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Ars Componendi Sermones

Ars Componendi Sermones
Author: Ranulf Higden
Publisher: Peeters Publishers
Total Pages: 100
Release: 2003
Genre: History
ISBN: 9789042912427

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Ranulph Higden, monk of St. Werburgh's Abbey and well-known author of the Polychronicon and other treatises, penned a concise and user-friendly Art of Preaching about 1346. His Ars componendi sermones follows a schematic common to many members of this genre and includes attributes desirable or necessary in the preacher, methods for piquing an audience's interest, the process of effective repetition, and suggestions for creating rhythmic patterns in prose. Its major focus, however, is the clear and comprehensive discussion of each thematic sermon part: the theme or scriptural text, its development in protheme and introduction, its division, subdivision, and embellishment. In structure and content, Higden's prescriptive manual has affinities to contemporary rhetorical texts, especially the artes poeticae and dictaminis, and displays an analogous relationship with Ciceronian dispositio as developed in the De Inventione and Rhetorica ad Herennium. A few of the many items of interest scattered throughout the text are Ranulph's insistence that preaching be separate from university exercises and his comments about various subjects like direct entry into heaven post mortem, the scope of medieval optics, what and who compose the church, and the quadruple levels of scriptural exegesis.


The Ars Componendi Sermones of Ranulph Higden, O.S.B.

The Ars Componendi Sermones of Ranulph Higden, O.S.B.
Author: Margaret Jennings
Publisher: BRILL
Total Pages: 133
Release: 2023-08-21
Genre: Literary Criticism
ISBN: 900461057X

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Since the publication of Th. Charland's Artes Praedicandi in 1936, several significant studies of the rise and development of Arts of Preaching have appeared. There are, however, a few aspects of both classical and medieval traditions surrounding these artes which have not been featured in earlier critiques and which contribute to an appreciation of the form, namely: the changing concept of the word "ars", the dialectical/logical emphasis of the schoolmen, and most importantly, the great pastoral movement of the high Middle Ages which can be posited as the ultimate impetus for an art's composition. The latter phenomenon separates the artes praedicandi from the artes dictaminis and poeticae and gives perspective on the shaping influences in preaching tradition. Finally, the specifically Higden material focuses attention on his singularly well-made manual for the construction of a thematic sermon, the Ars componendi sermones.


Ars Componendi Sermones

Ars Componendi Sermones
Author: Ranulf Higden
Publisher:
Total Pages: 86
Release: 2003
Genre: Preaching
ISBN:

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The "Ars componendi sermones"

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Author: Ranulf Higden
Publisher:
Total Pages: 144
Release: 1991
Genre: Religion
ISBN:

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Medieval Latin

Medieval Latin
Author: Frank Anthony Carl Mantello
Publisher: CUA Press
Total Pages: 796
Release: 1996
Genre: Foreign Language Study
ISBN: 9780813208428

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Organized with the assistance of an international advisory committee of medievalists from several disciplines, Medieval Latin: An Introduction and Bibliographical Guide is a new standard guide to the Latin language and literature of the period from c. A.D. 200 to 1500. It promises to be indispensable as a handbook in university courses in Medieval Latin and as a point of departure for the study of Latin texts and documents in any of the fields of medieval studies. Comprehensive in scope, the guide provides introductions to, and bibliographic orientations in, all the main areas of Medieval Latin language, literature, and scholarship. Part One consists of an introduction and sizable listing of general print and electronic reference and research tools. Part Two focuses on issues of language, with introductions to such topics as Biblical and Christian Latin, and Medieval Latin pronunciation, orthography, morphology and syntax, word formation and lexicography, metrics, prose styles, and so on. There are chapters on the Latin used in administration, law, music, commerce, the liturgy, theology and philosophy, science and technology, and daily life. Part Three offers a systematic overview of Medieval Latin literature, with introductions to a wide range of genres and to translations from and into Latin. Each chapter concludes with a bibliography of fundamental works--texts, lexica, studies, and research aids. This guide satisfies a long-standing need for a reference tool in English that focuses on medieval latinity in all its specialized aspects. It will be welcomed by students, teachers, professional latinists, medievalists, humanists, and general readers interested in the role of Latin as the learned lingua franca of western Europe. It may also prove valuable to reference librarians assembling collections concerned with Latin authors and texts of the postclassical period. ABOUT THE EDITORS F. A. C. Mantello is professor of Medieval Latin at The Catholic University of America. A. G. Rigg is professor of English and medieval studies and chairman of the Medieval Latin Committee at the University of Toronto's Centre for Medieval Studies. PRASIE FOR THE BOOK "This extraordinary volume, joint effort of dozens of scholars in eight countries, will be in constant use for research, for advising students and designing courses, and for answering the queries of nonmedievalist colleagues. . . . Medieval Latin provides a foundation for advances in research and teaching on a wide front. . . . Though Mantello and Rigg's Medieval Latin is a superb reference volume, I recommend that it also be read from beginning to end--in small increments, of course. The rewards will be sheaves of notes and an immensely enriched appreciation of Medieval Latin and its literature."--Janet M. Martin, Princeton University, Speculum "A remarkable achievement, and no one interested in medieval Latin can afford to be without it."--Journal of Ecclesiastical History "Everywhere there is clarity, conclusion, judicious illustration, and careful selection of what is central. This guide is a major achievement and will serve Medieval Latin studies extremely well for the foreseeable future."--The Classical Review


Medieval Monastic Preaching

Medieval Monastic Preaching
Author: Carolyn Muessig
Publisher: BRILL
Total Pages: 392
Release: 1998
Genre: History
ISBN: 9789004108837

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This book demonstrates that monastic preaching was a diverse activity which included preaching by monks, nuns and heretics. The study offers a preliminary step in understanding how preaching shaped monastic identity in the Middle Ages.


The Art of Preaching

The Art of Preaching
Author: Siegfried Wenzel
Publisher: Catholic University of America Press
Total Pages: 288
Release: 2013
Genre: Religion
ISBN: 0813221374

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Based on his wide-ranging knowledge of late-medieval Latin sermons from England as well as his editorial experience with medieval Latin texts, Siegfried Wenzel offers critical editions of five instruction manuals on the "art of preaching" dating from 1230 to the fifteenth century. Four of the texts are edited and translated for the first time; the fifth is re-edited from all extant manuscripts. Each of the five sermons is accompanied by a facing-page translation into English. The book aims to stimulate interest and new research in a field that still awaits closer analysis of the relationships among existing treatises and of their historical development.


Spiritual Calculations

Spiritual Calculations
Author: Christine Cooper-Rompato
Publisher: Penn State Press
Total Pages: 205
Release: 2021-12-13
Genre: Literary Criticism
ISBN: 0271092041

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Medieval English sermons teem with examples of quantitative reasoning, ranging from the arithmetical to the numerological, and regularly engage with numerical concepts. Examining sermons written in Middle English and Latin, this book reveals that popular English-speaking audiences were encouraged to engage in a wide range of numerate operations in their daily religious practices. Medieval sermonists promoted numeracy as a way for audiences to appreciate divine truth. Their sermons educated audiences in a hybrid form of numerate practice—one that relied on individuals’ pragmatic quantitative reasoning, which, when combined with spiritual interpretations of numbers provided by the preacher, created a deep and rich sense in which number was the best way to approach the sacred mysteries of the world as well as to learn how one could best live as a Christian. Analyzing both published and previously unpublished sermons and sermon cycles, Christine Cooper-Rompato explores the use of numbers, arithmetic, and other mathematical operations to better understand how medieval laypeople used math as a means to connect with God. Spiritual Calculations enhances our understanding of medieval sermons and sheds new light on how receptive audiences were to this sophisticated rhetorical form. It will be welcomed by scholars of Middle English literature, medieval sermon studies, religious experience, and the history of mathematics.


Medieval 'Artes Praedicandi'

Medieval 'Artes Praedicandi'
Author: Siegfried Wenzel
Publisher: University of Toronto Press
Total Pages: 152
Release: 2015-01-01
Genre: History
ISBN: 1442650109

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"Published for the Medieval Academy of America."


Literary Character

Literary Character
Author: Elizabeth Fowler
Publisher: Cornell University Press
Total Pages: 278
Release: 2018-07-05
Genre: Literary Criticism
ISBN: 1501724169

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Chaucer introduces the characters of the Knight and the Prioress in the General Prologue to The Canterbury Tales. Beginning with these familiar figures, Elizabeth Fowler develops a new method of analyzing literary character. She argues that words generate human figures in our reading minds by reference to paradigmatic cultural models of the person. These models—such as the pilgrim, the conqueror, the maid, the narrator—originate in a variety of cultural spheres. A concept Fowler terms the "social person" is the key to understanding both the literary details of specific characterizations and their indebtedness to history and culture.Drawing on central texts of medieval and early modern England, Fowler demonstrates that literary characters are created by assembling social persons from throughout culture. Her perspective allows her to offer strikingly original readings of works by Chaucer, Langland, Skelton, and Spenser, and to reformulate and resolve several classic interpretive problems. In so doing, she reframes accepted notions of the process and the consequences of reading.Developing insights from law, theology, economic thought, and political philosophy, Fowler's book replaces the traditional view of characters as autonomous individuals with an interpretive approach in which each character is seen as a battle of many archetypes. According to Fowler, the social person provides the template that enables authors to portray, and readers to recognize, the highly complex human figures that literature requires.