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| Author | : David Vestal |
| Publisher | : HarperCollins Publishers |
| Total Pages | : 328 |
| Release | : 1984 |
| Genre | : Photography |
| ISBN | : |
Specifically aimed at one past the beginner level, this book gives many details of producing fine black-and-white prints.
| Author | : Les Kaluza |
| Publisher | : Lulu.com |
| Total Pages | : 196 |
| Release | : 2020-02-19 |
| Genre | : Art |
| ISBN | : 1678108847 |
Merriam Press Art/Biography. A selection of the B&W art of Les Kaluza, a gifted artist and illustrator, including years working as an animator for Hanna-Barbera on "The Flintstones," "The Jetsons" and many others. 190 illustrations.
| Author | : Ken Rochon Jr. |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020-08-05 |
| Genre | : |
| ISBN | : 9781648100451 |
| Author | : John Finch |
| Publisher | : |
| Total Pages | : 262 |
| Release | : 2009-06-01 |
| Genre | : Art |
| ISBN | : 9780557074099 |
35 years in the making and constantly kept up to date with the latest and very best techniques, this book will allow you to discover the true art of black and white developing. Discover techniques that will polish your skills in the darkroom. Use this book with all black and white 35mm, medium format and large format photography and attain the ultimate potential of your film and papers. This unique and practical book is the result of over 35 years of darkroom work and has become a trusted guide and inspiration for many photographers across the world. In these pages John will show you innovative, practical as well as advanced ways to really improve your development work with films and paper and produce consistent and beautiful photographs every time.Using the very latest developers, from FX-55 to 510-Pyro. From PMK to Pyrocat, this book is a must have for any photographer.
| Author | : Lee Frost |
| Publisher | : David & Charles Publishers |
| Total Pages | : 144 |
| Release | : 2004 |
| Genre | : Photography |
| ISBN | : 9780715316337 |
This title demonstrates how it is possible to make beautiful black and white images and fine prints with the minimum of fuss. It covers: equipment and film, capturing the image, developing the film, setting up a darkroom, making the print, toning prints, lith printing, print finishing and more.
| Author | : Irena Hatfield |
| Publisher | : |
| Total Pages | : 324 |
| Release | : 2013 |
| Genre | : Art, Aboriginal Australian |
| ISBN | : 9780992280512 |
This true story is a frank and revealing account of exceptionally demanding as well as wonderfully rewarding experiences establishing an Aboriginal Art and Craft centre on Elcho Islande"situated in the Arafura Sea, off Arnhem Land, Northern Territory, Australia. Set to a backdrop of corruption, relationships and harassment but most significantly the ultimate joy of success and the extraordinary experience of working with the Aboriginal artists. Taken from her hand-written journal, the narrative portrays many cross cultural challenges as well as the personal struggles of a single white woman trying to survive in a remote Aboriginal community. About the AuthorFrom a background predominantly in the visual arts, which included establishing an Aboriginal art and craft centre on Elcho Island in Arnhem Land, Irena's experience of writing a substantial piece commenced with her thesis for her Mastere(tm)s Degree (Art Administration UNSW). For seven years she also wrote a weekly Art Review column for a regional newspaper, The Northern Rivers Echo, Lismore e" while she was the Director of the Lismore Regional Gallery, and a variety of short essays for art catalogues and publications as well as producing a quarterly newsletter and so forth. Following a high profile murder trial in 2000, where Irena was acquitted and completely exonerated, she wrote her biography with Mark Amdur, IRENA, The Irena Hatfield Story, which was published by Harper Collins in 2001. As a personal legacy for her family, in 2012, Irena wrote Memories of my Childhood, a candid journey through the innocence of her childhood whilst growing up in Mount Druitt during the 1950s. Situated 43 kilometres west of Sydney, at this time, Mount Druitt was a sleepy, working-class, rural hamlet. Born, Irena Dobrijevich, daughter of WWII refugee migrants, she shares the delights and adventures of her day to day life as well as intimate experiences of time spent at Dalwood Home, a Sydney government run orphanage, and Haddon Hall, a small Presbyterian children's home in the Blue Mountains.
| Author | : Rafael Cardoso |
| Publisher | : |
| Total Pages | : |
| Release | : 2020-09 |
| Genre | : Art and race |
| ISBN | : 9781108680356 |
"The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--
| Author | : Deborah Velasquez |
| Publisher | : |
| Total Pages | : 147 |
| Release | : 2016-12 |
| Genre | : Art |
| ISBN | : 1631592807 |
Learn to work with only positive and negative lines and master the basics of composition, balance, and harmony with Drawing in Black & White.
| Author | : Andrea Barnwell Brownlee |
| Publisher | : Pomegranate |
| Total Pages | : 140 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9780764921292 |
One of the greatest American artists of the twentieth century, Charles White (1918-1979) --with amazing spirit, vision, and brilliance--devoted both his life and work to portraying the African American community. With pencil and brush, in black and white or in color, he captured not only the poverty, strife, and despair of the black people but their strength of community, the joy of enlightenment, and the tenderness of kinship as well, rejecting the usual stereotypes of black people as inferior. His canvases, woodcuts, monumental drawings, and murals convey his strong social consciousness and impart the inherent dignity of his subjects.Andrea Barnwell chronicles the highlights of White's career, discusses several of the artist's famous works, and introduces many works from private collections that never before have been examined. Although White's works are in the collections of major museums and libraries, including Hampton University Museum, Hampton, Virginia; Whitney Museum of American Art, New York; Howard University Gallery of Art, Washington; the Art Institute of Chicago; and the Flint Institute of Art, his place in the annals of art history has never been fully realized.
| Author | : Ellsworth Kelly |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Black in art |
| ISBN | : 9783775732178 |
The paintings of Ellsworth Kelly (born 1923) are famous for their hard edges, minimalist abstraction and above all, their bright, vibrant colors. Less known are the black-and-white drawings, collages and paintings that preceded or accompanied many of them, despite the fact that they make up roughly 20 percent of his total output. Ellsworth Kelly: Black & White and the exhibition it accompanies bring together the artist's color-free work for the first time, and offer a fresh take on his long career, emphasizing his use of shape, contrast, texture and his incorporation of such everyday objects as a broken windowpane, a handrail shadow or the leaf of a plant into his abstraction. This catalogue makes clear that the scale of contrast between black and white was key to Kelly's artistic self-discovery and subsequent development, and is crucial to any proper understanding of his oeuvre.
