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| Author | : Stephanie O'Rourke |
| Publisher | : Cambridge University Press |
| Total Pages | : 273 |
| Release | : 2021-11-04 |
| Genre | : Art |
| ISBN | : 1316519023 |
Innovative, alternative account of romanticism, exploring how art and science together contested the evidentiary authority of the human body.
| Author | : Stephanie O'Rourke |
| Publisher | : Cambridge University Press |
| Total Pages | : 273 |
| Release | : 2021-11-04 |
| Genre | : Literary Criticism |
| ISBN | : 1009019155 |
Can we really trust the things our bodies tell us about the world? This work reveals how deeply intertwined cultural practices of art and science questioned the authority of the human body in the late eighteenth and early nineteenth centuries. Focusing on Henry Fuseli, Anne-Louis Girodet and Philippe de Loutherbourg, it argues that romantic artworks participated in a widespread crisis concerning the body as a source of reliable scientific knowledge. Rarely discussed sources and new archival material illuminate how artists drew upon contemporary sciences and inverted them, undermining their founding empiricist principles. The result is an alternative history of romantic visual culture that is deeply embroiled in controversies around electricity, mesmerism, physiognomy and other popular sciences. This volume reorients conventional accounts of romanticism and some of its most important artworks, while also putting forward a new model for the kinds of questions that we can ask about them.
| Author | : Thora Brylowe |
| Publisher | : Cambridge University Press |
| Total Pages | : 283 |
| Release | : 2019 |
| Genre | : Art |
| ISBN | : 1108426409 |
Explores the developing cultural tensions and connections that created a 'sister-art' movement between creative visual art and its literary counterparts.
| Author | : Daniel E. White |
| Publisher | : Cambridge University Press |
| Total Pages | : 27 |
| Release | : 2007-01-25 |
| Genre | : Literary Criticism |
| ISBN | : 1139462466 |
Religious diversity and ferment characterize the period that gave rise to Romanticism in England. It is generally known that many individuals who contributed to the new literatures of the late eighteenth century came from Dissenting backgrounds, but we nonetheless often underestimate the full significance of nonconformist beliefs and practices during this period. Daniel White provides a clear and useful introduction to Dissenting communities, focusing on Anna Barbauld and her familial network of heterodox 'liberal' Dissenters whose religious, literary, educational, political, and economic activities shaped the public culture of early Romanticism in England. He goes on to analyze the roles of nonconformity within the lives and writings of William Godwin, Mary Wollstonecraft, Samuel Taylor Coleridge, and Robert Southey, offering a Dissenting genealogy of the Romantic movement.
| Author | : Tim Fulford |
| Publisher | : Cambridge University Press |
| Total Pages | : 354 |
| Release | : 2004-09-02 |
| Genre | : Literary Criticism |
| ISBN | : 9780521829199 |
Examines the massive impact of colonial exploration on British scientific and literary activity between the 1760s and 1830s.
| Author | : Dr. Andrew Cunningham |
| Publisher | : CUP Archive |
| Total Pages | : 374 |
| Release | : 1990-06-28 |
| Genre | : Literary Criticism |
| ISBN | : 9780521356855 |
This book presents a series of essays which focus on the role of Romantic philosophy and ideology in the sciences.
| Author | : David Aram Kaiser |
| Publisher | : Cambridge University Press |
| Total Pages | : 173 |
| Release | : 1999-11-13 |
| Genre | : Literary Criticism |
| ISBN | : 1139425773 |
This ambitious study, first published in 1999, argues that our conception of the aesthetic sphere emerged during the era of British and German Romanticism from conflicts between competing models of the liberal state and the cultural nation. The aesthetic sphere is thus centrally connected to 'aesthetic statism', which is the theoretical project of reconciling conflicts in the political sphere by appealing to the unity of the symbol. David Kaiser traces the trajectory of aesthetic statism from Schiller and Coleridge, through Arnold, Mill and Ruskin, to Adorno and Habermas. He analyses how the concept of aesthetic autonomy shifts from being a supplement to the political sphere to an end in itself; this shift lies behind the problems that contemporary literary theory has faced in its attempts to connect the aesthetic and political spheres. Finally, he suggests that we rethink the aesthetic sphere in order to regain that connection.
| Author | : Jonathan Mulrooney |
| Publisher | : Cambridge University Press |
| Total Pages | : 295 |
| Release | : 2018 |
| Genre | : Literary Criticism |
| ISBN | : 1107183871 |
Provides new theatrical contexts for Romantic-period literary writing, reframing the relationship between theater and poetry in Regency London.
| Author | : Essaka Joshua |
| Publisher | : Cambridge University Press |
| Total Pages | : 319 |
| Release | : 2020-11-12 |
| Genre | : Literary Criticism |
| ISBN | : 1108836704 |
This book provides new period-appropriate concepts for understanding Romantic-era physical disability through function and aesthetics.
| Author | : Lynn Gamwell |
| Publisher | : Princeton University Press |
| Total Pages | : 528 |
| Release | : 2020-03-17 |
| Genre | : Art |
| ISBN | : 0691191050 |
How science changed the way artists understand reality Exploring the Invisible shows how modern art expresses the first secular, scientific worldview in human history. Now fully revised and expanded, this richly illustrated book describes two hundred years of scientific discoveries that inspired French Impressionist painters and Art Nouveau architects, as well as Surrealists in Europe, Latin America, and Japan. Lynn Gamwell describes how the microscope and telescope expanded the artist's vision into realms unseen by the naked eye. In the nineteenth century, a strange and exciting world came into focus, one of microorganisms in a drop of water and spiral nebulas in the night sky. The world is also filled with forces that are truly unobservable, known only indirectly by their effects—radio waves, X-rays, and sound-waves. Gamwell shows how artists developed the pivotal style of modernism—abstract, non-objective art—to symbolize these unseen worlds. Starting in Germany with Romanticism and ending with international contemporary art, she traces the development of the visual arts as an expression of the scientific worldview in which humankind is part of a natural web of dynamic forces without predetermined purpose or meaning. Gamwell reveals how artists give nature meaning by portraying it as mysterious, dangerous, or beautiful. With a foreword by Neil deGrasse Tyson and a wealth of stunning images, this expanded edition of Exploring the Invisible draws on the latest scholarship to provide a global perspective on the scientists and artists who explore life on Earth, human consciousness, and the space-time universe.
