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| Author | : Scott Higgins |
| Publisher | : Routledge |
| Total Pages | : 300 |
| Release | : 2010-10-18 |
| Genre | : History |
| ISBN | : 1135966931 |
Download Arnheim for Film and Media Studies Book in PDF, ePub and Kindle
Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies. In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim’s legacy for film and media studies. In fourteen essays, the contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim’s film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media. This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.
| Author | : Scott Higgins |
| Publisher | : Routledge |
| Total Pages | : 595 |
| Release | : 2010-10-18 |
| Genre | : Social Science |
| ISBN | : 1135966923 |
Download Arnheim for Film and Media Studies Book in PDF, ePub and Kindle
Rudolf Arnheim (1904-2007) was a pioneering figure in film studies, best known for his landmark book on silent cinema Film as Art. He ultimately became more famous as a scholar in the fields of art and art history, largely abandoning his theoretical work on cinema. However, his later aesthetic theories on form, perception and emotion should play an important role in contemporary film and media studies. In this enlightening new volume in the AFI Film Readers series, an international group of leading scholars revisits Arnheim’s legacy for film and media studies. In fourteen essays, the contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of Film as Art and related texts. The contributors discuss a broad range topics including Arnheim’s film writings in relation to modernism, his antipathy to sound as well as color in film, the formation of his early ideas on film against the social and political backdrop of the day, the wider uses of his methodology, and the implications of his work for digital media. This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.
| Author | : Rudolf Arnheim |
| Publisher | : Univ of California Press |
| Total Pages | : 244 |
| Release | : 1957 |
| Genre | : Art |
| ISBN | : 9780520248373 |
Download Film as Art Book in PDF, ePub and Kindle
“More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress.”—Edward Dimendberg author of Film Noir and the Spaces of Modernity “After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic theory based on the formal ‘limitations’ of the medium, Arnheim’s Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound’s transformation of the cinema, Arnheim’s essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the ‘essence’ of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom.”—Vivian Sobchack, author of Carnal Thoughts
| Author | : Rudolf Arnheim |
| Publisher | : Univ of Wisconsin Press |
| Total Pages | : 268 |
| Release | : 1997 |
| Genre | : Performing Arts |
| ISBN | : 9780299152642 |
Download Film Essays and Criticism Book in PDF, ePub and Kindle
This collection of essays by Rudolph Arnheim (film criticism, U. of Michigan) explores film theory, criticism, and many classic films from the silent and early sound period (the 1920s and early 1930s). The majority of essays included in this collection were written and published in Berlin during the Weimar Republic, and have been translated into English for the first time. Arnheim argues that up until 1930, film artists created pure forms of cinema crafted with a narrative economy which could unify the most varied of effects. As movies became more realistic looking due to technical advances, cinema began to lose its integrity and viability. Paper edition (unseen), $18.95. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Hugo Münsterberg |
| Publisher | : |
| Total Pages | : 252 |
| Release | : 1916 |
| Genre | : Film criticism |
| ISBN | : |
Download The Photoplay Book in PDF, ePub and Kindle
| Author | : Ian Verstegen |
| Publisher | : Springer |
| Total Pages | : 136 |
| Release | : 2019-01-09 |
| Genre | : Philosophy |
| ISBN | : 3030029700 |
Download Arnheim, Gestalt and Media Book in PDF, ePub and Kindle
This monograph presents a synthesis and reconstruction of Rudolf Arnheim’s theory of media. Combining both Arnheim’s well-known writings on film and radio with his later work on the psychology of art, the author presents a coherent approach to the problem of the nature of a medium, space and time, and the differentia between different media. The latent ontological commitments of Arnheim’s theories is drawn out by affirming Arnheim’s membership in the Brentano school of Austrian philosophy, which allows his theories to be clarified and strengthened, particularly with the metaphysical writings of Roman Ingarden. The resulting theory is relational, portraying essential medial differences with neutral criteria and allowing for a rigorous definition of a medium. The way in which a medium is based on the inherent dispositions of medial materials creates a highly appealing theory that is determinate without being deterministic. The theory is thus highly timely as people in media studies seek to address the determinate nature of media after the post-medium condition. The book will appeal to researchers and graduate students in cultural and media studies as well as architecture and design.
| Author | : Rudolf Arnheim |
| Publisher | : Univ of California Press |
| Total Pages | : 244 |
| Release | : 1957-09 |
| Genre | : Performing Arts |
| ISBN | : 9780520000353 |
Download Film as Art Book in PDF, ePub and Kindle
A theory of film
| Author | : Rudolf Arnheim |
| Publisher | : Univ of California Press |
| Total Pages | : 526 |
| Release | : 2004-11-08 |
| Genre | : Art |
| ISBN | : 9780520243835 |
Download Art and Visual Perception, Second Edition Book in PDF, ePub and Kindle
A 50-year-old classic, which was revised and expanded in 1974. Explains how the eye organizes visual material according to psychological laws.
| Author | : Rudolf Arnheim |
| Publisher | : Univ of California Press |
| Total Pages | : 266 |
| Release | : 1983-01-01 |
| Genre | : Cooking |
| ISBN | : 9780520050150 |
Download The Power of the Center Book in PDF, ePub and Kindle
The tension between two systems for understanding and picturing space, the concentric and the Cartesian, is regarded by the author as the key to composition in painting, sculpture and architecture
| Author | : Joe McElhaney |
| Publisher | : Wayne State University Press |
| Total Pages | : 476 |
| Release | : 2009 |
| Genre | : Performing Arts |
| ISBN | : 9780814333075 |
Download Vincente Minnelli Book in PDF, ePub and Kindle
Widely known for innovative films like Meet Me in St. Louis, An American in Paris, and The Band Wagon, Vincente Minnelli also directed classic film comedies like Father of the Bride and Designing Woman, and melodramas such as The Bad and the Beautiful and Some Came Running. Though his work is beloved by filmmakers and audiences alike, Minnelli has nonetheless received very little critical attention in English. Vincente Minnelli: The Art of Entertainment remedies this imbalance, offering the first-ever comprehensive and scholarly examination of Minnelli's career within a variety of discourses and methods. Bringing together a number of previously uncollected and untranslated essays by some of the most important scholars and critics in North America, Australia, and Europe, Vincente Minnelli: The Art of Entertainment places Minnelli's cinema in its rightful position at the forefront of film history. In essays written over the last five decades, as well as a number of new essays commissioned especially for this volume, contributors consider Minnelli from a number of perspectives from auteurism to genre studies and psychoanalysis to close textual analysis. The volume is divided into four chronological sections, Minnelli in the 1960s: The Rise and Fall of an Auteur; The 1970s and 1980s: Genre, Psychoanalysis, and Close Readings; The 1990s: Matters of History, Culture, and Sexuality; and Minnelli Today: The Return of the Artist. An introduction by Joe McElhaney addresses the history of the reception of Minnelli's films, situating this reception within larger questions of film theory, criticism, and aesthetics. Too often dismissed as little more than a stylist dependent on the resources of the studio system and the structures of genre, Vincente Minnelli deserves a second look from serious film scholars. Vincente Minnelli: The Art of Entertainment demonstrates the remarkable and sustained rigor of Minnelli's vision and will appeal to students and teachers of film studies as well as fans of Minnelli's work.
