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Architecture in Italy, 1400 to 1600

Architecture in Italy, 1400 to 1600
Author: Ludwig Heinrich Heydenreich
Publisher: [Harmondsworth, Eng. ; Baltimore] : Penguin Books
Total Pages: 698
Release: 1974
Genre: Architecture
ISBN:

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In 15th-century Florence, Brunelleschi's buildings and Alberti's treatise first established the principles of Italian Renaissance architecture in practice and theory. This survey ranges from Brunelleschi's dome for the Florence Cathedral to the works of Bramante and Leonardo in the Quattrocento.


Architecture in Italy, 1400-1500

Architecture in Italy, 1400-1500
Author: Karl Heinrich Heydenreich
Publisher: Yale University Press
Total Pages: 198
Release: 1996-01-01
Genre: Architecture
ISBN: 0300064675

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Brunelleschi - Ghiberti and Donatello - Alberti - Florence 1450-1480 - Urbino - Venice - Lombardy - Leonardo da Vinci.


Architecture in Italy

Architecture in Italy
Author:
Publisher:
Total Pages: 432
Release: 1972
Genre:
ISBN:

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Architecture in Italy, 1500-1600

Architecture in Italy, 1500-1600
Author: Wolfgang Lotz
Publisher: Yale University Press
Total Pages: 222
Release: 1995-01-01
Genre: Architecture
ISBN: 0300064691

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This classic work presents a stimulating survey of the most exciting and innovative period in the history of architecture. Lotz also goes beyond the more familiar locations, architects and buildings to conquer less well-known territories, exploring Piedmont and Vitozzi and ending with a study of bizzarrie.


Art of Renaissance Florence, 1400-1600

Art of Renaissance Florence, 1400-1600
Author: Loren W. Partridge
Publisher:
Total Pages: 266
Release: 2009
Genre: Art and society
ISBN:

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"Rich and engaging. This account of Florentine art tells the story of who commissioned these works, who made them, where they were seen, and how they were experienced and understood by their viewers. Includes a useful timeline, glossary, and series of artists' biographies."--Patricia L. Reilly, Swarthmore College "An extraordinarily useful book, not only for teachers, but also for historically minded travelers interested in an illustrated guide to the art of Renaissance Florence."--Evelyn Lincoln, Brown University "Clear and compelling. The well-chosen illustrations include ground plans and diagrams of key architectural monuments and sculpture. The updated, judicious bibliography is a resource for anyone tackling the vast scholarship on the art of Renaissance Florence."--Cristelle Baskins, editor of The Triumph of Marriage: Painted Cassoni of the Renaissance


Art and Architecture in Italy, 1600–1750

Art and Architecture in Italy, 1600–1750
Author: Rudolf Wittkower
Publisher: Yale University Press
Total Pages: 212
Release: 1999-01-01
Genre: Art
ISBN: 9780300079418

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This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition-now published in three volumes-will also include color illustrations for the first time.


Italian Art, 1500-1600

Italian Art, 1500-1600
Author: Robert Klein
Publisher: Northwestern University Press
Total Pages: 220
Release: 1989
Genre: Art
ISBN: 9780810108523

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Art and the cultured public - Documents on art and artists - Mid-century Venetian art criticism - Vasari - Art theory in the second half of the century - The Counter-Reformation - Artists, amateurs and collectors - On beauty.


Shopping in the Renaissance

Shopping in the Renaissance
Author: Evelyn S. Welch
Publisher: Yale University Press
Total Pages: 428
Release: 2005-01-01
Genre: History
ISBN: 9780300107524

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Shopping was as important in the Renaissance as it is in the 21st century. This book breaks new ground in the area of Renaissance material culture, focussing on the marketplace in its various aspects, ranging from middle-class to courtly consumption and from the provision of foodstuffs to the acquisition of antiquities and holy relics. It asks how men and women of different social classes went out into the streets, squares and shops to buy the goods they needed and wanted on a daily or on a once-in-a-lifetime basis during the Renaissance period. Drawing on a detailed mixture of archival, literary and visual sources, she exposes the fears, anxieties and social possibilities of the Renaissance marketplace. Thereafter, Welch looks at the impact these attitudes had on the developing urban spaces of Renaissance cities, before turning to more transient forms of sales such as fairs, auctions and lotteries. In the third section, she examines the consumers themselves, asking how the mental, verbal and visual images of the market shaped the business of buying and selling. Finally, the book explores two seemingly very different types of commodities - antiquities and indulgences, both of which posed dramatic challenges to contemporary notions of market value and to the concept of commodification itself.