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Art in Renaissance Italy, 1350-1500

Art in Renaissance Italy, 1350-1500
Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
Total Pages: 356
Release: 2000
Genre: Art
ISBN: 9780192842794

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"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).


Art and Society in Italy, 1350-1500

Art and Society in Italy, 1350-1500
Author: Evelyn S. Welch
Publisher: Oxford University Press, USA
Total Pages: 356
Release: 1997
Genre: Art
ISBN:

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Between the 'Black Death' in the mid-fourteenth century and the French invasions at the end of the fifteenth, artists such as Masaccio, Donatello, Fra Angelico, and Leonardo, working in the kingdoms, princedoms, and republics of the Italian peninsula, created some of the most influential andexciting works in a variety of artistic fields. Yet the traditional story of the Renaissance has been dramatically revised in the light of new scholarship, and new issues have greatly enriched our understanding of the period. Emphasis has been placed on recreating the experience of contemporary Italians - the patrons who commissioned the works,the members of the public who viewed them, and the artists who produced them. In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, andartist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.


Art in Renaissance Italy

Art in Renaissance Italy
Author: Evelyn Welch
Publisher:
Total Pages: 350
Release:
Genre:
ISBN:

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Art in Renaissance Italy

Art in Renaissance Italy
Author: John T. Paoletti
Publisher: Prentice Hall Press
Total Pages: 512
Release: 1997-01-01
Genre: Art
ISBN: 9780131833357

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Painting and Experience in Fifteenth Century Italy

Painting and Experience in Fifteenth Century Italy
Author: Michael Baxandall
Publisher: Oxford Paperbacks
Total Pages: 200
Release: 1988
Genre: Art
ISBN: 9780192821447

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An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.


How to Read Italian Renaissance Painting

How to Read Italian Renaissance Painting
Author: Stefano Zuffi
Publisher: Harry N. Abrams
Total Pages: 0
Release: 2010-03-01
Genre: Art
ISBN: 9780810989405

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Zuffi reveals the world of the Renaissance masters in a new and rich light. Each spread uses an important painting as a way to explain a key concept. Includes brief biographies of the major artists, provided an accessible introduction to the art and culture of the Italian Renaissance.


Art in Renaissance Italy

Art in Renaissance Italy
Author: John T. Paoletti
Publisher: Laurence King Publishing
Total Pages: 575
Release: 2005
Genre: Art, Italian
ISBN: 1856694399

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'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.


Renaissance Architecture

Renaissance Architecture
Author: Christy Anderson
Publisher: OUP Oxford
Total Pages: 272
Release: 2013-02-28
Genre: Architecture
ISBN: 0191625264

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The Renaissance was a diverse phenomenon, marked by innovation and economic expansion, the rise of powerful rulers, religious reforms, and social change. Encompassing the entire continent, Renaissance Architecture examines the rich variety of buildings that emerged during these seminal centuries of European history. Although marked by the rise of powerful individuals, both patrons and architects, the Renaissance was equally a time of growing group identities and communities - and architecture provided the public face to these new identities . Religious reforms in northern Europe, spurred on by Martin Luther, rejected traditional church function and decoration, and proposed new models. Political ambitions required new buildings to satisfy court rituals. Territory, nature, and art intersected to shape new landscapes and building types. Classicism came to be the international language of an educated architect and an ambitious patron, drawing on the legacy of ancient Rome. Yet the richness of the medieval tradition continued to be used throughout Europe, often alongside classical buildings. Examining each of these areas by turn, this book offers a broad cultural history of the period as well as a completely new approach to the history of Renaissance architecture. The work of well-known architects such as Michelangelo and Andrea Palladio is examined alongside lesser known though no less innovative designers such as Juan Guas in Portugal and Benedikt Ried in Prague and Eastern Europe. Drawing on the latest research, it also covers more recent areas of interest such as the story of women as patrons and the emotional effect of Renaissance buildings, as well as the impact of architectural publications and travel on the emerging new architectural culture across Europe. As such, it provides a compelling introduction to the subject for all those interested in the history of architecture, society, and culture in the Renaissance, and European culture in general.


European Art of the Fifteenth Century

European Art of the Fifteenth Century
Author: Stefano Zuffi
Publisher: Getty Publications
Total Pages: 384
Release: 2005
Genre: Art
ISBN: 9780892368310

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Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike perfected existing techniques and developed new ones. The painter Masaccio mastered linear perspective; the sculptor Donatello produced anatomically correct but idealized figures such as his bronze nude of David; and the brilliant architect and engineer Brunelleschi integrated Gothic and Renaissance elements to build the self-supporting dome of the Florence Cathedral. This beautifully illustrated guide analyzes the most important people, places, and concepts of this early Renaissance period, whose explosion of creativity was to spread throughout Europe in the sixteenth century


Northern Renaissance Art

Northern Renaissance Art
Author: Susie Nash
Publisher: OUP Oxford
Total Pages: 384
Release: 2008-11-27
Genre: Art
ISBN: 0192842692

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This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces.While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands,dominated visual culture throughout Europe in this crucial period.