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Art in Theory 1815-1900

Art in Theory 1815-1900
Author: Charles Harrison
Publisher: Wiley-Blackwell
Total Pages: 1128
Release: 1998-03-16
Genre: Art
ISBN:

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Art in Theory 1648-1815 provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars.


Art in Theory

Art in Theory
Author: Paul Wood
Publisher: John Wiley & Sons
Total Pages: 1168
Release: 2020-12-11
Genre: Art
ISBN: 1119591414

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A ground-breaking new anthology in the Art in Theory series, offering an examination of the changing relationships between the West and the wider world in the field of art and material culture Art in Theory: The West in the World is a ground-breaking anthology that comprehensively examines the relationship of Western art to the art and material culture of the wider world. Editors Paul Wood and Leon Wainwright have included over 350 texts, some of which appear in English for the first time. The anthologized texts are presented in eight chronological parts, which are then subdivided into key themes appropriate to each historical era. The majority of the texts are representations of changing ideas about the cultures of the world by European artists and intellectuals, but increasingly, as the modern period develops, and especially as colonialism is challenged, a variety of dissenting voices begin to claim their space, and a counter narrative to western hegemony develops. Over half the book is devoted to 20th and 21st century materials, though the book’s unique selling point is the way it relates the modern globalization of art to much longer cultural histories. As well as the anthologized material, Art in Theory: The West in the World contains: A general introduction discussing the scope of the collection Introductory essays to each of the eight parts, outlining the main themes in their historical contexts Individual introductions to each text, explaining how they relate to the wider theoretical and political currents of their time Intended for a wide audience, the book is essential reading for students on courses in art and art history. It will also be useful to specialists in the field of art history and readers with a general interest in the culture and politics of the modern world.


Sculpture

Sculpture
Author: Johann Gottfried Herder
Publisher: University of Chicago Press
Total Pages: 152
Release: 2002-10-15
Genre: Art
ISBN: 0226327558

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Herder combines rationalist and empiricist thought with a wide range of sources - from the classics to Norse legend, Shakespeare to the Bible - to illuminate the ways we experience sculpture.


Art in Theory 1900 - 2000

Art in Theory 1900 - 2000
Author: Charles Harrison
Publisher: Blackwell Publishing
Total Pages: 1258
Release: 2003
Genre: Art
ISBN: 9780631227083

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These 300 texts provide a vivid introduction to the history of art between 1900 and 2000. Major themes considered include: concepts of genius and originality, modes of landscape painting, the question of Modernity, and the aesthetics of photography.


Art in Theory 1815-1900

Art in Theory 1815-1900
Author: Charles Harrison
Publisher: Wiley-Blackwell
Total Pages: 1120
Release: 1998-03-06
Genre: Art
ISBN: 9780631200666

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Art in Theory 1815-1900 provides the most wide-ranging and comprehensive collection of documents ever assembled on nineteenth-century theories of art.


Idleness and Aesthetic Consciousness, 1815-1900

Idleness and Aesthetic Consciousness, 1815-1900
Author: Richard Adelman
Publisher: Cambridge University Press
Total Pages: 249
Release: 2018-08-02
Genre: Literary Criticism
ISBN: 1108424139

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Explores the failure of Romantic critiques of political economy, and the diminishing importance of aesthetic consciousness across the nineteenth century.


Critical Shift

Critical Shift
Author: Karen L. Georgi
Publisher: Penn State Press
Total Pages: 150
Release: 2015-06-29
Genre: Art
ISBN: 0271062479

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American Civil War–era art critics James Jackson Jarves, Clarence Cook, and William J. Stillman classified styles and defined art in terms that have become fundamental to our modern periodization of the art of the nineteenth century. In Critical Shift, Karen Georgi rereads many of their well-known texts, finding certain key discrepancies between their words and our historiography that point to unrecognized narrative desires. The book also studies ruptures and revolutionary breaks between “old” and “new” art, as well as the issue of the morality of “true” art. Georgi asserts that these concepts and their sometimes loaded expression were part of larger rhetorical structures that gainsay the uses to which the key terms have been put in modern historiography. It has been more than fifty years since a book has been devoted to analyzing the careers of these three critics, and never before has their role in the historiography and periodization of American art been analyzed. The conclusions drawn from this close rereading of well-known texts challenge the fundamental nature of “historical context” in American art history.


A Companion to Art Theory

A Companion to Art Theory
Author: Paul Smith
Publisher: John Wiley & Sons
Total Pages: 552
Release: 2008-04-15
Genre: Art
ISBN: 0470998423

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The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.


The New Painting

The New Painting
Author: Charles S. Moffett
Publisher:
Total Pages: 509
Release: 1986
Genre: Impressionism (Art)
ISBN: 9780714824307

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Aesthetics and Painting

Aesthetics and Painting
Author: Jason Gaiger
Publisher: Bloomsbury Publishing
Total Pages: 205
Release: 2008-10-23
Genre: Philosophy
ISBN: 1441154582

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Aesthetics and Painting introduces and opens up current debates and ideas in the aesthetics of painting. At the book's center is an investigation of the complex relationship between what a painting depicts and the means by which it is depicted. The book looks at: how and why painting may be distinguished from other art forms; the relationship between the painted surface and the depicted subject; the "rules of representation" specific to painting; abstract art and nonrepresentational painting; the most recent technological and aesthetic developments and their implications; the role of the artist-and that of the spectator. A sophisticated treatment of major ideas in art and philosophy, Aesthetics and Painting remains highly readable throughout, offering a clear and coherent account of the nature of painting as an art form.