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Author | : Ted Nannicelli |
Publisher | : Oxford University Press |
Total Pages | : 289 |
Release | : 2020-05-05 |
Genre | : Philosophy |
ISBN | : 0197507263 |
Download Artistic Creation and Ethical Criticism Book in PDF, ePub and Kindle
Artistic Creation and Ethical Criticism, a study in philosophical aesthetics, investigates an idea that underpins the ethical criticism of art but that is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art - one that will provide a detailed philosophical account of the intersection of ethics and artistic creation as well as conceptual tools that can guide future philosophizing and criticism. Ted Nannicelli offers three arguments concerning the ethical criticism of art. First, he argues that judgments of an artwork's ethical value are already often made in terms of how it was created, and examines why some art forms more readily lend themselves to this form of ethical appraisal than others. He then asserts that production-oriented evaluations of artworks are less contested than other sorts of ethical criticism and so lead to certain practical consequences-from censure, dismissal, and prosecution to shifts in policy and even legislation. Finally, Nannicelli defends the production-oriented approach, arguing that it is not only tacit in many of our art appreciative practices, but is in fact rationally warranted. There are many cases in which we should ethically critique artworks in terms of how they are created because this approach handles cases that other approaches cannot and results in plausible judgments about the works' relative ethical and artistic value. The concise, powerful arguments presented here will appeal to moral philosophers, philosophers of art and aesthetics, and critics interested in the intersection of artistic production and criticism and ethics.
Author | : Garry L. Hagberg |
Publisher | : John Wiley & Sons |
Total Pages | : 306 |
Release | : 2010-10-18 |
Genre | : Philosophy |
ISBN | : 1444337874 |
Download Art and Ethical Criticism Book in PDF, ePub and Kindle
Through a series of essays, Art and Ethical Criticism explores the complex relationship between the arts and morality. Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious New Directions in Aesthetics series, which confronts the most intriguing problems in aesthetics and the philosophy of art today
Author | : Jerrold Levinson |
Publisher | : Cambridge University Press |
Total Pages | : 344 |
Release | : 1998 |
Genre | : Art |
ISBN | : 9780521788052 |
Download Aesthetics and Ethics Book in PDF, ePub and Kindle
This major collection of essays examines issues surrounding aesthetics and ethics.
Author | : Berys Gaut |
Publisher | : Oxford University Press |
Total Pages | : 280 |
Release | : 2007-05-24 |
Genre | : Art |
ISBN | : 0199263213 |
Download Art, Emotion and Ethics Book in PDF, ePub and Kindle
Can a good work of art be evil? 'Art, Ethics, and Emotion' explores this issue, arguing that artworks are always aesthetically flawed insofar as they have a moral defect that is aesthetically relevant. This book will be of interest to anyone who wants to understand the relation of art to morality.
Author | : Ted Nannicelli |
Publisher | : Oxford University Press |
Total Pages | : 256 |
Release | : 2020-05-05 |
Genre | : Philosophy |
ISBN | : 0197507255 |
Download Artistic Creation and Ethical Criticism Book in PDF, ePub and Kindle
Artistic Creation and Ethical Criticism, a study in philosophical aesthetics, investigates an idea that underpins the ethical criticism of art but that is rarely acknowledged and poorly understood - namely, that the ethical criticism of art involves judgments not only of the attitudes a work endorses or solicits, but of what artists do to create the work. The book pioneers an innovative production-oriented approach to the study of the ethical criticism of art - one that will provide a detailed philosophical account of the intersection of ethics and artistic creation as well as conceptual tools that can guide future philosophizing and criticism. Ted Nannicelli offers three arguments concerning the ethical criticism of art. First, he argues that judgments of an artwork's ethical value are already often made in terms of how it was created, and examines why some art forms more readily lend themselves to this form of ethical appraisal than others. He then asserts that production-oriented evaluations of artworks are less contested than other sorts of ethical criticism and so lead to certain practical consequences-from censure, dismissal, and prosecution to shifts in policy and even legislation. Finally, Nannicelli defends the production-oriented approach, arguing that it is not only tacit in many of our art appreciative practices, but is in fact rationally warranted. There are many cases in which we should ethically critique artworks in terms of how they are created because this approach handles cases that other approaches cannot and results in plausible judgments about the works' relative ethical and artistic value. The concise, powerful arguments presented here will appeal to moral philosophers, philosophers of art and aesthetics, and critics interested in the intersection of artistic production and criticism and ethics.
Author | : James Harold |
Publisher | : Oxford University Press, USA |
Total Pages | : 207 |
Release | : 2020 |
Genre | : Philosophy |
ISBN | : 0197519768 |
Download Dangerous Art Book in PDF, ePub and Kindle
"This book takes up the problem of judging works of art using moral standards. When we say that a work is racist, or morally dangerous, what do we mean? The book is divided into two parts. The first part takes up the moral question on its own. What could it mean to say that a work of art (rather than, say, a human being) is immoral? The second part steps back and asks about how moral evaluation fits into the larger task of evaluating artworks. If an artwork is immoral, what does that tell us about how to value the artwork? The overall approach of the book is moderately skeptical. The book argues that many of the reasons given for thinking that works of art are immoral do not stand up to careful scrutiny. It further tries to show that even when works of art are rightly condemned from a moral point of view, the relationship between that moral flaw and their value as artworks is complex. The book defends a moderate version of autonomism between morality and aesthetics. But the real purpose of the book is to highlight the complexities and difficulties in evaluating artworks morally - many philosophers of art have simply assumed that artworks can be evaluated morally and proceeded as though such assessments were unproblematic"--
Author | : Elaine A. King |
Publisher | : Allworth Press |
Total Pages | : 296 |
Release | : 2006-09 |
Genre | : Art |
ISBN | : |
Download Ethics and the Visual Arts Book in PDF, ePub and Kindle
'Ethics and the Visual Arts' offers insights on matters as far ranging as art and censorship, cultural globalization, the effect of the Internet on art and artists, and the ethics and role of new media.
Author | : Robert Eaglestone |
Publisher | : |
Total Pages | : 212 |
Release | : 1997 |
Genre | : Criticism |
ISBN | : |
Download Ethical Criticism Book in PDF, ePub and Kindle
What is the relationship between literary criticism and ethics? Does criticism have an ethical task? How can criticism be ethical after literary theory? Ethical Criticismseeks to answer these questions by examining the historical development of the ethics of criticism and the vigorous contemporary backlash against what is known as 'theory'. The book appraises current arguments about the ethics of criticism and, finding them wanting, turns to the philosophy of Emmanuel Levinas. Described as 'the greatest moral philosopher of the twentieth century', Levinas' thought has had a profound influence on a number of significant contemporary thinkers. By paying close attention to his major writings, Robert Eaglestone argues cogently and persuasively for a new understanding of the ethical task of criticism and theory.
Author | : Maggie Nelson |
Publisher | : National Geographic Books |
Total Pages | : 0 |
Release | : 2012-08-14 |
Genre | : History |
ISBN | : 0393343146 |
Download The Art of Cruelty Book in PDF, ePub and Kindle
"This is criticism at its best." —Carolyn Kellogg, Los Angeles Times Writing in the tradition of Susan Sontag and Elaine Scarry, Maggie Nelson has emerged as one of our foremost cultural critics with this landmark work about representations of cruelty and violence in art. From Sylvia Plath’s poetry to Francis Bacon’s paintings, from the Saw franchise to Yoko Ono’s performance art, Nelson’s nuanced exploration across the artistic landscape ultimately offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.
Author | : Berys Gaut |
Publisher | : OUP Oxford |
Total Pages | : 288 |
Release | : 2007-05-24 |
Genre | : Philosophy |
ISBN | : 0191532436 |
Download Art, Emotion and Ethics Book in PDF, ePub and Kindle
Art, Emotion and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involve showing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is often an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moral considerations. Art, Emotion and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt's Bathsheba and Nabokov's Lolita, which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding our imaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional. Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality.