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| Author | : Richard J. Powell |
| Publisher | : Duke University Press |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : African American painting |
| ISBN | : 9780938989370 |
Featuring 140 color illustrations, the catalogue Archibald Motley: Jazz Age Modernist accompanies the first full-scale survey of the work of the American painter and master colorist Archibald Motley (1891-1981).
| Author | : Amy M. Mooney |
| Publisher | : Pomegranate Communications |
| Total Pages | : 136 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : |
Extraordinary artist whose social consciousness extended beyond his paintings. Book jacket.
| Author | : Phoebe Wolfskill |
| Publisher | : University of Illinois Press |
| Total Pages | : 360 |
| Release | : 2017-08-10 |
| Genre | : Social Science |
| ISBN | : 0252099702 |
An essential African American artist of his era, Archibald Motley Jr. created paintings of black Chicago that aligned him with the revisionist aims of the New Negro Renaissance. Yet Motley's approach to constructing a New Negro--a dignified figure both accomplished and worthy of respect--reflected the challenges faced by African American artists working on the project of racial reinvention and uplift. Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.
| Author | : Denny S. Bryce |
| Publisher | : Kensington Books |
| Total Pages | : 373 |
| Release | : 2022-04-26 |
| Genre | : Fiction |
| ISBN | : 1496730119 |
“Bryce excels at placing readers in a glamorous time and place…riveting and vibrant.” – Booklist Go On Girl Book Club 2021 New Author of the Year | She Reads Best Literary Historical Fiction Coming in 2022 | BookRiot 2022 Historical Fiction to Add to Your TBR Right Now | We are Bookish Historical Fiction Novels You’ll Want in Your Future | BiblioLifestyle Most Anticipated Books of 2022 | BookBub Best Books of Spring 2022 & Best Historical Fiction Books of 2022 | BookTrib Top Ten Historical Fiction Books for the Spring 2022 In this haunting novel, the author of Wild Women and the Blues weaves together two stories as they unfold decades apart, as a woman on the run from an abusive husband joins her intrepid aunt as they head across the country from Chicago to Los Angeles, and confront a painful and shadowy past that has reverberated across generations. 1928, Los Angeles: The newly-built Hotel Somerville is the hotspot for the city's glittering African-American elite. It embodies prosperity and dreams of equality for all—especially Daisy Washington. An up-and-coming journalist, Daisy anonymously chronicles fierce activism and behind-the-scenes Hollywood scandals in order to save her family from poverty. But power in the City of Angels is also fueled by racism, greed, and betrayal. And even the most determined young woman can play too many secrets too far . . . 1968, Chicago: For Frankie Saunders, fleeing across America is her only escape from an abusive husband. But her rescuer is her reckless, profane Aunt Daisy, still reeling from her own shattered past. Frankie doesn't want to know what her aunt is up to so long as Daisy can get her to LA—and safety. But Frankie finds there’s no hiding from long-held secrets—or her own surprising strength. Daisy will do whatever it takes to settle old scores and resolve the past—no matter the damage. And Frankie will come up against hard choices in the face of unexpected passion. Both must come to grips with what they need, what they’ve left behind—and all that lies ahead . . . “The scenes are cinematically vivid, the language fresh and vibrant, the characters complicated and real.” – Historical Novel Society “The author of Wild Women and the Blues is back with another historical fiction novel to dazzle and amaze.” – Book Riot “An engrossing family saga filled with heartbreak and love, victory, forgiveness, and loss, and a wonderful character study of several unforgettable women.” – All About Romance
| Author | : Adriano Pedrosa |
| Publisher | : Delmonico Books |
| Total Pages | : 400 |
| Release | : 2021-10 |
| Genre | : Art |
| ISBN | : 9781636810027 |
A colossal, panoramic, much-needed appraisal of the visual cultures of Afro-Atlantic territories across six centuries Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories--their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures. The plural and polyphonic quality of "histórias" is also of note; unlike the English "histories," the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives. The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism. Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye.
| Author | : Taína Caragol |
| Publisher | : Princeton University Press |
| Total Pages | : 152 |
| Release | : 2020-02-11 |
| Genre | : Art |
| ISBN | : 0691203288 |
Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.
| Author | : Cherene Sherrard-Johnson |
| Publisher | : Rutgers University Press |
| Total Pages | : 235 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 0813539773 |
Of all the images to arise from the Harlem Renaissance, the most thought-provoking were those of the mulatta. For some writers, artists, and filmmakers, these images provided an alternative to the stereotypes of black womanhood and a challenge to the color line. For others, they represented key aspects of modernity and race coding central to the New Negro Movement. Due to the mulatta's frequent ability to pass for white, she represented a variety of contradictory meanings that often transcended racial, class, and gender boundaries. In this engaging narrative, Cherene Sherrard-Johnson uses the writings of Nella Larsen and Jessie Fauset as well as the work of artists like Archibald Motley and William H. Johnson to illuminate the centrality of the mulatta by examining a variety of competing arguments about race in the Harlem Renaissance and beyond.
| Author | : Richard J. Powell |
| Publisher | : MIT Press |
| Total Pages | : 248 |
| Release | : 1999 |
| Genre | : Architecture |
| ISBN | : |
A major exhibition catalog documenting and discussing a century of art collected by America's historically black colleges and universities. 240 illustrations, 200 in color.
| Author | : Cheryl A. Wall |
| Publisher | : Oxford University Press |
| Total Pages | : 150 |
| Release | : 2016 |
| Genre | : History |
| ISBN | : 0199335559 |
This Very Short Introduction offers an overview of the Harlem Renaissance, a cultural awakening among African Americans between the two world wars. Cheryl A. Wall brings readers to the Harlem of 1920s to identify the cultural themes and issues that engaged writers, musicians, and visual artists alike.
| Author | : Richard J. Powell |
| Publisher | : Yale University Press |
| Total Pages | : 241 |
| Release | : 2020-10-02 |
| Genre | : Art |
| ISBN | : 0300245742 |
A kaleidoscopic survey of black satire in 20th- and 21st-century American art In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century—in all their complexity, humor, and provocation—Powell raises important questions about the social power of art. Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art.
