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| Author | : Christina Burrus |
| Publisher | : I. B. Tauris |
| Total Pages | : 266 |
| Release | : 1994 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
With the collaboration of Agnes Carbonell; photography by Leonid Ogarev; translated from the French by Ros Schwartz and Sue Rose. Translation of: Collectionneurs russes. Includes index.
| Author | : Georgi Costakis |
| Publisher | : ABRAMS |
| Total Pages | : 542 |
| Release | : 1981 |
| Genre | : Art |
| ISBN | : |
| Author | : Margaret Morgan Grasselli |
| Publisher | : Lund Humphries Publishers Limited |
| Total Pages | : 264 |
| Release | : 2007 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
"National Gallery of Art, Washington, The Morgan Library & Museum, New York, in association with Lund Humphries."
| Author | : Sergius Yakobson |
| Publisher | : |
| Total Pages | : 18 |
| Release | : 1974 |
| Genre | : Art, Russian |
| ISBN | : |
| Author | : Natalya Semenova |
| Publisher | : Yale University Press |
| Total Pages | : 297 |
| Release | : 2020-10-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 030025623X |
The first English-language account of Ivan Morozov and his ambition to build one of the world’s greatest collections of modern art A wealthy Moscow textile merchant, Morozov started buying art in a modest way in 1900 until, on a trip to Paris, he developed a taste for the avant-garde. Meticulous and highly discerning, he acquired works by the likes of Monet, Pissarro, and Cezanne. Unlike his friendly rival Sergei Shchukin, he collected Russian as well as European art. Altogether he spent 1.5 million francs on 486 paintings and 30 sculptures—more than any other collector of the age. Natalya Semenova traces Morozov’s life, family, and achievements, and sheds light on the interconnected worlds of European and Russian art at the turn of the century. Morozov always intended to leave his art to the state—but with the Revolution in 1917 he found himself appointed “assistant curator” to his own collection. He fled Russia and his collection was later divided between Moscow and St. Petersburg, only to languish in storage for decades. Morozov: The Story of a Family and a Lost Collection is being published to coincide with "The Morozov Collection" exhibition at the Fondation Louis Vuitton, Paris, in October 2020.
| Author | : Donald Burton Kuspit |
| Publisher | : |
| Total Pages | : 140 |
| Release | : 1994 |
| Genre | : Art |
| ISBN | : |
Showscases the work of 33 painters who have chosen to remain in post-communist Russia
| Author | : Monika Kopplin |
| Publisher | : Hirmer Verlag GmbH |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Artists' marks |
| ISBN | : 9783777424293 |
Monika Kopplin highlights the extraordinary variety of decorative techniques as well as the many stylistic features. The history and art history of Russia are reflected in the small format of the lacquer miniatures, painting a lively picture of the various eras. A comprehensive index of seals expands the catalogue into a reference book. Russian lacquer art can be traced back to Peter the Great, who had come to know this flourishing art and craft during his study trips in Western Europe. The first important work in this genre in the tsar's empire was completed in 1722 in the form of the Lacquer Study in his palace of Monplaisir. A second significant event followed when the Korobov workshop, which was modelled on the Braunschweig-based Stobwasser workshop, was established in 1793 near Moscow. It is better known by the name of a later owner, Lukutin. A technical and artistic alignment with the German model was followed by an increasingly independent Russian development from the 1820s onwards. At first this found expression in specific decorative techniques, and later also in specifically Russian motifs.
| Author | : John McPhee |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 198 |
| Release | : 2011-04-01 |
| Genre | : Art |
| ISBN | : 0374708487 |
John McPhee's The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other. It offers unprecedented insight into Soviet culture at the brink of the Union's collapse. In the 1960s and 1970s, an American professor of Soviet economics forayed on his own in the Soviet Union, bought the work of underground "unofficial" artists, and brought it out himself or arranged to have it illegally shipped to the United States. Norton Dodge visited the apartments of unofficial artists in at least a dozen geographically scattered cities. By 1977, he had a thousand works of art. His ultimate window of interest involved the years from 1956 to 1986, and through his established contacts he eventually acquired another eight thousand works—by far the largest collection of its kind. McPhee investigates Dodge's clandestine activities in the service of dissident Soviet art, his motives for his work, and the fates of several of the artists whose lives he touched.
| Author | : Elise Herrala |
| Publisher | : Routledge |
| Total Pages | : 204 |
| Release | : 2021-12-31 |
| Genre | : Art |
| ISBN | : 0429659601 |
The dissolution of the Soviet Union brought a massive change in every domain of life, particularly in the cultural sector, where artists were suddenly "free" from party-mandated modes of representation and now could promote and sell their work globally. But in Russia, the encounter with Western art markets was fraught. The Russian field of art still remains on the periphery of the international art world, struggling for legitimacy in the eyes of foreign experts and collectors. This book examines the challenges Russian art world actors faced in building a field of art in a society undergoing rapid and significant economic, political, and social transformation and traces those challenges into the twenty-first century. Drawing on historical and ethnographic research, Art of Transition traces the ways the field of art has developed, evolved, and been sustained in Russia after socialism. It shows how Russia’s art world has grappled with its Soviet past and negotiated its standing in an unequal, globalized present. By attending to the historical legacy of Russian art throughout the twentieth century, this book constructs a genealogy of the contemporary field of postsocialist art that illuminates how Russians have come to understand themselves and their place in the world.
| Author | : N. I︠U︡ Semenova |
| Publisher | : Abbeville Press |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 9780789211545 |
Selling Russia's Treasures documents one of the great cultural dramas of the twentieth century: the sale, by a cash-hungry Soviet government, of the artistic treasures accumulated by the Russian aristocracy over the centuries and nationalized after the October 1917 revolution. An astonishing variety of objects, from icons and illuminated manuscripts to Fabergé eggs and Old Master paintings, entered the collections of wealthy Westerners like Andrew Mellon and Armand Hammer in the 1920s and 30s. Written by the leading experts in the field and long regarded as the definitive book on the subject, the original Russian edition of Selling Russia's Treasures is sought after scholars and laymen alike. Now, for the first time, it is made available in English, in a revised and expanded edition that includes a new chapter on the secret files of the Hermitage, previously considered lost, as well as new research on the sale of religious art, and of twentieth-century French masterworks from the Museum of New Western Art. Numerous color plates reunite long-dispersed works in a virtual museum that illustrates the powerful blow inflicted on Russia's cultural heritage by these secretive sales, and rare photographs and archival documents help bring this buried history to light.
