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| Author | : Randolph Delehanty |
| Publisher | : |
| Total Pages | : 292 |
| Release | : 1996-01-01 |
| Genre | : Art |
| ISBN | : 9780807121009 |
Featuring 250 full-color reproductions, a selection of works from the Ogden Collection of Southern Art--one of the world's finest--traces the evolution of southern art and culture and the region's artistic trends and movements. UP.
| Author | : Carolyn J. Weekley |
| Publisher | : Yale University Press |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art and history |
| ISBN | : 9780300190762 |
This beautifully illustrated volume presents the complex ways in which the lives of artists, clients, and sitters were interconnected in the early American South. During this period, paintings included not only portraits, but also seascapes, landscapes, and pictures made by explorers and naturalists. The first comprehensive study of this subject, Painters and Paintings in the Early American South draws upon materials including diaries, correspondence, and newspapers in order to explore the stylistic trends of the period and the lives of the sitters, as gentility spread from the wealthiest southerners to the middle class. Featuring works by John Singleton Copley, Charles Willson Peale, and Benjamin West, among many others, this important book examines the training and status of painters, the distinction between fine art and the mechanical arts, the popularity of portraiture, and the nature of clientele between 1540 and 1790, providing a new, critical understanding of the history of art in the American South. Published in association with the Colonial Williamsburg Foundation Exhibition Schedule: Colonial Williamsburg Foundation(03/23/13-09/07/14)
| Author | : |
| Publisher | : |
| Total Pages | : 202 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : |
This book and its accompanying exhibition, organized by the Schomburg Center for Research in Black Culture and Exhibitions International, present an extraordinary collection of contemporary work that serves as testimony to the continuing struggle for social justice, cultural identity, and spiritual and personal fulfillment experienced by Southern African Americans.".
| Author | : Cheryl Finley |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 118 |
| Release | : 2018-05-21 |
| Genre | : Art |
| ISBN | : 1588396096 |
My Soul Has Grown Deep considers the art-historical significance of contemporary Black artists and quilters working throughout the southeastern United States and Alabama in particular. Their paintings, drawings, mixed-media compositions, sculptures, and textiles include pieces ranging from the profoundly moving assemblages of Thornton Dial to the renowned quilts of Gee’s Bend. Nearly sixty remarkable examples—originally collected by the Souls Grown Deep Foundation and donated to The Metropolitan Museum of Art—are illustrated alongside insightful texts that situate them in the history of modernism and the context of the African American experience in the twentieth-century South. This remarkable study simultaneously considers these works on their own merits while making connections to mainstream contemporary art. Art historians Cheryl Finley, Randall R. Griffey, and Amelia Peck illuminate shared artistic practices, including the novel use of found or salvaged materials and the artists’ interest in improvisational approaches across media. Novelist and essayist Darryl Pinckney provides a thoughtful consideration of the cultural and political history of the American South, during and after the Civil Rights era. These diverse works, described and beautifully illustrated, tell the compelling stories of artists who overcame enormous obstacles to create distinctive and culturally resonant art. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
| Author | : William Arnett |
| Publisher | : Tinwood Books |
| Total Pages | : 616 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 9780965376631 |
The first comprehensive overview of an important genre of American art, Souls Grown Deep explores the visual-arts genius of the black South. This first work in a multivolume study introduces 40 African-American self-taught artists, who, without significant formal training, often employ the most unpretentious and unlikely materials. Like blues and jazz artists, they create powerful statements amplifying the call for freedom and vision.
| Author | : Bernard L. Herman |
| Publisher | : UNC Press Books |
| Total Pages | : 233 |
| Release | : 2022-05-09 |
| Genre | : Art |
| ISBN | : 146966853X |
This book invites readers into a growing, dynamic conversation among scholars and critics around a vibrant community of artists from an African American South. This constellation of creative makers includes familiar figures, such as Thornton Dial Sr., Lonnie Holley, and quiltmakers Nettie Young and Mary Lee Bendolph, whose work is collected in major museum and private collections. The artists represented extend to lesser-known but equally compelling creators working across a wide range of artistic forms, themes, and geographies. The essays gathered here, accompanied by a generous selection of full-color plates, survey subjects such as the artists' engagement with enslavement and liberation, the spiritual and religious dimensions of their work, the technical aspects of their work (such as the common use of "assemblage" as an artistic medium), the links between art and biography, and the evolving status of their reception in narratives of contemporary, modern, southern, and American art. Contributors are Celeste-Marie Bernier, Laura Bickford, Michael J. Bramwell, Elijah Heyward III, Sharon P. Holland, and Pamela J. Sachant.
| Author | : Angela D. Mack |
| Publisher | : Univ of South Carolina Press |
| Total Pages | : 188 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : 9781570037207 |
Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations.
| Author | : Carol Crown |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 220 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : 9781578066599 |
A fascinating examination of the Bible's influence on seventy-three self-taught artists and 122 works of art
| Author | : Miranda Isabel Lash |
| Publisher | : Duke University Press |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 9780938989387 |
Featuring the work of sixty artists and including 300 illustrations, the catalog Southern Accent accompanies a major contemporary art exhibition that questions and explores the complex and contested space of the American South. This unprecedented exhibition investigates the many realities, fantasies, and myths of the South that have long captured the public's imagination, while presenting a wide range of perspectives that create a composite portrait of southern identity through contemporary art. It looks at the South as an open-ended question and concept in itself by encompassing a broad spectrum of media and approaches, demonstrating that southernness is more of a shared sensibility than any one definable culture or style. While the exhibition includes artwork from the 1950s to the present, it primarily focuses on the past thirty-five years. With numerous contributions by artists, scholars, musicians, and poets, a music-listening library, and a timeline of scholarship on southern art, this catalog redefines the way we look at the South in contemporary art. Southern Accent will be on display at the Nasher Museum of Art at Duke University from September 1, 2016 to January 8, 2017 and at the Speed Art Museum in Louisville, Kentucky, from April 29, 2017, to August 20, 2017. Contributors. Diego Camposeco, Mel Chin, Brittney Cooper, John T. Edge, William Fagaly, Carter Foster, Brendan Greaves, Harrison Haynes, Patterson Hood, Miranda Lash, Ada Limón, Mark Anthony Neal, Catherine Opie, Fahamu Pecou, Richard J. Powell, Tom Rankin, Dario Robleto, Trevor Schoonmaker, Bradley Sumrall, Natasha Trethewey, Kara Walker, Jeff Whetstone Selected Artists: Walter Inglis Anderson, Benny Andrews, Radcliffe Bailey, Romare Bearden, Sanford Biggers, Mel Chin, William Christenberry, Robert Colescott, William Cordova, Thorton Dial, Sam Durant, William Eggleston, Minnie Evans, Howard Finster, Theaster Gates, Jeffrey Gibson, Deborah Grant, Barkley L. Hendricks, James Herbert with R.E.M., Birney Imes, George Jenne, Deborah Luster, Kerry James Marshall, Jing Niu, Tameka Norris, Catherine Opie, Gordon Parks, Ebony G. Patterson, Dario Robleto, Xaviera Simmons, Jimmy Lee Sudduth, Hank Willis Thomas, Kara Walker, Andy Warhol, Carrie Mae Weems Publication of the Nasher Museum of Art at Duke University
| Author | : Kellie Jones |
| Publisher | : Duke University Press Books |
| Total Pages | : 0 |
| Release | : 2017-04-07 |
| Genre | : Art |
| ISBN | : 9780822361459 |
Named a Best Art Book of 2017 by the New York Times and Artforum In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. Emphasizing the importance of African American migration, as well as L.A.'s housing and employment politics, Jones shows how the work of black Angeleno artists such as Betye Saar, Charles White, Noah Purifoy, and Senga Nengudi spoke to the dislocation of migration, L.A.'s urban renewal, and restrictions on black mobility. Jones characterizes their works as modern migration narratives that look to the past to consider real and imagined futures. She also attends to these artists' relationships with gallery and museum culture and the establishment of black-owned arts spaces. With South of Pico, Jones expands the understanding of the histories of black arts and creativity in Los Angeles and beyond.
