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| Author | : Richard Cándida Smith |
| Publisher | : Routledge |
| Total Pages | : 305 |
| Release | : 2003-08-29 |
| Genre | : History |
| ISBN | : 1134471149 |
This book investigates the role that the visual and performing arts play in our experience and understanding of the past. The essays highlight the role of oral history in the documentation of the visual and performing arts.
| Author | : Liedeke Plate |
| Publisher | : Routledge |
| Total Pages | : 243 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 0415811406 |
This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. Here authors combine a methodological focus on memory as performance with a theoretical focus on art and popular culture as practices of remembrance. The essays in the book thus analyze what is at stake in the complex processes of remembering and forgetting, of recollecting and disremembering, of amnesia and anamnesis, that make up cultural memory.
| Author | : Richard Smith |
| Publisher | : Routledge |
| Total Pages | : 314 |
| Release | : 2017-07-28 |
| Genre | : History |
| ISBN | : 1351486543 |
Expanding upon longstanding concerns in cultural history about the relation of text and image, this book explores how ideas move across and between expressive forms. The contributions draw from art and architectural history, film, theater, performance studies, and social and cultural history to identify and dissect the role that the visual and performing arts can play in the experience and understanding of the past.The essays highlight the role of oral history in the documentation of the visual and performing arts. They share a common set of questions as they explore, firmly grounded in their distinctive disciplinary standpoints, the circuit of word, gesture, object in the formation and reproduction of knowledge, identity, and community. Blending theory and case study, they cover subjects such as the response of artists to the South African Truth and Reconciliation Commission; violence in Columbia and Mexico and the Balkan Wars; the circuit of sexual desire in contemporary art and photography; and sites of collective and personal memory, including the Internet, the urban landscape, family photographs, and hip hop.Stressing the relationship of media to the formation of collective memory, the volume explores how media intertextuality creates overlapping repertoires for understanding the past and the present. Scholars of art history, media and cultural studies, literature, and performance studies will all find this work a valuable resource.
| Author | : Sarah Trustman |
| Publisher | : |
| Total Pages | : 341 |
| Release | : 2018-03-02 |
| Genre | : |
| ISBN | : 9780578477961 |
The Memory Arts is our most beautiful book to date. Full-color, with pictures on every page, this book details the simple, secret formula that will allow you to remember things better. This system, based on all the great pillars of mnemonics, was developed by husband and wife superteam Sarah and David Trustman. Apply the system to magic or everyday life. The choice is yours!
| Author | : Bernadette Mayer |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 1975 |
| Genre | : Memory |
| ISBN | : |
| Author | : Richard Smith |
| Publisher | : Routledge |
| Total Pages | : 304 |
| Release | : 2017-10-02 |
| Genre | : |
| ISBN | : 9781138533981 |
Expanding upon longstanding concerns in cultural history about the relation of text and image, this book explores how ideas move across and between expressive forms. The contributions draw from art and architectural history, film, theater, performance studies, and social and cultural history to identify and dissect the role that the visual and performing arts can play in the experience and understanding of the past.The essays highlight the role of oral history in the documentation of the visual and performing arts. They share a common set of questions as they explore, firmly grounded in their distinctive disciplinary standpoints, the circuit of word, gesture, object in the formation and reproduction of knowledge, identity, and community. Blending theory and case study, they cover subjects such as the response of artists to the South African Truth and Reconciliation Commission; violence in Columbia and Mexico and the Balkan Wars; the circuit of sexual desire in contemporary art and photography; and sites of collective and personal memory, including the Internet, the urban landscape, family photographs, and hip hop.Stressing the relationship of media to the formation of collective memory, the volume explores how media intertextuality creates overlapping repertoires for understanding the past and the present. Scholars of art history, media and cultural studies, literature, and performance studies will all find this work a valuable resource.
| Author | : Liedeke Plate |
| Publisher | : Routledge |
| Total Pages | : 243 |
| Release | : 2013-04-02 |
| Genre | : Social Science |
| ISBN | : 1135090661 |
This volume pursues a new line of research in cultural memory studies by understanding memory as a performative act in art and popular culture. The authors take their cue from the observation that art and popular culture enact memory and generate processes of memory. They do memory, and in this doing of memory new questions about the cultural dimensions of memory arise: How do art objects and artistic practices perform the past in the present? What is their relationship to the archive? Does the past speak in the performed past (or do we speak to it)? To what purpose do objects "recall"? And for whom do they recollect? Here authors combine a methodological focus on memory as performance with a theoretical focus on art and popular culture as practices of remembrance. The essays in the book thus analyze what is at stake in the complex processes of remembering and forgetting, of recollecting and disremembering, of amnesia and anamnesis, that make up cultural memory.
| Author | : Pil Hansen |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : Cognition |
| ISBN | : 9781474284745 |
"This international collection brings together scientists, scholars and artist-researchers to explore the cognition of memory through the performing arts and examine artistic strategies that target cognitive processes of memory. The strongly embodied and highly trained memory systems of performing artists render artistic practice a rich context for understanding how memory is formed, utilized and adapted through interaction with others, instruments and environments. Using experimental, interpretive and Practice-as-Research methods that bridge disciplines, the authors provide overview chapters and case studies of subjects such as: * collectively and environmentally distributed memory in the performing arts; * autobiographical memory triggers in performance creation and reception; * the journey from learning to memory in performance training; * the relationship between memory, awareness and creative spontaneity, and * memorization and embodied or structural analysis of scores and scripts. This volume provides an unprecedented resource for scientists, scholars, artists, teachers and students looking for insight into the cognition of memory in the arts, strategies of learning and performance, and interdisciplinary research methodology."--
| Author | : Colin Counsell |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 235 |
| Release | : 2009-10-02 |
| Genre | : Performing Arts |
| ISBN | : 1443814717 |
The subject of cultural memory, and of the body’s role in its creation and dissemination, is central to current academic debate, particularly in relation to performance. Viewed from a variety of theoretical positions, the actions of the meaning-bearing body in culture and its capacity to reproduce, challenge or modify existing formulations have been the focus of some of the most influential studies to emerge from the arts and humanities in the last two and a half decades. The ten essays brought together in Performance, Embodiment and Cultural Memory address this subject from a unique diversity of perspectives, focusing on topics as varied as live art, puppetry, memorial practice, ‘cultural performance’ and dance. Dealing with issues ranging from modern nation building to the formation of diasporic identities, this volume collectively considers the ways in which the human soma functions as a canvas for cultural meaning, its forms and actions a mnemonics for constructions of a shared past. This volume is required reading for those interested in how bodies, both on stage and in everyday life, 'perform' meaning.
| Author | : Charles R. Garoian |
| Publisher | : SUNY Press |
| Total Pages | : 272 |
| Release | : 1999-09-30 |
| Genre | : Education |
| ISBN | : 9780791443231 |
Examines performance art and the powerful implications it holds for teaching in the schools.
