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| Author | : Matthew Craske |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 320 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : 9780192842466 |
Discusses eighteenth and nineteenth century European art
| Author | : M. Newman Ltd. (London) |
| Publisher | : |
| Total Pages | : 36 |
| Release | : 1975 |
| Genre | : |
| ISBN | : |
| Author | : Stephanie Pratt |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 210 |
| Release | : 2013-02-11 |
| Genre | : Art |
| ISBN | : 0806188847 |
Ask anyone the world over to identify a figure in buckskins with a feather bonnet, and the answer will be “Indian.” Many works of art produced by non-Native artists have reflected such a limited viewpoint. In American Indians in British Art, 1700–1840, Stephanie Pratt explores for the first time an artistic tradition that avoided simplification and that instead portrayed Native peoples in a surprisingly complex light. During the eighteenth century, the British allied themselves with Indian tribes to counter the American colonial rebellion. In response, British artists produced a large volume of work focusing on American Indians. Although these works depicted their subjects as either noble or ignoble savages, they also represented Indians as active participants in contemporary society. Pratt places artistic works in historical context and traces a movement away from abstraction, where Indians were symbols rather than actual people, to representational art, which portrayed Indians as actors on the colonial stage. But Pratt also argues that to view these images as mere illustrations of historical events or individuals would be reductive. As works of art they contain formal characteristics and ideological content that diminish their documentary value.
| Author | : Daniela Tarabra |
| Publisher | : Getty Publications |
| Total Pages | : 390 |
| Release | : 2008 |
| Genre | : Art, Baroque |
| ISBN | : 9780892369218 |
"The Art Through the Century series introduces readers to important visual vocabulary of Western art."--Back cover.
| Author | : Linda Walsh |
| Publisher | : John Wiley & Sons |
| Total Pages | : 294 |
| Release | : 2016-08-29 |
| Genre | : Art |
| ISBN | : 1118475577 |
A Guide to Eighteenth-Century Art offers an introductory overview of the art, artists, and artistic movements of this exuberant period in European art, and the social, economic, philosophical, and political debates that helped shape them. Covers both artistic developments and critical approaches to the period by leading contemporary scholars Uses an innovative framework to emphasize the roles of tradition, modernity, and hierarchy in the production of artistic works of the period Reveals the practical issues connected with the production, sale, public and private display of art of the period Assesses eighteenth-century art’s contribution to what we now refer to as ‘modernity’ Includes numerous illustrations, and is accompanied by online resources examining art produced outside Europe and its relationship with the West, along with other useful resources
| Author | : Richard R. Brettell |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 276 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780192842206 |
In a bold new look at the Modern Art era, Brettell explores the works of such artists as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, national and internationalism, and the rise of the museum. 140 illustrations, 75 in color.
| Author | : Massimo Mastrogregori |
| Publisher | : Walter de Gruyter |
| Total Pages | : 416 |
| Release | : 2013-05-08 |
| Genre | : History |
| ISBN | : 3110950014 |
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
| Author | : H. Bruder |
| Publisher | : Springer |
| Total Pages | : 276 |
| Release | : 2010-05-13 |
| Genre | : Literary Criticism |
| ISBN | : 0230277179 |
Numerous claims have been made for a sexual Blake, from post-lapsarian pessimist to free-loving hippie. Queer Blake raises a flag for the weird, perverse, camp and gay directions of the artist's life and work. The contributors occupy diverse positions, illustrating what fresh interpretations result when heterosexuality is ditched as an ideal.
| Author | : Allison Lee Palmer |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 411 |
| Release | : 2020-05-15 |
| Genre | : Art |
| ISBN | : 1538133598 |
Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s until around 1830, with late neoclassicism lingering through the 1870s. It is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was unified under a broad interest in classical antiquity. The movement was born in Italy and France and spread across Europe to Russia and the United States. It was motivated by a desire to use ideas from antiquity to help address modern social, economic, and political issues in Europe, and neoclassicism came to be viewed as a style and philosophy that offered a sense of purpose and dignity to art, following the new “enlightened” thinking. This second edition of Historical Dictionary of Neoclassical Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries cover late Baroque and Rococo tendencies found in the early 18th century, and span the century to include artists who moved from neoclassicism to early romanticism. This book is an excellent resource for students, researchers, and anyone wanting to know more about neoclassical art and architecture.
| Author | : Liam Lenihan |
| Publisher | : Routledge |
| Total Pages | : 219 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351539353 |
Examining the literary career of the eighteenth-century Irish painter James Barry, 1741-1806 through an interdisciplinary methodology, The Writings of James Barry and the Genre of History Painting, 1775-1809 is the first full-length study of the artist?s writings. Liam Lenihan critically assesses the artist?s own aesthetic philosophy about painting and printmaking, and reveals the extent to which Barry wrestles with the significant stylistic transformations of the pre-eminent artistic genre of his age: history painting. Lenihan?s book delves into the connections between Barry?s writings and art, and the cultural and political issues that dominated the public sphere in London during the American and French Revolutions. Barry?s writings are read within the context of the political and aesthetic thought of his distinguished friends and contemporaries, such as Edmund Burke, his first patron; Joshua Reynolds, his sometime friend and rival; Mary Wollstonecraft and William Godwin, with whom he was later friends; and his students and adversaries, William Blake and Henry Fuseli. Ultimately, Lenihan?s interdisciplinary reading shows the extent to which Barry?s faith in the classical tradition in general, and the genre of history painting in particular, is permeated by the hermeneutics of suspicion. This study explores and contextualizes Barry?s attempt to rethink and remake the preeminent art form of his era.
