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Art Against Ideology

Art Against Ideology
Author: Ernst Fischer
Publisher: Lane, Allen
Total Pages: 236
Release: 1969
Genre: Political Science
ISBN:

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The Politics of Art in Modern Egypt

The Politics of Art in Modern Egypt
Author: Patrick M. Kane (College teacher)
Publisher:
Total Pages: 280
Release: 2013
Genre: Art
ISBN: 9780755611232

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"Art and cultural production in Egypt during much of the last hundred years has operated against a backdrop of political crisis and confrontation. Patrick Kane focuses on the turbulent changes of the 1920s to 1960s, when polemical discourse and artistic practice developed against the entrenched and co-opted conservatism of elite and state culture. Radical forms of cultural criticism and dissonance emerged, and this legacy continues to resonate through contemporary activism and dissent. Kane charts the rise of key art movements, like the Egyptian Surrealists and the Contemporary Art Group, and explores their resistance to the Nahda paradigm of elite culture, as well as Nasser's state authoritarianism and nationalist agenda. Through the work of artists and critics like Abd al-Hadi al-Gazzar and Gamal al-Sagini, Kane provides rare insight into the Egyptian cultural and aesthetic experience, and how it has been shaped within a context of political and social conflict."--Bloomsbury Publishing.


The Aesthetics of Anarchy

The Aesthetics of Anarchy
Author: Nina Gourianova
Publisher: Univ of California Press
Total Pages: 356
Release: 2012-03-06
Genre: Art
ISBN: 0520268768

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"In this meticulously-researched, in-depth examination of anarchism and modernism, Gurianova provides a new and compelling interpretation of the early Russian avant-garde. Her study has major implications for our understanding of some of the twentieth century’s most important modernists and is an important contribution to the history and theory of radical political thought."— Allan Antliff, author of Anarchist Modernism: Art, Politics, and the First American Avant-Garde. “Gurianova is the first scholar to study the early Russian avant-garde not as a precursor to the Constructivism of the 1920s, but as a distinctive movement in its own right. In this important book, she identifies an “aesthetics of anarchy” that characterized the movement’s politics and poetics—a concept with provocative implications for our understanding of the relationship between word and image. This is a work of original and compelling scholarship that will profoundly alter our understanding of the Russian avant-garde.”— Nancy Perloff, Getty Research Institute (Los Angeles), curator of the exhibit Tango with Cows: Book Art of the Russian Avant-Garde (1910-1917).


The Necessity of Art

The Necessity of Art
Author: Ernst Fischer
Publisher: Verso Books
Total Pages: 293
Release: 2020-05-05
Genre: Art
ISBN: 1789600995

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"Art is necessary in order that man should be able to recognize and change the world. But art is also necessary by virtue of the magic inherent in it."-Ernst Fischer Reissued with an introduction by John Berger, The Necessity of Art is a beautifully written meditation on art's importance in viewing the world in which we live. In this wide-ranging and erudite exploration of literary and fine art, Fischer looks at the relationship between the creative imagination and social reality, arguing that truthful art must both reflect existence in all its flaws and imperfections, and help show how change and improvement might be brought about. With his emphasis on the individual's need to engage with society, his rejection of rampant consumerism and hypertechnology, and his indomitable optimism, this radical, affirmative and humane vision of the artistic endeavor remains as timely today as when it was first published sixty years ago.


The Necessity of Art

The Necessity of Art
Author: Ernst Fischer
Publisher: Puffin Books
Total Pages: 252
Release: 1963
Genre: Antiques & Collectibles
ISBN:

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From the Peter Neil Isaacs collection.


The Dialectics of Art

The Dialectics of Art
Author: John Molyneux
Publisher: Haymarket Books
Total Pages: 241
Release: 2020-08-04
Genre: Art
ISBN: 1642592137

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To the question of &lquo;what is art?&rquo;, it is often simply responded that art is whatever is produced by the artist. For John Molyneux, this clearly circular answer is deeply unsatisfying. In a tour de force spanning renaissance Italy and the Dutch Republic to contemporary leading figures, The Dialectics of Art instead approaches its subject matter as a distinct field of creative human labour that emerges alongside and in opposition to the alienation and commodification brought about by capitalism. The pieces and individuals Molyneux examines — from Michelangelo’s Slaves to Rembrandts Jewish Bride to the vast drip paintings of Jackson Pollock – are presented as embodying the social contradictions of their times, giving art an inherently political relevance. In its relationship of creative and dialectical tension to prevailing social relationships and norms, such art points beyond the existing order of things, hinting at a potential future society not based on alienated labour in which creative production becomes the property and practice of all.


Against the Avant-garde

Against the Avant-garde
Author: Ara H. Merjian
Publisher: University of Chicago Press
Total Pages: 285
Release: 2020
Genre: Avant-garde
ISBN: 022665527X

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"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--


On Ideology

On Ideology
Author: CCCS
Publisher: Routledge
Total Pages: 273
Release: 2013-12-16
Genre: History
ISBN: 1135032106

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First published in 2006 as WPCS 10, On Ideology is a product of discussions which were common to a number of working groups in the Centre. It confronts the recurring problem of the articulation of cultural studies with some Marxist theories of ideology. The first part is explicitly theoretical, comprising expositions and critical readings of important theorists of ideology – from Lukacs and Gramsci to Althusser and Poulantzas, and an overview of sociological approaches. Part II considers the theme in relation to two significant contributions to social-democratic theories and policies: education and ‘community studies’. Part III discusses the problems raised by the notions of ‘subjectivity’ and ‘individuality’. From a series of theoretical engagements, the book aims to provide perspectives from which to develop concrete and politically relevant studies of a key aspect of contemporary social formations. The Centre for Contemporary Cultural Studies (CCCS) was a research centre at the University of Birmingham. It is notable for producing many key studies and researchers in the field of Cultural Studies. It was founded in 1964 by Richard Hoggart, who became the first centre director. The Cultural Studies department at the University of Birmingham was closed in 2002.