Art In New Mexico 1900 1945 PDF Download
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Author | : Charles C. Eldredge |
Publisher | : Abbeville Press |
Total Pages | : 236 |
Release | : 1986 |
Genre | : Art |
ISBN | : |
Download Art in New Mexico, 1900-1945 Book in PDF, ePub and Kindle
Traces the history of the art of New Mexico and examines the works of Hispanic and Indian artists of the region.
Author | : Charles C. Eldredge |
Publisher | : Abbeville Press |
Total Pages | : 228 |
Release | : 1986 |
Genre | : Art, American |
ISBN | : |
Download Art in New Mexico, 1900-1945 Book in PDF, ePub and Kindle
Traces the history of the art of New Mexico and examines the works of Hispanic and Indian artists of the region.
Author | : Jacqueline Hoefer |
Publisher | : |
Total Pages | : 204 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
Download A More Abundant Life Book in PDF, ePub and Kindle
"Artists began coming to New Mexico in the late-19th century, attracted by the dazzling New Mexican landscape, the hospitality of town and village life, and the Indian and Hispanic cultures that had shaped the artistic imagination of New Mexico for centuries. In state-sponsored interviews, artists explain what the New Deal art programs meant to them during the Great Depression."--Alibris.
Author | : Van Deren Coke |
Publisher | : |
Total Pages | : 168 |
Release | : 1963 |
Genre | : Art |
ISBN | : |
Download Taos and Santa Fe Book in PDF, ePub and Kindle
"This volume is the outgrowth of research undertaken by the University and the Carter Museum in preparation of an exhibition of paintings." Includes bibliography.
Author | : Kathryn A. Flynn |
Publisher | : Sunstone Press |
Total Pages | : 377 |
Release | : 2012 |
Genre | : Art |
ISBN | : 0865348820 |
Download Public Art and Architecture in New Mexico 1933-1943 Book in PDF, ePub and Kindle
A Guide to the New Deal Legacy in New Mexico, 1933-1943
Author | : Lane Coulter |
Publisher | : UNM Press |
Total Pages | : 220 |
Release | : 2004-08-30 |
Genre | : Art |
ISBN | : 9780826315250 |
Download New Mexican Tinwork, 1840-1940 Book in PDF, ePub and Kindle
A beautifully illustrated book on the origins and history of traditional Hispanic tinwork.
Author | : Sharyn Rohlfsen Udall |
Publisher | : |
Total Pages | : 114 |
Release | : 1987 |
Genre | : Art |
ISBN | : |
Download Santa Fe Art Colony, 1900-1942 Book in PDF, ePub and Kindle
Author | : Thomas J. Steele |
Publisher | : UNM Press |
Total Pages | : 420 |
Release | : 2005 |
Genre | : Religion |
ISBN | : 9780826329677 |
Download The Alabados of New Mexico Book in PDF, ePub and Kindle
The sacred hymns of New Mexico compiled by the expert on church literature in a handsome bilingual volume.
Author | : Stephanie Lewthwaite |
Publisher | : University of Oklahoma Press |
Total Pages | : 305 |
Release | : 2015-10 |
Genre | : Art |
ISBN | : 0806152893 |
Download A Contested Art Book in PDF, ePub and Kindle
When New Mexico became an alternative cultural frontier for avant-garde Anglo-American writers and artists in the early twentieth century, the region was still largely populated by Spanish-speaking Hispanos. Anglos who came in search of new personal and aesthetic freedoms found inspiration for their modernist ventures in Hispano art forms. Yet, when these arrivistes elevated a particular model of Spanish colonial art through their preservationist endeavors and the marketplace, practicing Hispano artists found themselves working under a new set of patronage relationships and under new aesthetic expectations that tied their art to a static vision of the Spanish colonial past. In A Contested Art, historian Stephanie Lewthwaite examines the complex Hispano response to these aesthetic dictates and suggests that cultural encounters and appropriation produced not only conflict and loss but also new transformations in Hispano art as the artists experimented with colonial art forms and modernist trends in painting, photography, and sculpture. Drawing on native and non-native sources of inspiration, they generated alternative lines of modernist innovation and mestizo creativity. These lines expressed Hispanos’ cultural and ethnic affiliations with local Native peoples and with Mexico, and presented a vision of New Mexico as a place shaped by the fissures of modernity and the dynamics of cultural conflict and exchange. A richly illustrated work of cultural history, this first book-length treatment explores the important yet neglected role Hispano artists played in shaping the world of modernism in twentieth-century New Mexico. A Contested Art places Hispano artists at the center of narratives about modernism while bringing Hispano art into dialogue with the cultural experiences of Mexicans, Chicanas/os, and Native Americans. In doing so, it rewrites a chapter in the history of both modernism and Hispano art. Published in cooperation with The William P. Clements Center for Southwest Studies, Southern Methodist University
Author | : Marian Wardle |
Publisher | : University of Oklahoma Press |
Total Pages | : 241 |
Release | : 2016-02-17 |
Genre | : Art |
ISBN | : 0806154128 |
Download Branding the American West Book in PDF, ePub and Kindle
Artists and filmmakers in the early twentieth century reshaped our vision of the American West. In particular, the Taos Society of Artists and the California-based artist Maynard Dixon departed from the legendary depiction of the “Wild West” and fostered new images, or brands, for western art. This volume, illustrated with more than 150 images, examines select paintings and films to demonstrate how these artists both enhanced and contradicted earlier representations of the West. Prior to this period, American art tended to portray the West as a wild frontier with untamed lands and peoples. Renowned artists such as Henry Farny and Frederic Remington set their work in the past, invoking an environment immersed in conflict and violence. This trademark perspective began to change, however, when artists enamored with the Southwest stamped a new imprint on their paintings. The contributors to this volume illuminate the complex ways in which early-twentieth-century artists, as well as filmmakers, evoked a southwestern environment not just suspended in time but also permanent rather than transient. Yet, as the authors also reveal, these artists were not entirely immune to the siren call of the vanishing West, and their portrayal of peaceful yet “exotic” Native Americans was an expansion rather than a dismissal of earlier tropes. Both brands cast a romantic spell on the West, and both have been seared into public consciousness. Branding the American West is published in association with the Brigham Young University Museum of Art, Provo, Utah, and the Stark Museum of Art, Orange, Texas.