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Art and Religion in Thera

Art and Religion in Thera
Author: Nanno Marinatos
Publisher:
Total Pages: 150
Release: 1984
Genre: Akrōtēri (Greece)
ISBN:

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"This is a book about wall paintings and the function they fulfilled in the Bronze Age society of Akrotiri, Thera. The author discusses the frescoes in their architectural setting and in relation to the objects found in the rooms and buildings."--Page 2 of cover.


Art and Religion in Thera

Art and Religion in Thera
Author: Nannó Marinatos
Publisher:
Total Pages: 0
Release: 1984
Genre: Mural painting and decoration
ISBN:

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Creativity and Spirituality

Creativity and Spirituality
Author: Earle J. Coleman
Publisher: State University of New York Press
Total Pages: 264
Release: 1998-02-27
Genre: Religion
ISBN: 9780791499504

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From the architecture of Frank Lloyd Wright to the rock gardens of Zen Buddhism, Coleman explores applied, fine, and folk arts in order to uncover points of coalescence between art and religion. Drawing from six living faiths (Buddhism, Christianity, Hinduism, Islam, Judaism, and Taoism), this book philosophically analyzes relations between art and religion in order to explain how the concepts "art," "beauty," "creativity," and "aesthetic experience" find their place or counterparts in religious discourse and experience. Coleman repeatedly shows that aesthetic ideas can serve as bridges to spiritual categories, as when he relates aesthetic bliss to "the peace that passes all understanding." The author follows a three-fold approach; first, he examines ideas and motifs from religious classics in world literature, such as Lao Tzu's Tao Te Ching and The Interior Castle by Teresa of Avila, in order to relate them to aesthetic phenomena. Second, he turns to the statements of artists, such as Leo Tolstoy, Vincent van Gogh, Paul Gauguin, Shih-t'ao, and Wassily Kandinsky, for themes and practices that have religious significance. Third, he analyzes and evaluates the writings of various theoreticians—philosophers, theologians, art critics, sociologists, and psychologists—on the relations between art and religion. Coleman demonstrates, for example, that Martin Buber's I-Thou relationship captures much that is central to art, creativity, and aesthetic experience as well as to religious life. Among the themes that receive sustained treatment are: the varieties of union in art and religion, the child as a paradigm for artists and saints, and creativity as essential to religion. Finally, the author critically weighs proposed distinctions between art and religion and between the broader categories of the aesthetic and the spiritual, rejecting some and showing how others are compatible with his proposal that the aesthetic and the spiritual are cognate categories.


Creative Spirituality

Creative Spirituality
Author: Robert Wuthnow
Publisher: Univ of California Press
Total Pages: 322
Release: 2001
Genre: Art
ISBN: 0520239164

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"Creative Spirituality is a fascinating, brilliant, and suggestive book, to be read and appreciated both for its spiritual insights and for the author's astute observations on artistic creativity and spiritual practice. Robert Wuthnow explores the intimate engagements of art and spirituality in their common quests for meaning. This volume represents a substantial contribution to the growing literature on art and religion in the United States and an intelligent appeal to the artist and the truth-seeker in each of us."—Sally M. Promey is author of Painting Religion in Public and coauthor of The Visual Culture of American Religions "Wuthnow's careful listening to the voices of working artists speaking of their work, and his analysis of the rich variety of their experiences, show the universally human, transforming power of creativity. Creative practice reveals itself here as a primary spiritual practice. While some of these artists follow a traditional religious path and make fascinating connections between their working experience and their religious faith others speak directly of spirituality as a discovering of the power of Spirit. Whether religious or not, their voices are witness to the holy power of human creativity and to the mystery in which it leads."—Reverend Donald Schell, St. Gregory of Nyssa Episcopal Church, San Francisco "Robert Wuthnow has written a brilliant, insightful exploration of how contemporary artists struggle to express their deepest spiritual yearnings. At a time when the notion of spirituality seems inchoate, artists, writers and musicians can often eloquently articulate the mysterious otherness of our lives. Especially powerful are the personal testimonials which reveal the empowerment of transcendence over alienation and disbelief."—Marci Whitney-Schenck, Publisher and Editor, Christianity and the Arts "Here one finds wonderful stories about artists and of the creative spirituality arising out of their work. Wuthnow goes beyond telling us simply that these are people living at the edges of our culture, suggesting that they are spiritual models for our time—people who cultivate spiritual depth through sustained practice, or doing something that is fresh, expressive, and worthwhile. The book addresses the serious, many-sided aspects of their search—indeed, of our search—for 'moments of transcendence' today."—Wade Clark Roof, J. F. Rowny Professor of Religion and Society, University of California at Santa Barbara and author of Spiritual Marketplace


Religion as Art

Religion as Art
Author: Thomas R. Martland
Publisher: State University of New York Press
Total Pages: 238
Release: 1982-06-30
Genre: Religion
ISBN: 1438412134

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Religion in its most authentic part is an art form. Religion does what art does. This idea is richly illustrated and supported by materials of diverse origin. The vast range of the author's experience in the arts and in religious texts and works of aesthetics allows him to lay hold of a great mass of disparate material and to bring out new dimensions in all of it. He always has just the example he needs at his fingertips, a Tibetan Buddhist text next to a French impressionist painting and a remark about early Banogu counterpoint, and each example is seen in a new and interesting way. Through this gentle yoking together of heterogeneous materials, common roots are discovered. Most studies of art and religion describe and explain them as data. Thomas Martland identifies them as expressions of ideals and asks what they are when they are authentic rather than merely what they are when they are self-identified as art and religion. This is an identification through assessment, not an Aristotelian classification, and the means of assessment are provided.


Art, Creativity, and the Sacred

Art, Creativity, and the Sacred
Author: Diane Apostolos-Cappadona
Publisher:
Total Pages: 338
Release: 1995
Genre: Art and religion
ISBN:

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On the Strange Place of Religion in Contemporary Art

On the Strange Place of Religion in Contemporary Art
Author: James Elkins
Publisher: Psychology Press
Total Pages: 154
Release: 2004
Genre: Art
ISBN: 9780415969888

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Can contemporary art say anything about spirituality? Answering this question and more, On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art.


Popular Religion and Ritual in Prehistoric and Ancient Greece and the Eastern Mediterranean

Popular Religion and Ritual in Prehistoric and Ancient Greece and the Eastern Mediterranean
Author: Giorgos Vavouranakis
Publisher: Archaeopress Publishing Ltd
Total Pages: 188
Release: 2019-01-14
Genre: Social Science
ISBN: 1789690463

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This volume features a group of select peer-reviewed papers by an international group of authors, both younger and senior academics and researchers, on the frequently neglected popular cult and other ritual practices in prehistoric and ancient Greece and the eastern Mediterranean.


Among Women

Among Women
Author: Nancy Sorkin Rabinowitz
Publisher: University of Texas Press
Total Pages: 416
Release: 2009-06-03
Genre: History
ISBN: 0292774346

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Women's and men's worlds were largely separate in ancient Mediterranean societies, and, in consequence, many women's deepest personal relationships were with other women. Yet relatively little scholarly or popular attention has focused on women's relationships in antiquity, in contrast to recent interest in the relationships between men in ancient Greece and Rome. The essays in this book seek to close this gap by exploring a wide variety of textual and archaeological evidence for women's homosocial and homoerotic relationships from prehistoric Greece to fifth-century CE Egypt. Drawing on developments in feminist theory, gay and lesbian studies, and queer theory, as well as traditional textual and art historical methods, the contributors to this volume examine representations of women's lives with other women, their friendships, and sexual subjectivity. They present new interpretations of the evidence offered by the literary works of Sappho, Ovid, and Lucian; Bronze Age frescoes and Greek vase painting, funerary reliefs, and other artistic representations; and Egyptian legal documents.


The Oral Traditional Background of Ancient Greek Literature

The Oral Traditional Background of Ancient Greek Literature
Author: Gregory Nagy
Publisher: Taylor & Francis
Total Pages: 409
Release: 2020-11-26
Genre: Literary Criticism
ISBN: 1136539603

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Edited with an introduction by an internationally recognized scholar, this nine-volume set represents the most exhaustive collection of essential critical writings in the field, from studies of the classic works to the history of their reception. Bringing together the articles that have shaped modern classical studies, the set covers Greek literature in all its genres--including history, poetry, prose, oratory, and philosophy--from the 6th century BC through the Byzantine era. Since the study of Greek literature encompasses the roots of all major modern humanities disciplines, the collection also includes seminal articles exploring the Greek influence on their development. Each volume concludes with a list of recommendations for further reading. This collection is an important resource for students and scholars of comparative literature, English, history, philosophy, theater, and rhetoric as well as the classics.