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Art and Risk in Ancient Yoruba

Art and Risk in Ancient Yoruba
Author: Suzanne Preston Blier
Publisher: Cambridge University Press
Total Pages: 793
Release: 2017-11-02
Genre: Social Science
ISBN: 1107729173

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In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife sought to define their past for generations of viewers.


Yoruba Art and Language

Yoruba Art and Language
Author: Rowland Abiodun
Publisher: Cambridge University Press
Total Pages: 415
Release: 2014-11-13
Genre: Social Science
ISBN: 1139992872

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The Yoruba was one of the most important civilizations of sub-Saharan Africa. While the high quality and range of its artistic and material production have long been recognized, the art of the Yoruba has been judged primarily according to the standards and principles of Western aesthetics. In this book, which merges the methods of art history, archaeology, and anthropology, Rowland Abiodun offers new insights into Yoruba art and material culture by examining them within the context of the civilization's cultural norms and values and, above all, the Yoruba language. Abiodun draws on his fluency and prodigious knowledge of Yoruba culture and language to dramatically enrich our understanding of Yoruba civilization and its arts. The book includes a companion website with audio clips of the Yoruba language, helping the reader better grasp the integral connection between art and language in Yoruba culture.


Ife, Cradle of the Yoruba

Ife, Cradle of the Yoruba
Author: J. A. Ademakinwa
Publisher: AMV Publishing Services
Total Pages: 206
Release: 2013-12
Genre: History
ISBN: 9780976694199

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"When this book made its first appearance in 1958, it was well received by lovers of Yoruba history and culture. Indeed, the most famous scholar of the Yoruba at that time, Professor S. O. Biobaku, who encouraged the project, supplied a foreword to the first edition. The reason for reprinting this book is exactly the same reason expressed many years ago: a new generation remains ignorant of the history of their people. The central focus is the city of Ile-Ife; the author, the late J. A. Ademakinwa, was an Ife indigene. He puts the mythologies and traditions of his people to good use to speak to a host of subjects.." . . "Ademakinwa's book fulfills the goals set out by the author, conveying ideas to understand historical events within the idioms and conception of history by his own people. It links rituals with mythologies to explain events and phenomena. It explains the formation of Yoruba customs and culture in combination with traditional accounts that tell us about Yoruba history and culture. The book deals primarily with a past that is no more, that very distant time not covered by scientific explanations but by mythologies. In this sense, the myths are valid within the rubric of traditional stories. The book can be enjoyed at multiple levels: as the history of Ife and the Yoruba; as a body of impressive myths about the past; and as the memory of a different age." -Toyin Falola University Distinguished Teaching Professor Jacob and Frances Sanger Mossiker Chair in the Humanities The University of Texas at Austin (From the New Foreword) ABOUT THE AUTHOR J. A. Ademakinwa is believed to have been born in Ile-Ife sometime in 1894 according to the Yoruba traditional method of age calculation in the absence of official birth registry records. He was among the earliest Ife indigenes to embrace the Christian faith. As a result of this conversion, he was admitted to the CMS Primary School, Aiyegbaju, Ile-Ife. His brilliant performance at the school earned him a scholarship to the prestigious St. Andrew's College, Oyo from where he graduated in 1918. Upon graduation, he taught in several schools in the Old Western Region of Nigeria before moving to Lagos in 1928 where he continued his teaching career and eventually retired. During a teaching tenure at Ijebu-Ode, he met a fellow teacher and an indigene of the town, Victoria Abosede Oluyemi-Wright whom he later married in Lagos in 1930. The union was blessed with six children. J. A. Ademakinwa was one of the founding members of the Yoruba Research Council. Between the early 1940s and late 1960s, he was a regular contributor to major Lagos-based newspapers as well as Radio programs. He was also the author of The History of St. Andrew's College, Oyo and The History of Christ Apostolic Church (both written in Yoruba language).


The Yoruba from Prehistory to the Present

The Yoruba from Prehistory to the Present
Author: Aribidesi Usman
Publisher: Cambridge University Press
Total Pages: 519
Release: 2019-07-04
Genre: History
ISBN: 1107064600

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A rich and accessible account of Yoruba history, society and culture from the pre-colonial period to the present.


Picasso's Demoiselles

Picasso's Demoiselles
Author: Suzanne Preston Blier
Publisher: Duke University Press
Total Pages: 625
Release: 2019-12-13
Genre: Art
ISBN: 1478002042

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In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.


Satires of Power in Yoruba Visual Culture

Satires of Power in Yoruba Visual Culture
Author: Yomi Ola
Publisher:
Total Pages: 0
Release: 2013
Genre: Art
ISBN: 9781611630374

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Yoruba artists have long employed the visual arts to criticize dictatorial and ineffectual governments. This book examines satires of power in Yoruba visual culture from the precolonial to the postcolonial periods of Nigerian history. Prior to the imposition of British colonial rule between 1893 and 1960, there were manifestations of parodies of power in the Yoruba satirical masking as well as in the carvings of some of the leading artists of the era, including the renowned Olowe of Ise, who worked predominantly for many kings in southwestern Nigeria. By the 1940s, Yoruba artists began to use the Western modernist media of editorial cartooning and photography as tools of social and political commentary. This text explores the visual commentaries on colonialism by Akinola Lasekan and the critiques of postcolonial military and civilian leaderships conceived by prominent cartoonists such as Kenny Adamson, Josy Ajiboye, dele jegede, Bisi Ogunbadejo, Boye Gbenro, and Tayo Fatunla. And in the global arena, the book further explores the triad of identity, power, and parody in the postmodern photographs and installations of Rotimi Fani-Kayode and Yinka Shonibare, two London-based artists of Yoruba descent. While this book complements previous studies of satire among the Yoruba as an aspect of ritualized performance traditions, it departs from such studies by exploring its appropriations in secular spaces of contemporary visual culture. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "In original, compelling arguments, Ola considers both direct and oblique influences that the Yoruba trickster deity Esu has had on specific works by each artist. Summing up: Recommended." -- CHOICE Magazine


Yoruba

Yoruba
Author: Rowland Abiodun
Publisher:
Total Pages: 108
Release: 1991
Genre: Aesthetics, African
ISBN:

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The Bronze Object in the Middle Ages

The Bronze Object in the Middle Ages
Author: Ittai Weinryb
Publisher: Cambridge University Press
Total Pages: 319
Release: 2016-04-18
Genre: Art
ISBN: 1316539024

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This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.


Gẹlẹdẹ

Gẹlẹdẹ
Author: Henry John Drewal
Publisher: Indiana University Press
Total Pages: 356
Release: 1983
Genre: Social Science
ISBN: 9780253325693

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..". an exceptionally rich source for all those interested in symbolic, religious or social studies." -- Tribus ..". an excellent book... fascinating to read." -- Research in African Literatures ..". a volume that establishes the standards by which future works on the masked festivals of the Yoruba and other Sub-Saharan African peoples will be judged." -- African Arts ..". the most sophisticated art historical analysis of a single African aesthetic tradition." -- Tribal Arts Review


African Renaissance

African Renaissance
Author: M Okediji
Publisher:
Total Pages: 228
Release: 2002-09-15
Genre: Art
ISBN:

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African Renaissance: New Forms, Old Images in Yoruba Art describes, analyzes, and interprets the historical and cultural contexts of an African art renaissance using the twentieth- and twenty-first-century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Moyo Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century. With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria’s independence and the new nation’s subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland.