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Art & Letters: Indian and Pakistan

Art & Letters: Indian and Pakistan
Author:
Publisher:
Total Pages: 234
Release: 1925
Genre: Art
ISBN:

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Vols. for 1925- include the society's annual reports and accounts of meetings, 15th-


Art & Letters: Indian and Pakistan

Art & Letters: Indian and Pakistan
Author:
Publisher:
Total Pages: 488
Release: 1955
Genre: Art
ISBN:

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Vols. for 1925- include the society's annual reports and accounts of meetings, 15th-


Art and Letters

Art and Letters
Author:
Publisher:
Total Pages:
Release:
Genre:
ISBN:

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Art and Letters

Art and Letters
Author:
Publisher:
Total Pages: 342
Release: 1978
Genre: Art, Indic
ISBN:

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Indian Art and Archaeology

Indian Art and Archaeology
Author: Ellen Raven
Publisher: BRILL
Total Pages: 186
Release: 2023-07-17
Genre: Art
ISBN: 9004646078

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The Art of Ajanta and Sopoćani

The Art of Ajanta and Sopoćani
Author: Om Datt Upadhya
Publisher: Motilal Banarsidass Publ.
Total Pages: 434
Release: 1994
Genre: Ajanta (India)
ISBN: 9788120809901

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Pauranic Prana-aesthetics, a finer shade different from that of vitalistic aesthetics )the earlier having breathing-rhythm of Ksaya-Vrddhi --diminuation and augmentation--other than the latter`s emphasis only on the rhythm of augmentation), has been delineated in this study with examples from the world`s two of the best art-monuments: Ajanta (India), now not remaining unknown even to the most casual connoisseur, and Sopocani (Yugoslavia), the most significant and monumentally beautiful work of Byzantine art. Tracing Prana-aesthetics as the aesthetics of inner-light coded in the creeper-motif by the artists of Ajanta, this work emphasises decoding of the creeper-motif by Byzantine artists culminating into the frescoes of Sopocani done in Hellenistic-Byzantine aesthetics beatifield by Hesycast meditation to which that of Buddhists was not unknown. Comparisons of various determinant aspects, aesthetics and artistic denominators, and constraints not allowing similar consummation are properly investigated to substantiate the thesis that Prana-aesthetics transfigures at Ajanta but transubstantiates at Sopocani. The significance of the anabolic aspects of this aesthetics is highlighted especially as a way out from the reductivistic tendencies of the present day visual-arts straining them upto the stage of catabolic dissolution.


Memory, Metaphor, Mutations

Memory, Metaphor, Mutations
Author: Yashodhara Dalmia
Publisher: Oxford University Press, USA
Total Pages: 248
Release: 2007
Genre: Art
ISBN:

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"As boundaries slowly dissolve and interactive realities become evident, the cultures of India and Pakistan are beginning to draw attention. Recent exchanges have taken place in the realm of music, cinema, and other cultural forms. Moreover, both nations share a heritage of Mughal miniatures, Rajasthani and Pahari art, and are bound together by history and the problematics of the present. The contemporary art of the two countries, in all its vitality, today has a new identity. The illustrated book reveals the heterogenous, complex, and vibrant life of the subcontinent of South Asia that is reflected through both Pakistani and Indian art." "In the first part of the book, Salima Hashmi introduces the art practices of Pakistan, since Partition, and their historical background. She goes on to discuss the subversive work of women artists, who have recently asserted themselves. The section ends with an overview of artists who have blended rather uniquely the miniature tradition with contemporary trends." "The second part by Yashodhara Dalmia, begins with the historical development of art in India from the turn of the twentieth-century to the present. There follows a focus on the Progressive Artists' Group, which leaned heavily towards modernism in the fifties, and remains of paramount importance today."--Jacket.


Indian Art and Letters

Indian Art and Letters
Author: India Society
Publisher:
Total Pages:
Release: 1945
Genre:
ISBN:

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Fabric Art

Fabric Art
Author: Sukla Das
Publisher: Abhinav Publications
Total Pages: 246
Release: 1992
Genre: Design
ISBN: 9788170172642

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Of All The Indian Handicrafts, Textiles Form A Class By Themselves Over Which The Rest Of The World Went Into Ecstasies From Time Immemorial.With An Enormous Store Of Myths, Symbols, Imagery And Inspiration From Other Art Forms Indian Textile-Craft Never Faced A Slump Or Stagnation. On The Other Hand It Transcended From A Craft Identity To The Status Of An Art.With Shades Of Classicism, Folk Tradition And Regional Flavour The Rich And Unrivalled Fabrics Of India Have Rightly Been Called Exquisite Poetry In Colour .Indian Fabric Art Can Be Classified Into Three Broad Categories Woven, Painted Or Printed And Embroidered. Within This Broad Outline The Present Study Pinpoints The Historical Background Of Some Representative Forms Each Unique In Its Distinctiveness.A Search For Any Linkage With Allied Art Forms As Well As Their Socio-Cultural Significance Also Provides A New Perspective.Though Apparently Widely Dispersed In Contents, They Form A Composite Tapestry Of Indian Fabric Art Tradition And Call For More Scrutiny Before Our Precious Heirlooms Are Totally Submerged In The Tide Of The Synthetic Era. The Book Is Enriched By Illustrations Of Rare Specimens Of Historical Art Fabrics Collected From Different Museums In The Country. Coupled With Extensive References This Volume Spotlights A New Facet Of Indian Art Heritage Which Will Fascinate Both The Social Scientists As Well As The Connoisseurs Of Indian Art And Culture.