh, that the Carracci brothers built their reform of painting.
| Author | : Sarah Blake McHam |
| Publisher | : |
| Total Pages | : 450 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 9780300186031 |
Pliny's Natural History (A.D. 77-79) served as an indispensable guide to and exemplar of the ideals of art for Renaissance artists, patrons, and theorists. Bearing the imprimatur of antiquity, the Natural History gave permission to do art on a grand scale, to value it, and to see it as an incomparable source of prestige and pleasure. In Pliny and the Artistic Culture of the Italian Renaissance, Sarah Blake McHam surveys Pliny's influence, from Petrarch, the first figure to recognize Pliny's relevance to understanding the history of Greek art and its reception by the Romans, to Vasari and late 16th-century theorists. McHam charts the historiography of Latin and Italian manuscripts and early printed copies of the Natural History to trace the dissemination of its contents to artists from Donatello and Ghiberti to Michelangelo and Titian. Meanwhile, benefactors commissioned works intended to emulate the prototypes Pliny described, aligning themselves with the great patrons of antiquity. This is a richly illustrated, comprehensive reference work of social history, myth making, iconography, theory, and criticism.
| Author | : Christiane L. Joost-Gaugier |
| Publisher | : John Wiley & Sons |
| Total Pages | : 288 |
| Release | : 2013-03-04 |
| Genre | : Art |
| ISBN | : 1118306112 |
Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known
| Author | : Jennifer Cochran Anderson |
| Publisher | : BRILL |
| Total Pages | : 362 |
| Release | : 2021-03-22 |
| Genre | : Art |
| ISBN | : 9004447776 |
A team of specialists addresses a foundational concept as central to early modern thinking as to our own: that the past is always an important part of the present.
