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| Author | : David Joselit |
| Publisher | : |
| Total Pages | : 256 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : 9780500203682 |
Joselit traces and analyzes the diversity and complexity of postwar American art from Abstract Expressionism to the present clearly and succinctly in this groundbreaking survey. 183 illustrations.
| Author | : Julie Wegner Arnold |
| Publisher | : Peter Lang Incorporated, International Academic Publishers |
| Total Pages | : 184 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : |
This study explores how Denis Diderot watches himself dramatize eighteenth-century French art on the stage of his imagination. It illustrates how Diderot's fanciful self-projection into paintings inspires him emotionally, energizes his prose, and transforms static paintings into mental theater. It examines the beholder's role in bringing portraits to life. The study also shows how the interplay between the rational and creative functions of Diderot's genius structures his experience and narration of art.
| Author | : Peter J. Holliday |
| Publisher | : |
| Total Pages | : 368 |
| Release | : 1993 |
| Genre | : |
| ISBN | : |
| Author | : Robert Alter |
| Publisher | : Basic Books |
| Total Pages | : 272 |
| Release | : 2011-04-26 |
| Genre | : Religion |
| ISBN | : 0465025552 |
From celebrated translator of the Hebrew Bible Robert Alter, the "groundbreaking" (Los Angeles Times) book that explores the Bible as literature, a winner of the National Jewish Book Award. Renowned critic and translator Robert Alter's The Art of Biblical Narrative has radically expanded our view of the Bible by recasting it as a work of literary art deserving studied criticism. In this seminal work, Alter describes how the Hebrew Bible's many authors used innovative literary styles and devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of all time: the revelation of a single God. In so doing, Alter shows, these writers reshaped not only history, but also the art of storytelling itself.
| Author | : |
| Publisher | : Penn State Press |
| Total Pages | : 156 |
| Release | : |
| Genre | : Comic books, strips, etc |
| ISBN | : 9780271038377 |
| Author | : Jane Tormey |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 299 |
| Release | : 2020-07-24 |
| Genre | : Art |
| ISBN | : 1527557278 |
Trespassing disciplines and binding together practice and theory, Telling Stories: Visual Practice, Theories and Narrative crosses strange territories and occupies liminal spaces. It addresses a contemporary preoccupation with narrative and narration, which is being played out across the arts, humanities and beyond, and considers how visual and performative encounters contribute to thinking. How might they tell theories? Telling Stories results from a series of symposia, held at Loughborough University School of Art and Design in 2007. The programme included papers, screenings and performances and was based around the convenors’ shared interests in Peggy Phelan’s notion of ‘performative writing’ and in the examination of inter-disciplinary forms of narrative and counter-narrative. It specifically focused on three aspects - experimental forms of Theories and Criticism, Objects and Narrative and the particular form of the Cinematic Essay and explored how the performative move could also be said to apply to forms of contemporary art practice: to what photography, film, objects wish to say. This resulting edited collection presents contemporary making and writing practices as multi-faceted, interdisciplinary and trans-medial and is indicative of an attitude that sets out to encounter the world, its social conditions, its global perspectives and the nature of aesthetic discussion that is no longer confined by formalism.
| Author | : Arlene Raven |
| Publisher | : Routledge |
| Total Pages | : 385 |
| Release | : 2018-02-23 |
| Genre | : Art |
| ISBN | : 0429980124 |
From the Preface:"The essays in Feminist Art Criticism are theoretical, and we selected them for several reasons. First, they show a diversity of concerns. These include spirituality, sexuality, the representation of women in art, the necessary inter-relationship of theory and action, women as artmakers, ethnicity, language itself, so-called postfeminism and critiques of hte art world, the discipline of art history and the practice of art criticism. Second, the contributors' work has not been either widely disseminated or readily available. Third, the essays, especially arranged as they are (chronologically), demonstrate a continuous feminist discourse in art from the early 1970s through the present, a discourse that is neither monolithic nor intellectually trendy but that rather exhibits many elements, the polemical, Marxist, lyrical, and poststructuralist being only a few."
| Author | : Terry Barrett |
| Publisher | : Routledge |
| Total Pages | : 249 |
| Release | : 2020-11-29 |
| Genre | : Photography |
| ISBN | : 1000182363 |
Emphasizing the understanding of images and their influences on how they affect our attitudes, beliefs, and actions, this fully updated sixth edition offers consequential ways of looking at images from the perspectives of photographers, critics, theoreticians, historians, curators, and editors. It invites informed conversations about meanings and implications of images, providing multiple and sometimes conflicting answers to questions such as: What are photographs? Should they be called art? Are they ethical? What are their implications for self, society, and the world? From showing how critics verbalize what they see in images and how they persuade us to see similarly, to dealing with what different photographs might mean, the book posits that some interpretations are better than others and explains how to deliberate among competing interpretations. It looks at how the worth of photographs is judged aesthetically and socially, offering samples and practical considerations for both studio critiques for artists and professional criticism for public audiences. This book is a clear and accessible guide for students of art history, photography and criticism, as well as anyone interested in carefully looking at and talking about photographs and their effects on the world in which we live.
| Author | : David Carrier |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 140 |
| Release | : 2002-10-30 |
| Genre | : Art |
| ISBN | : 0313076421 |
Rosalind Krauss is, without visible rival, the most influential American art writer since Clement Greenberg. Together with her colleagues at ^IOctober^R, the journal she co-founded, she has played a key role in the introduction of French theory into the American art world. In the 1960s, though first a follower of Greenberg, she was inspired by her readings of French structuralist and post-structuralist materials, revolted against her mentor's formalism, and developed a succession of radically original styles of art history writing. Offering a complete survey of her career and work, ^IRosalind Krauss and American Philosophical Art Criticism: From Formalism to Beyond Postmodernism^R comprises the first book-length study of its subject. Written in the lucid style of analytic philosophy, this accessible commentary offers a consideration of her arguments as well as discussions of alternative positions. Tracing Krauss's development in this way provides the best method of understanding the changing styles of American art criticism from the 1960s through the present, and thus provides an invaluable source of historical and aesthetic knowledge for artists and art scholars alike.
| Author | : Dave Hickey |
| Publisher | : University of Chicago Press |
| Total Pages | : 204 |
| Release | : 2015-12-22 |
| Genre | : Art |
| ISBN | : 022624914X |
Newsweek calls him “exhilarating and deeply engaging.” Time Out New York calls him “smart, provocative, and a great writer.” Critic Peter Schjeldahl, meanwhile, simply calls him “My hero.” There’s no one in the art world quite like Dave Hickey—and a new book of his writing is an event. 25 Women will not disappoint. The book collects Hickey’s best and most important writing about female artists from the past twenty years. But this is far more than a compilation: Hickey has revised each essay, bringing them up to date and drawing out common themes. Written in Hickey’s trademark style—accessible, witty, and powerfully illuminating—25 Women analyzes the work of Joan Mitchell, Bridget Riley, Fiona Rae, Lynda Benglis, Karen Carson, and many others. Hickey discusses their work as work, bringing politics and gender into the discussion only where it seems warranted by the art itself. The resulting book is not only a deep engagement with some of the most influential and innovative contemporary artists, but also a reflection on the life and role of the critic: the decisions, judgments, politics, and ethics that critics negotiate throughout their careers in the art world. Always engaging, often controversial, and never dull, Dave Hickey is a writer who gets people excited—and talking—about art. 25 Women will thrill his many fans, and make him plenty of new ones.
