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| Author | : Ralph M. Rosen |
| Publisher | : BRILL |
| Total Pages | : 296 |
| Release | : 2020-04-14 |
| Genre | : Literary Criticism |
| ISBN | : 9004424466 |
This book presents a collection of new studies on the political aspects of Aristophanes’ comic plays, produced in Athens in the latter half of the 5th century BCE.
| Author | : Keith Sidwell |
| Publisher | : Cambridge University Press |
| Total Pages | : 424 |
| Release | : 2009-10-22 |
| Genre | : Drama |
| ISBN | : 0521519985 |
This book argues that writers of Old Comedy belonged to recognisable political circles and used their comedy to disparage their political enemies.
| Author | : Niall W. Slater |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 384 |
| Release | : 2002-06-12 |
| Genre | : Drama |
| ISBN | : 9780812236521 |
Spectator Politics is the first major study of metatheatre, or theatrically self-conscious performance, in Aristophanes. Using a reception-based performance criticism, Niall Slater elucidates the comic effectiveness of the earliest surviving comedies in the Western tradition. Slater demonstrates that Aristophanes employed metatheatre not simply to entertain but also to teach his audience how to read and interpret performance in other key public venues of the ancient democracy of Athens, such as performances in the political assembly and law courts. Aristophanes was, Slater contends, the first performance critic. Spectator Politics shows how Aristophanes' comedy served the Athenians by helping them to become active political participants, teaching them to see through deceptive performances, whether on stage or in the political sphere. His comedies use self-conscious performance to encourage the public to move out of the role of passive consumers of spectacle and to reengage the political process. Aristophanes' critique of performance prefigures much in the performance-dominated culture of the modern American political scene. Throughout, detailed readings of the original stagings illuminate the plays for today's audiences and performers, while Slater's cultural critique provides much for those interested in Athenian democracy and its lesson for the contemporary political scene. Spectator Politics offers a salutary demonstration of the power of art to expose and resist the performance powers of would-be demagogues.
| Author | : K.S. Rothwell |
| Publisher | : BRILL |
| Total Pages | : 130 |
| Release | : 2018-07-17 |
| Genre | : Literary Criticism |
| ISBN | : 9004329072 |
This study shows that the Ecclesiazusae is an affirmation of the importance of persuasion in the fourth- century democracy. Praxagora, the attractive and articulate female protagonist, virtually personifies peitho, the realm of both political persuasion and erotic seduction. The ability of peitho to address both public and private motivations makes it the perfect instrument to resolve the tension in the fourth century between selfishness and civic participation. This is, after all, the central issue in the later episodes of the play.
| Author | : Maurice Croiset |
| Publisher | : |
| Total Pages | : 226 |
| Release | : 1909 |
| Genre | : Athens (Greece) |
| ISBN | : |
| Author | : Moritz Mücke |
| Publisher | : GRIN Verlag |
| Total Pages | : 3 |
| Release | : 2014-12-18 |
| Genre | : Philosophy |
| ISBN | : 3656863563 |
Essay from the year 2014 in the subject Philosophy - Philosophy of the Ancient World, grade: 1, , course: Thucydides, language: English, abstract: In The Knights Aristophanes mocks his adversary Cleon and comments on the phenomenon of demagoguery in democratic Athens. The play, first produced in 424 B.C., entrusts a sausage-seller to rival the Paphlagonian, a thinly veiled Cleon, in flattering and gaining the approval of the demos.1 A thorough examination of the comedy serves to demonstrate that Aristophanes attacks not democracy itself but unscrupulous demagogues like Cleon and Hyperbolus as well as the tendency of the Athenian demos to intellectual laziness, which allows the practitioners of flattery to bribe the people with their own money.
| Author | : Prof. Robert C. Bartlett |
| Publisher | : Univ of California Press |
| Total Pages | : 295 |
| Release | : 2020-09-29 |
| Genre | : Political Science |
| ISBN | : 0520975367 |
Timeless comedies on resisting tyranny from one of history’s greatest comic playwrights. Against Demagogues presents Robert C. Bartlett's new translations of Aristophanes' most overtly political works, the Acharnians and the Knights. In these fantastically inventive, raucous, and raunchy comedies, the powerful politician Cleon proves to be democracy's greatest opponent. With unrivalled power, both plays make clear the dangers to which democracies are prone, especially the threats posed by external warfare, internal division, and class polarization. Combating the seductive allure of demagogues and the damage they cause, Against Demagogues disentangles Aristophanes' serious teachings from his many jokes and pratfalls, substantiating for modern readers his famous claim to "teach justice" while "making a comedy" of the city. The book features an interpretive essay for each play, expertly guiding readers through the most important plot points, explaining the significance of various characters, and shedding light on the meaning of the plays' often madcap episodes. Along with a contextualizing introduction, Bartlett offers extensive notes explaining the many political, literary, and religious references and allusions. Aristophanes' comedic skewering of the demagogue and his ruthless ambition—and of a community so ill-informed about the doings of its own government, so ready to believe in empty promises and idle flattery—cannot but resonate strongly with readers today around the world.
| Author | : Martin Revermann |
| Publisher | : Cambridge University Press |
| Total Pages | : 523 |
| Release | : 2014-06-12 |
| Genre | : Drama |
| ISBN | : 0521760283 |
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
| Author | : Marina Marren |
| Publisher | : Northwestern University Press |
| Total Pages | : 208 |
| Release | : 2021-11-15 |
| Genre | : Philosophy |
| ISBN | : 0810144204 |
In Plato and Aristophanes, Marina Marren contends that our search for communal justice must start with self-examination. The realization that there are things that we cannot know about ourselves unless we become the subject of a joke is integral to such self-scrutiny. Jokes provide a new perspective on our politics and ethics; they are essential to our civic self-awareness. Marren makes this case by delving into Plato’s Republic, a foundational work of political philosophy. While the Republic straightforwardly condemns the decadence and greed of a tyrant, Plato’s attack on political idealism is both solemn and comedic. In fact, Plato draws on the same comedic stock and tropes as do Aristophanes’s plays. Marren’s book strikes up an innovative conversation between three works by Aristophanes—Assembly Women, Knights, and Birds—and Plato’s philosophy, prompting important questions about individual convictions and one’s personal search for justice. These dialogic works offer critiques of tyranny that are by turns brilliant, scathing, and exuberant, making light of faults and ideals alike. Philosophical comedy exposes despotism in individuals as well as systems of government claiming to be just and good. This critique holds as much bite against contemporary injustices as it did at the time of Aristophanes and Plato. An ingenious new work by an emerging scholar, Plato and Aristophanes shows that comedy—in tandem with philosophy and politics—is essential to self-examination. And without such examination, there is no hope for a just life.
| Author | : Kenneth Sprague Rothwell |
| Publisher | : BRILL |
| Total Pages | : 136 |
| Release | : 1990 |
| Genre | : Literary Criticism |
| ISBN | : 9789004091856 |
This study shows that the "Ecclesiazusae" is an affirmation of the importance of persuasion in the fourth- century democracy.; Praxagora, the attractive and articulate female protagonist, virtually personifies "peitho," the realm of both political persuasion and erotic seduction. The ability of "peitho" to address both public and private motivations makes it the perfect instrument to resolve the tension in the fourth century between selfishness and civic participation. This is, after all, the central issue in the later episodes of the play.
