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Art in the Age of Terrorism

Art in the Age of Terrorism
Author: Graham Coulter-Smith
Publisher: Paul Holberton Publishing
Total Pages: 262
Release: 2005
Genre: Art
ISBN:

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Art in the Age of Terrorism tackles one of the most difficult topics imaginable - a war that is quintessentially postmodern in its decentred identity, globalized character and confused conflict of cultures. In this publication both artists and critics explore in a series of essays the various ways in which art can help articulate the zone of grey that lies behind the black and white term 'terrorism'. A significant number of the texts deal with the theme of 'the unspeakable', from a number of perspectives. An international plurality of voices is offered in this book, addressing key works by artists from New York, Northern Ireland, South Africa, Lebanon and Israel, many of them profoundly moving and poignant. A number of contributors address the problems facing refugees from terror in the post-9/11 era, exploring the cruel logic by which the contemporary refugee from terror is often perceived as a terrorist and treated accordingly.


Still Life with Bombers

Still Life with Bombers
Author: David Horovitz
Publisher: Knopf
Total Pages: 306
Release: 2007-12-18
Genre: History
ISBN: 030742796X

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When peace talks between Palestinian and Israeli leaders collapsed at Camp David in 2000, a conflict as bloody as any that had ever occurred between the two peoples began. Now David Horovitz—editor of The Jerusalem Report—explores the quotidian and profound effects this conflict and its attendant terrorism have had on the lives of ordinary men, women and children. Horovitz describes the “grim lottery” of life in Israel since 2000. He makes clear that far from becoming blasé or desensitized, its citizens respond with deepening horror every time the front pages are disfigured by the rows of passport portraits presenting the faces of the newly dead. He takes us to the funeral of a murdered Israeli, where the presence of security personnel underlines that nowhere is safe. He describes how his wife must tell their children to close their eyes when they pass a just-exploded bus on the way to school, so that the images of carnage won’t haunt them. He talks with government officials on both sides of the conflict, with relatives of murdered victims, with Palestinian refugees, and with his own friends and family, letting us sense what it feels like to live with the constant threat and the horrific frequency of shootings and suicide bombings. Examining the motives behind the violence, he blames mistaken policies and actions on the Israeli as well as the Palestinian side, and details the suffering of Palestinians deprived of basic freedoms under strict Israeli controls. But at the root of this conflict, he argues, is terrorism and Yasser Arafat’s deliberate use of it after spurning a genuine opportunity for peace at Camp David, and then misleading his people, and much of the world, about what was on offer there. He describes how the world’s press has too often allowed prejudgment to replace fair-minded reporting. And finally, Horovitz makes us see the vast depth and extent of the mistrust between Israelis and Palestinians and the enormous challenges that underlie new attempts at peacemaking. Human and harrowing—and yet projecting an unexpected optimism—Still Life with Bombers affords us a remarkably balanced and insightful understanding of a seemingly intractable conflict.


Cubes

Cubes
Author: Gregor Schneider
Publisher:
Total Pages: 0
Release: 2006
Genre: Art
ISBN: 9788881585809

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This publication presents his video proposal for an unrealized work called Cube Venice 2005, which would have been a giant black cube plonked in the middle of St. Mark's Place, Venice. Along the visuals, Schneider explains that the Kaaba in Mecca inspired his cube, which would have been as tall as the buildings that describe the square of St. Mark's.


Terrorism and the Arts

Terrorism and the Arts
Author: Jonathan Harris
Publisher: Routledge
Total Pages: 320
Release: 2021-03-15
Genre: Art
ISBN: 0429783116

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This book assesses the key definitions, forms, contexts and impacts of terrorist activity on the arts in the modern era, using historical and contemporary perspectives. Its empirical case studies include theatre, literature, music, visual art, mass media, film and the mores of ‘ordinary life.’ While its immediate reflective context is Islamic fundamentalist terrorism, the book reviews a broader range of definitions and counter-definitions of 'terrorism', 'state terrorism' and 'states of terror,' examining uses of the terms through a series of comparative analyses. Chapters focus on the intersection of these definitional questions with heuristic analysis of art forms, cultural activities and their socio-historical contexts. This book will be of interest to scholars in art history, terrorism, politics and the media, and visual culture.


The Age of Lone Wolf Terrorism

The Age of Lone Wolf Terrorism
Author: Mark S. Hamm
Publisher: Columbia University Press
Total Pages: 234
Release: 2017-05-09
Genre: Political Science
ISBN: 0231543778

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The lethality of lone-wolf terrorism has reached an all-time high in the United States. Isolated individuals using firearms with high-capacity magazines are committing brutally efficient killings with the aim of terrorizing others, yet there is little consensus on what connects these crimes and the motivations behind them. In The Age of Lone Wolf Terrorism, terrorism experts Mark S. Hamm and Ramón Spaaij combine criminological theory with empirical and ethnographic research to map the pathways of lone-wolf radicalization, helping with the identification of suspected behaviors and recognizing patterns of indoctrination. Reviewing comprehensive data on these actors, including more than two hundred terrorist incidents, Hamm and Spaaij find that a combination of personal and political grievances lead lone wolves to befriend online sympathizers—whether jihadists, white supremacists, or other antigovernment extremists—and then announce their intent to commit terror when triggered. Hamm and Spaaij carefully distinguish between lone wolves and individuals radicalized within a group dynamic. This important difference is what makes this book such a significant manual for professionals seeking richer insight into the transformation of alienated individuals into armed warriors. Hamm and Spaaij conclude with an analysis of recent FBI sting operations designed to prevent lone-wolf terrorism in the United States, describing who gets targeted, strategies for luring suspects, and the ethics of arresting and prosecuting citizens.


Tactical Response

Tactical Response
Author: Kathleen MacQueen
Publisher:
Total Pages: 281
Release: 2014
Genre: Art, Modern
ISBN: 9780692242568

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Tactical Response: Art in an Age of Terror explores the delicate relationship between representation and real life, particularly as regards art's effectiveness in articulating conditions of atrocity. Tactical Response investigates works by three artists to consider representation as ? what Jean-Luc Nancy calls ? a presence. In his "State of the Union," Hans Haacke unveils an encounter that reflects presence through confrontation; Krzysztof Wodiczko's exhibit "If You See Something?" enunciates private conversations, rendering emphatically present within the gallery space what is routinely ignored outside; and in "Muxima," Alfredo Jaar exposes the daily consequences of a global economy with an immediacy that vibrates more strongly than our own lives. While these artists do not document war, terror, and atrocity, they speak to the conditions of its existence and the impact of its experience, offering a vantage point from which viewers can critically address causes, consequences, and representations of suffering. Viewed together, their work succeeds in exposing the legitimacy of their subjects? demand for attention. Haacke, Wodiczko, and Jaar affirm the value of representation by placing us face-to-face not with horror but with making a difference. By including lengthy interviews with the artists, the author forms a partnership between artistic intent and critical analysis, one that expands the potential of connections between artistic praxis, subjective experience, and political will. These three seminal figures of radical art whose works - while decidedly individual, feed off and respond to each other's ? are presented here together in a single volume, creating through comparison a rare perspective, and one vital to any understanding of the development and relevance of artistic methodologies that form the basis of critical and ethical art practices today.


The History of Terrorism

The History of Terrorism
Author: Gérard Chaliand
Publisher: Univ of California Press
Total Pages: 536
Release: 2016-08-23
Genre: History
ISBN: 0520292502

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First published in English in 2007 under title: The history of terrorism: from antiquity to al Qaeda.


Terrorism

Terrorism
Author: Charles Townshend
Publisher: Oxford University Press
Total Pages: 185
Release: 2018
Genre: Electronic books
ISBN: 0198809093

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"Is terrorism crime or war? Can there be a 'war against terrorism'? In this fully updated edition, Charles Townshend unravels the questions at the heart of the problem of terrorism - its causes, methods, effects, and limitations - suggesting that it must be understood as a political strategy whose threat can be rationally grasped and answered"--Publisher's description.


Art that Kills

Art that Kills
Author: George Petros
Publisher: Creation Books
Total Pages: 0
Release: 2011-01-31
Genre: Counterculture
ISBN: 9781840681659

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ART THAT KILLS examines the point where art meets crime. The book documents a diabolical era, 1984-2001. It chronicles the evolution of a new aesthetic movement, a terrifying fringe of Underground Art where enlightenment and depravity combined. Murder, rape, torture, perversion, cannibalism, drugs, sedition, racism and blasphemy mixed with literature, history, politics, news, movies, TV, punk rock, philosophy and science. The book profiles a pantheon of dissidents and deviants, presents excerpts from their work, re-lives their crimes, and attempts to analyze an elusive era. The scene described herein is essentially the "second generation" of American Underground Art (the "first generation" ran from '66 through the 70s). All varieties of taboos and criminal advocacy found confluence, beyond "confrontation" or "shock." Pure sadism drove it. Sexual psychosis flavored it. Frustration with politics, big business and mass entertainment fueled it. This is art that kills. NEW EXPANDED AND REVISED EDITION INCLUDES: 32 extra pages. New sections featuring John Waters, H.R. Giger, Glenn Danzig, Twiggy Ramirez, Madonna Wayne Gacy and the musician David E. Williams. Lisa Carver of Rollerderby magazine and the painter Stu Mead have their own sections (they previously were included as one-page entries). Type O Negative, Jack-Off Jill, and Glen Benton of Deicide have been added to the Soundtrack section. Graphic artist Steven Leyba has been added to the Gallery. The section featuring Kenneth Anger has been expanded. Previous errors have been amended, making this new edition the definitive document of aesthetic terror.


Bomb

Bomb
Author: Raymond Salvatore Harmon
Publisher: Legare Street Press
Total Pages: 0
Release: 2023-07-18
Genre:
ISBN: 9781021280626

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Published in 1991, Bomb is a provocative and experimental work that blends theory, memoir, and fiction. Harmon, an artist and writer, advocates for a radical approach to art that uses explosive and confrontational tactics to challenge bourgeois values and norms. This manifesto is both a rallying cry for artists who seek to disrupt the status quo and a call to arms for anyone who wants to change society through artistic means. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.