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| Author | : Steve Edwards |
| Publisher | : Yale University Press |
| Total Pages | : 364 |
| Release | : 1999-01-01 |
| Genre | : Art |
| ISBN | : 9780300077445 |
Published with six accompanying books in the series 'Art and its Histories'.
| Author | : Steve Edwards |
| Publisher | : |
| Total Pages | : 336 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 9780300077049 |
Eighty-nine influential texts that have played a significant role in shaping modern judgements and values about art.
| Author | : Renate Dohmen |
| Publisher | : Manchester University Press |
| Total Pages | : 475 |
| Release | : 2018-07-01 |
| Genre | : Art |
| ISBN | : 1526122952 |
The book examines the interactions between Britain and India during the Raj in relation to issues of empire and visual culture. It explores the impact of the Anglo-Indian colonial encounter on the arts and aesthetic traditions of both cultures. Presenting a unique overview that ranges from painting, print-making and photography to architecture, exhibitions and Indian crafts, the book considers the art of urban elites and princely states alongside popular arts. The book highlights the key role of art in forging British colonial ideology. It offers accessible discussions of issues such as Orientalism and (post)colonialism and presents current approaches to questions of British art and empire. It is structured around visual examples which include early nineteenth-century British views of India, Indian negotiations of Western aesthetics represented by Company painting, Kalighat art, and the rise of Indian national art. It covers the display of Indian crafts both in India and at international exhibitions in Britain, as well as the place of India in the British Arts and Crafts movement. The role of the market and items of fashion such as the Kashmir shawl are also discussed, along with the role of photography in representing the colony and questions around national and imperial architecture. The book is aimed at students but will also be relevant to members of the general public with an interest in questions of art, visual culture and empire in relation to Britain and British India.
| Author | : Richard Shone |
| Publisher | : Thames & Hudson |
| Total Pages | : 432 |
| Release | : 2013-04-05 |
| Genre | : Art |
| ISBN | : 0500771499 |
An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.
| Author | : Colin Cunningham |
| Publisher | : Yale University Press |
| Total Pages | : 280 |
| Release | : 1999-01-01 |
| Genre | : Art |
| ISBN | : 9780300077605 |
Encompassing European art, architecture and design from the sixteenth century to the present day, it explores both the work of women artists and the ways that visual representation by male and female artists may be gendered."--BOOK JACKET.
| Author | : Charlotte Mullins |
| Publisher | : Yale University Press |
| Total Pages | : 337 |
| Release | : 2022-01-01 |
| Genre | : Art |
| ISBN | : 0300253664 |
A thrilling journey through 100,000 years of art, from the first artworks ever made to art's central role in culture today "This lively volume is ideal for the precocious high-schooler, the lazy collegian . . . and any adult who wishes for greater mastery of the subject. . . . Mullins leav[es] readers with an expansive, no-regrets appreciation of art and the human story."--Meghan Cox Gurdon, Wall Street Journal "A fresh take on art history as we know it."--Katy Hessel, The Great Women Artists Podcast Charlotte Mullins brings art to life through the stories of those who created it and, importantly, reframes who is included in the narrative to create a more diverse and exciting landscape of art. She shows how art can help us see the world differently and understand our place in it, how it helps us express ourselves, fuels our creativity and contributes to our overall wellbeing and positive mental health. Why did our ancestors make art? What did art mean to them and what does their art mean for us today? Why is art even important at all? Mullins introduces readers to the Terracotta Army and Nok sculptures, Renaissance artists such as Giotto and Michelangelo, trailblazers including Käthe Kollwitz, Pablo Picasso, Frida Kahlo, and contemporary artists who create art as resistance, such as Ai Weiwei and Shirin Neshat. She also restores forgotten artists such as Sofonisba Anguissola, Guan Daosheng and Jacob Lawrence, and travels to the Niger valley, Peru, Java, Rapa Nui and Australia, to broaden our understanding of what art is and should be. This extraordinary journey through 100,000 years celebrates art's crucial place in understanding our collective culture and history.
| Author | : Kathryn Bunn-Marcuse |
| Publisher | : University of Washington Press |
| Total Pages | : 344 |
| Release | : 2020-07-20 |
| Genre | : Art |
| ISBN | : 0295747145 |
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
| Author | : Paul Crowther |
| Publisher | : Cambridge University Press |
| Total Pages | : 232 |
| Release | : 2002-06-06 |
| Genre | : Art |
| ISBN | : 9780521811149 |
In this 2002 book, Paul Crowther explores the philosophy of visual art and its history.
| Author | : Masha Zakheim |
| Publisher | : |
| Total Pages | : 148 |
| Release | : 1983 |
| Genre | : Architecture |
| ISBN | : |
| Author | : Camilla De la Bédoyère |
| Publisher | : JG Press |
| Total Pages | : 384 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9781844514458 |
"The World's Greatest Art" series has been hugely successful on the back of the best-selling bigger book "The World's Greatest Art". Now, to fit in with the series as a whole we've introduced this "Brief History of Art" which covers popular art from 1200.
