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Around and about Marius Barbeau

Around and about Marius Barbeau
Author: Gordon E Smith
Publisher: University of Ottawa Press
Total Pages: 383
Release: 2007-01-01
Genre: History
ISBN: 1772823767

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Marius Barbeau (1883-1969) played a vital role in shaping Canadian culture in the twentieth century. Rooted in the premise that his cultural work – in anthropology, fine arts, music, film, folklore studies, fiction, historiography – cannot be read uni-dimensionally, the sixteen articles that comprise this book demonstrate that by merging disciplinary perspectives about Barbeau, evaluations and understandings of the situation around Barbeau can be deepened.


Art of the Totem

Art of the Totem
Author: Marius Barbeau
Publisher: Surrey, B.C. : Hancock House
Total Pages: 0
Release: 2006
Genre: Indian wood-carving
ISBN: 9780888396181

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Explores the history, development, and significance of the totem pole art of the Northwest Coast.


Marius Barbeau’s Vitalist Ethnology

Marius Barbeau’s Vitalist Ethnology
Author: Frances M. Slaney
Publisher: University of Ottawa Press
Total Pages: 538
Release: 2023-03-28
Genre: Social Science
ISBN: 0776637142

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This book examines Marius Barbeau’s career at Canada’s National Museum (now the Canadian Museum of History), in light of his education at Oxford and in Paris (1907–1911). Based on archival research in England, France and Canada, Marius Barbeau’s Vitalist Ethnology presents Barbeau’s anthropological training at Oxford through his meticulous course notes, as well as archival photographs at the Pitt Rivers Museum and the Bibliothèque et Archives nationales du Québec. It also draws upon Barbeau’s professional correspondence at Library and Archives Canada, the BC Archives, and, above all, the National Museum, where he worked for over four decades. The author, Frances M. Slaney, sheds light on the professional life of this founder of Canadian anthropology, exploring his difficult working relationships with Edward Sapir, his collaborations with Franz Boas, and his outstanding fieldwork in rural Quebec and with Indigenous communities on British Columbia’s Northwest Coast. Barbeau penned over 1,000 books and articles, in addition to curating innovative museum exhibitions and art shows. He invited Group of Seven artists into his field sites, convinced that their works could better capture the “vitality” of Quebec’s rural culture than his own abundant photographs. For these—and many other—contributions, the Historic Sites and Monuments Board of Canada recognized him as a “person of national historic importance” in 1985.


Indian Days in the Canadian Rockies

Indian Days in the Canadian Rockies
Author: Marius Barbeau
Publisher: Macmillan
Total Pages: 254
Release: 1923
Genre: Assiniboine Indians
ISBN:

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The Place of Scraps

The Place of Scraps
Author: Jordan Abel
Publisher:
Total Pages: 0
Release: 2013
Genre: History
ISBN: 9780889227880

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A conceptual poetry book that plays with the idea of historical First Nations' representation through visual and erasure poems.


The Downfall of Temlaham

The Downfall of Temlaham
Author: Marius Barbeau
Publisher: Macmillan of Canada
Total Pages: 300
Release: 1928
Genre: Indians of North America
ISBN:

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Haida Myths Illustrated in Argillite Carvings

Haida Myths Illustrated in Argillite Carvings
Author: Marius Barbeau
Publisher:
Total Pages: 444
Release: 1953
Genre: Haida Gwaii (B.C.)
ISBN:

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"This volume is designed to illustrate Haida argillite carvings. The illustrations are mostly, but not exclusively, in argillite. A few wood carvings happened to bear so aptly on the same mythological themes that they could not fairly be left out."-- Preface, vii.


CanLit Across Media

CanLit Across Media
Author: Jason Camlot
Publisher: McGill-Queen's Press - MQUP
Total Pages: 219
Release: 2019-12-12
Genre: Literary Criticism
ISBN: 0773559825

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The materials we turn to for the construction of our literary pasts - the texts, performances, and discussions selected for storage and cataloguing in archives - shape what we know and teach about literature today. The ways in which archival materials have been structured into forms of preservation, in turn, impact their transference and transformation into new forms of presentation and re-presentation. Exploring the production of culture through and outside of the archives that preserve and produce CanLit as an entity, CanLit Across Media asserts that CanLit arises from acts of archival, critical, and creative analysis. Each chapter investigates, challenges, and provokes this premise by examining methods of "unarchiving" Canadian and Indigenous literary texts and events from the 1950s to the present. Engaging with a remediated archive, or "unarchiving," allows the authors and editors to uncover how the materials that document past acts of literary production are transformed into new forms and experiences in the present. The chapters consider literature and literary events that occurred before live audiences or were broadcast, and that are now recorded in print publications and documents, drawings, photographs, flat disc records, magnetic tape, film, videotape, and digitized files. Showcasing the range of methods and theories researchers use to engage with these materials, CanLit Across Media reanimates archives of cultural meaning and literary performance. Contributors include Jordan Abel (University of Alberta), Andrea Beverley (Mount Allison University), Clint Burnham (Simon Fraser University), Jason Camlot (Concordia University), Joel Deshaye (Memorial University of Newfoundland), Deanna Fong (Simon Fraser University), Catherine Hobbs (Library and Archives Canada), Dean Irvine (Agile Humanities), Karl Jirgens (University of Windsor), Marcelle Kosman (University of Alberta), Jessi MacEachern (Concordia University), Katherine McLeod (Concordia University), Linda Morra (Bishop's University), Karis Shearer (University of British Columbia, Okanagan), Felicity Tayler (University of Ottawa), and Darren Wershler (Concordia University).


First Nations, Museums, Narrations

First Nations, Museums, Narrations
Author: Alison K. Brown
Publisher: UBC Press
Total Pages: 329
Release: 2014-04-15
Genre: Social Science
ISBN: 0774827270

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When the Franklin Motor Expedition set out across the Canadian Prairies to collect First Nations artifacts, brutal assimilation policies threatened to decimate these cultures and extensive programs of ethnographic salvage were in place. Despite having only three members, the expedition amassed the largest single collection of Prairie heritage items currently housed in a British museum. Through the voices of descendants of the collectors and members of the affected First Nations, this book looks at the relationships between indigenous peoples and the museums that display their cultural artifacts, raising timely and essential questions about the role of collections in the twenty-first century.