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Art, Crime and Madness

Art, Crime and Madness
Author: Shlomo Giora Shoham
Publisher: Liverpool University Press
Total Pages: 225
Release: 2003-01-01
Genre: Philosophy
ISBN: 1836241496

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Art, Crime and Madness explores the relationship between creative innovation, deviance and morbidity. To innovate, one has to be able to view the medium and the object of creativity in a different, hitherto unexplored manner. The essence of art is creative innovation, coupled with an ability, in varying degrees, to transcend the boundaries of consciousness. But this 'ability' is also the prerogative of the mentally deranged. Likewise, the criminal and the deviant are more likely to transcend normative barriers while creating, hence the wide range of criminal and deviant behaviour in society. Although the inverse hypothesis does not hold -- the mere existence of deviance or morbidity does not predispose the individual to creativity -- nevertheless criminal and mad behaviour are often very innovative. This thesis is illustrated by historical case histories of creative deviance and genius madness, and contemporary observations. The painter Michelangelo Merisi Caravaggio killed a man while still a teenager, and a second victim during a ball game. In his lifetime he was considered degenerate, but today he is considered the greatest painter of the Italian Settecento, and his portrait adorns the Hundred-Thousand Lira note. Jean Genet the homosexual thief was born out of wedlock and as a teenager he transgressed almost all the paragraphs of the French criminal code. But he became a famous French playwright, the mouthpiece for criminals and deviants. His plays built up a philosophical apology for the raison d'etre of the criminal group.


Art, Crime and Madness

Art, Crime and Madness
Author: Shlomo Giora Shoham
Publisher: Liverpool University Press
Total Pages: 300
Release: 2003-01-01
Genre: Philosophy
ISBN: 1836240511

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Art, Crime and Madness explores the relationship between creative innovation, deviance and morbidity. To innovate, one has to be able to view the medium and the object of creativity in a different, hitherto unexplored manner. The essence of art is creative innovation, coupled with an ability, in varying degrees, to transcend the boundaries of consciousness. But this 'ability' is also the prerogative of the mentally deranged. Likewise, the criminal and the deviant are more likely to transcend normative barriers while creating, hence the wide range of criminal and deviant behaviour in society. Although the inverse hypothesis does not hold -- the mere existence of deviance or morbidity does not predispose the individual to creativity -- nevertheless criminal and mad behaviour are often very innovative. This thesis is illustrated by historical case histories of creative deviance and genius madness, and contemporary observations. The painter Michelangelo Merisi Caravaggio killed a man while still a teenager, and a second victim during a ball game. In his lifetime he was considered degenerate, but today he is considered the greatest painter of the Italian Settecento, and his portrait adorns the Hundred-Thousand Lira note. Jean Genet the homosexual thief was born out of wedlock and as a teenager he transgressed almost all the paragraphs of the French criminal code. But he became a famous French playwright, the mouthpiece for criminals and deviants. His plays built up a philosophical apology for the raison d'etre of the criminal group.


Art, Crime, & Madness

Art, Crime, & Madness
Author: S. Giora Shoham
Publisher:
Total Pages: 0
Release: 2002
Genre: Art
ISBN: 9781903900055

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ART, CRIME, AND MADNESS explores the relationship between creative innovation, deviance and morbidity. To innovate, one has to be able to view the medium and the object of creativity in a different, hitherto unexplored manner. The essence of art is creative innovation, coupled with an ability, in varying degrees, to transcend the boundaries of consciousness. But this "ability" is also the prerogative of the mentally deranged. Likewise, the criminal and the deviant are more likely to transcend normative barriers while creating, hence the wide range of criminal and deviant behavior in society. Although the inverse hypothesis does not hold - the mere existence of deviance or morbidity does not predispose the individual to creativity - nevertheless criminal and mad behavior are often very innovative. This thesis is illustrated by historical case histories of creative deviance and genius madness, and contemporary observations. Don Carlo Gesualdo, prince of Venosa, was a sadomasochist who insisted on being flogged. He killed his beautiful wife and her lover in a fit of rage, yet was one of the greatest innovators in the art of the Madrigali. The painter Michelangelo Merisi Caravaggio killed a man while still a teenager, and a second victim during a ball game. In his lifetime he was considered degenerate, but today he is considered the greatest painter of the Italian Settecento, and his portrait adorned the Hundred-Thousand Lira note. Jean Genet the homosexual thief was born out of wedlock and as a teenager he transgressed almost all the paragraphs of the French criminal code. But he became a famous French playwright, the mouthpiece for criminals and deviants. His plays built up a philosophical apology for the raison d'être of the criminal group. Vincent Van Gogh was mad, but in his lucid years he revolutionized painting by his innovative use of wide brush strokes and "rainbows" of colors. Antonin Artaud was also hospitalized, and like Van Gogh he committed suicide. But he revolutionized the cinema theatre and the visual arts.


Crime, Madness and Politics in Modern France

Crime, Madness and Politics in Modern France
Author: Robert A. Nye
Publisher: Princeton University Press
Total Pages: 385
Release: 2014-07-14
Genre: Social Science
ISBN: 1400856272

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Robert A. Nye places in historical context a medical concept of deviance that developed in France in the last half of the nineteenth century, when medical models of cultural crisis linked thinking about crime, mental illness, prostitution, alcoholism, suicide, and other pathologies to French national decline. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


The Culture of the Case

The Culture of the Case
Author: Frederic J. Schwartz
Publisher: MIT Press
Total Pages: 427
Release: 2023-06-13
Genre: Art
ISBN: 0262047705

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How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed. In early twentieth-century Germany, the artistic avant-garde borrowed procedures from the medical and juridical realms to expose and debate matters that society preferred remain hidden and unspoken. Frederic J. Schwartz explores how the evocation or creation of a “case” provided artists with a means to engage themes that ranged from blasphemy to Lustmord, or sexual murder. Shedding light on the case as a cultural form, Schwartz shows its profound effect on artists and the ways it dovetailed with methods used by these figures to exploit fundamental changes taking place across the mass media of their time. As Schwartz shows, the case was a common denominator that connected seemingly disparate works. George Grosz and Rudolf Schlichter drew on it for their violent visual art, as did architect Adolf Loos when he equated ornament with crime. Expressionists, meanwhile, approached the question of whether the so-called “mad” shared a right of public expression with those deemed sane, and examined medical and legal approaches to what society labeled as insanity. The case also took on a personal dimension when artists found themselves confronted with, or chose to engage with, the legal system. German courts prosecuted John Heartfield and others for their provocative works, while Bertolt Brecht created publicity for himself by suing the firm to whom he sold the film rights to The Threepenny Opera. Provocative and insightful, The Culture of the Case offers a privileged view of the spaces of representation in which images—in some instances, as cases—functioned at a key moment of modernity.


Reefer Madness

Reefer Madness
Author: Various
Publisher: Dark Horse Comics
Total Pages: 220
Release: 2018-04-17
Genre: Comics & Graphic Novels
ISBN: 1630087750

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Degradation! Crime! Madness! Hysteria surrounded marijuana as a perceived gateway drug from the 1930's to the 1950's and beyond. Adventure Comics, by Jerry Siegel and Joe Shuster, and works by Frank Frazetta, Jerry Robinson, Jack Kirby, and many more, reveal the social reaction to this era of "Reefer Madness". Like the anti-drug propaganda film, these stories range from comically misinformed to soberly concerned about the influence of Mary Jane on the youth of America. Eisner and Harvey Award winner Craig Yoe brings us his newest collection of wacky, wild, and culturally relevant comics. See how marijuana was perceived in the days of ignorance before it was legalized by the visionary people of Oregon, Washington, and Colorado! See marijuana demonized as a "Satan's cigarettes" in 1950's comics!


Viva La Madness

Viva La Madness
Author: J. J. Connolly
Publisher: Prelude Books
Total Pages: 478
Release: 2011-09-21
Genre: Fiction
ISBN: 0715642219

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Hiding out in the Carribean until the heat dies down from his last job, X is thinking it’s time to ditch the resort life and calls up his old friend Morty to plot his return to London. But he’s hardly stepped off the plane when his associates, Sonny King and Roy ‘Twitchy’ Burns, get on the wrong side of a feuding Venezuelan drug cartel on the hunt for a sensitive package. Suddenly he’s thrown into a stand-off between rival mobs and with so many players in the game it’s tough going making out who wants to cut him a deal and who’s trying to kill him. Darkly comic, fast-paced and full of twists Viva la Madness is packed with sex, scams, drugs and enough dirty money to fill a few offshore bank accounts.


Crime and Madness in Modern Austria

Crime and Madness in Modern Austria
Author: Rebecca S. Thomas
Publisher: Cambridge Scholars Publishing
Total Pages: 500
Release: 2021-02-03
Genre: Social Science
ISBN: 1527565602

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This collection of essays explores the changing history, rhetoric, politics and representation of crime and madness in modern Austria. From the emergence of Viennese modernism to the post-modern moment, the myths, metaphors and realities of crime and madness have unfolded in the shadow of larger cultural questions regarding cultural norms, gender, war, and national identity. Historically based contributions illuminate such diverse cultural realities as the evolution of psychiatry as medical practice, asylum practices in the early twentieth century, and Austrian participation in and responses to terror and war crimes. From these investigations proceeds the clear insight that cultural responses to crime and madness are often steeped in mythmaking as much as objective policy and practice. Conversely, literary and metaphorical representations of crime and madness reveal attitudes and cultural realities about the Austrian society that produced them and which they reflect. Specialists from the fields of Austrian history, literature and culture studies have collaborated to produce this truly interdisciplinary volume, which responses to crime and madness are often steeped in mythmaking as much as objective policy and practice. Conversely, literary and metaphorical representations of crime and madness reveal attitudes and cultural realities about the Austrian society that produced them and which they reflect.


Divine Madness

Divine Madness
Author: Jeffrey A. Kottler
Publisher: John Wiley & Sons
Total Pages: 331
Release: 2005-12-17
Genre: Psychology
ISBN: 0787982326

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"Madness can afford the individual certain resources and abilities that are not available to others. The fantasy life, free flight of ideas, distortions of reality, and heightened senses . . . offer a unique perspective on the world." —From the Introduction Why do some extraordinary individuals overcome mental anguish and produce brilliant creative artistry that is often enhanced by their madness? New York Times best-selling author and noted psychologist Jeffrey Kottler explores this fascinating question in Divine Madness. His book is filled with the compelling stories of emotional turmoil that many great artists have undergone as they struggle for success and survival. Jeffrey Kottler writes about the dramatic and tragic lives of cultural icons Sylvia Plath, Judy Garland, Mark Rothko, Ernest Hemingway, Virginia Woolf, Charles Mingus, Vaslav Nijinsky, Marilyn Monroe, Lenny Bruce, and Brian Wilson. In this riveting book, Kottler highlights the personal story of each of these extraordinary individuals and analyzes how they struggled to overcome their emotional hardships. Divine Madness clearly differentiates between those who surrendered to their illness, often taking their own lives, and those who managed to endure and even recover. Kottler details how their profound psychological issues affected their lives and work, their great productivity and success, and how they strove to achieve some kind of personal stability. The fascinating and brilliantly told stories in Divine Madness help us to find meaning in the incredible lives of these artists. They also serve as an inspiration for those who are grappling to rise above their own challenges and limitations and express themselves more productively and creatively.