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Archaeoacoustics

Archaeoacoustics
Author: Christopher Scarre
Publisher:
Total Pages: 142
Release: 2006
Genre: Social Science
ISBN:

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Archaeoacoustics focuses on the role of sound in human behaviour, from earliest times up to the development of mechanical detection and recording devices in the 19th century. Recent calls for an `archaeology of the senses' have served as a timely, even overdue reminder that the past which we experience - and which others have experienced before us - is multisensory, drawing not only upon the primary field of vision, but also on touch, smell and hearing. Megalithic tombs, Palaeolithic painted caves, Romanesque churches and prehistoric rock shelters all present specific sound qualities which offer clues as to how they may have been designed and used. Voices resonate, external noises are subdued or eliminated, and a special aural dimension is accessed which complements the evidence of our other senses. The present volume, arising from a conference held at the McDonald Institute in 2003, brings together archaeologists and specialists in early musical instruments and acoustics in an attempt to unlock some of the meaning latent in the acoustics of such early structures and spaces. It will be essential reading for all who are concerned to seek a broader understanding of human sensory experience from prehistory up to historical times.


Archaeoacoustics: the Archaeology of Sound

Archaeoacoustics: the Archaeology of Sound
Author: Linda C. Eneix
Publisher: Createspace Independent Publishing Platform
Total Pages: 0
Release: 2014
Genre: Archaeology
ISBN: 9781497591264

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"Without acoustics, archaeology is deaf . . ." This generously illustrated collection of presentations and reports presents a fascinating multidimensional perspective on ancient cultures, including some that have not been widely known.Ancient civilizations developed far more than fine artwork and magnificent monuments. In songs to their gods, laments for their dead, and the universal human quest for the supernatural, people also made some very strange noise. Scholars from around the world explore man's early use of sound and music, revealing both ancient knowledge and the potential for new learning. "Archaeoacoustics is at this 'pre-paradigmatic stage'," writes anthropologist Dr. Ezra Zubrow, "This book will help that synthesizing, theorizing pioneer of the future. Looking back there will be new scholars who will wonder how present scholars could have been so wrong. They will smile and yet they will remember this book. For in some sense, they will say 'this is where it began.'"Features Editor for "New Scientist" Magazine Kate Douglas explains: "Where the rest of us see stones, bones, rubble and shards, they (archaeologists) see the tell-tale remains of past lives. With careful scrutiny they are able to use this material to build up a picture of a culture, its technological know-how, trade in commodities and ideas, diet, lifestyle and even beliefs. Until recently, however, almost all archaeological insights have been gleaned by looking at ancient remains. Now archaeologists are starting to think beyond the visual. One of the most exciting branches of the new multi-sensory archaeology is archaeoacoustics, the archaeology of sound. In February 2014, the pioneers of this field met on the island of Malta for their first international conference. It was truly extraordinary.""Our goal for the conference was to focus in a responsible way on the behavior of sound in important ancient spaces, and the way that people may have used it," says conference organizer Linda Eneix. "We sought hints for the way sound may have impacted on early human development. We intended to bring together a broad base of expertise, science, and objective observation toward a multi-faceted understanding of human ingenuity."Contributors include: Alejandro Ramos-Amezquita, Panagiota Avgerinou, Ros Bandt, Anna Borg Cardona, Emma Brambilla, Fernando Coimbra, Stef Conner, Paolo Debertolis, Stella Dreni, Richard England, Mairi Gkikaki, Annie Goh, Anne Habermehl, Wouter F. M. Henkelman, Sepideh Khaksar, David J. Knight, Glenn Kreisberg, Selin Kucuk, Esthir Lemi, Torill Christine Lindstrom, Maria Cristina Pascual Noguerol, Riita Rainio, Iegor Reznikoff, Mustafa Sahin, Divya Shrivastava, Katya Stroud, Rupert Till, Steven J. Waller, Nektarios Peter Yioutsos, Ezra Zubrow. -- A full list of titles is available at www.archaeoacoustics.org. --NOTE: This volume also contains preliminary reports from the Hal Saflieni Hypogeum (ca. 3600 BCE) acoustics project conducted on-site.


World Prehistory and Archaeology

World Prehistory and Archaeology
Author: Michael Chazan
Publisher: Routledge
Total Pages: 476
Release: 2015-10-05
Genre: Science
ISBN: 131734751X

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An integrated picture of prehistory as an active process of discovery. World Prehistory and Archaeology: Pathways through Time, third edition, provides an integrated discussion of world prehistory and archaeological methods. This text emphasizes the relevance of how we know and what we know about our human prehistory. A cornerstone of World Prehistory and Archaeology is the discussion of prehistory as an active process of discovery. Methodological issues are addressed throughout the text to engage readers. Archaeological methods are introduced in the first two chapters. Succeeding chapters then address the question of how we know the past to provide an integrated presentation of prehistory. The third edition involves readers in the current state of archaeological research, revealing how archaeologists work and interpret what they find. Through the coverage of various new research, author Michael Chazan shows how archaeology is truly a global discipline. Learning Goals Upon completing this book, readers will be able to: * Gain new perspectives and insights into who we are and how our world came into being. * Think about humanity from the perspective of archaeology. * Appreciate the importance of the archaeological record for understanding contemporary society.


Low End Theory

Low End Theory
Author: Paul C. Jasen
Publisher: Bloomsbury Publishing USA
Total Pages: 295
Release: 2017-08-24
Genre: Music
ISBN: 150133591X

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Low End Theory probes the much-mythologized field of bass and low-frequency sound. It begins in music but quickly moves far beyond, following vibratory phenomena across time, disciplines and disparate cultural spheres (including hauntings, laboratories, organ workshops, burial mounds, sound art, studios, dancefloors, infrasonic anomalies, and a global mystery called The Hum). Low End Theory asks what it is about bass that has fascinated us for so long and made it such a busy site of bio-technological experimentation, driving developments in science, technology, the arts, and religious culture. The guiding question is not so much what we make of bass, but what it makes of us: how does it undulate and unsettle; how does it incite; how does it draw bodily thought into new equations with itself and its surroundings? Low End Theory is the first book to survey this sonorous terrain and devise a conceptual language proper to it. With its focus on sound's structuring agency and the multi-sensory aspects of sonic experience, it stands to make a transformative contribution to the study of music and sound, while pushing scholarship on affect, materiality, and the senses into fertile new territory. Through energetic and creative prose, Low End Theory works to put thought in touch with the vibratory encounter as no scholarly book has done before. For more information, visit: http://www.lowendtheorybook.com/


Megaliths, Music, and the Mind

Megaliths, Music, and the Mind
Author: Linda Eneix
Publisher: CRC Press
Total Pages: 280
Release: 2024-05-24
Genre: Music
ISBN: 1040012183

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What drove the building of the first megalithic monuments and lifestyle changes that launched Western civilization? This exploration of the human experience of special sound in ancient ritual and ceremonial spaces brings a new perspective for anyone with an interest in prehistory and human development in its most pivotal days. From Göbekli Tepe in Anatolia to megalithic temples in Malta to passage tombs in Ireland, the world’s oldest buildings and the newest scientific research combine for a look at the Western Neolithic Revolution that goes where no one has gone before. With original photos and illustrations, Megaliths, Music and the Mind assembles content from the worlds of archaeology, architecture, anthropology, ethnomusicology, genetics, neuroscience, physics, and more. Fascinating pieces of evidence are set side by side, resulting in a stunning premise. This book is a core overview focused on the rediscovery of an ill-understood sensory element of developing culture, with hope for therapeutic application in the modern world. Material from the out-of-print booklet Listening for Ancient Gods has been expanded and updated in this volume, which also includes select papers from OTSF Archaeoacoustics International Conferences, plus a personal account from one of the founding fathers of new-age music.


Listening for Ancient Gods

Listening for Ancient Gods
Author: Linda C. Eneix
Publisher: Createspace Independent Publishing Platform
Total Pages: 126
Release: 2016-07-05
Genre:
ISBN: 9781533538116

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Non-Fiction. What drove the building of the first megalithic monuments? Here is new perspective for anyone with an interest in prehistory and human development in its most pivotal days. From Gobekli Tepe in Anatolia to the megalithic temples of Malta to the passage tombs of Ireland, the world's oldest buildings and the newest scientific research combine for a look at the Stone Age Neolithic Revolution that goes where no one has gone before. With original photos and illustrations, includes data from the worlds of Archaeology, Architecture, Anthropology, Genetics, Physics, Physiology. Fascinating pieces of evidence are set side by side, resulting in a stunning premise.


The Future of Heritage Science and Technologies: ICT and Digital Heritage

The Future of Heritage Science and Technologies: ICT and Digital Heritage
Author: Rocco Furferi
Publisher: Springer Nature
Total Pages: 452
Release: 2022-10-29
Genre: Computers
ISBN: 303120302X

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This volume constitutes the refereed proceedings of the Third International Conference on The Future of Heritage Science and Technologies, Florence Heri-Tech 2022, held in Florence, Italy, in May 2022. The 32 papers presented in this volume were thoroughly reviewed and selected from 101 submissions. They are organized in the topical sections on ​3D reconstruction of tangible cultural heritage and monitoring devices; IA and AR/VR based methods and applications for CH; methods and systems for enhancing heritage fruition and storytelling; virtual museums and virtual tours.


Stone Age Soundtracks

Stone Age Soundtracks
Author: Paul Devereux
Publisher: Collins & Brown
Total Pages: 160
Release: 2001
Genre: Body, Mind & Spirit
ISBN: 9781843334477

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Our Stone Age ancestors sang and played instruments, and ascribed magical qualities to many sounds. Exciting research—known as acoustic archaeology—has reconstructed this vanished aspect, and this new knowledge exposes both the origins of music and a lost world where echoes were considered spirit voices. Travel from chambered mounds in Ireland to French paleolithic caves, and listen to the past once more.


Archaeologist's Fieldwork Guide

Archaeologist's Fieldwork Guide
Author: Barbara Ann Kipfer
Publisher: John Wiley & Sons
Total Pages: 517
Release: 2023-03-06
Genre: Social Science
ISBN: 1119845319

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The new edition of the most comprehensive, practical, and user-friendly guide of its kind, providing quick reference to the information needed by archaeologists doing fieldwork The Archaeologist's Fieldwork Guide is the must-have companion for anyone planning and performing fieldwork, whether a student going into the field for the first time or a professional archaeologist with years of real-world experience. Designed to be an all-in-one informational toolkit, the Guide is packed with the technical and practical information archaeologists need to know when in the field—supported by more than 400 lists and checklists, planning aids, measurement charts and tables, analysis and classification guides, sample forms, abbreviations and codes, and much more. Fully revised throughout, the second edition features two entirely new chapters on technology in the field and the archaeology laboratory, incorporating current tools and technologies such as geographic information systems (GIS), 3D data capture and modeling, DNA extraction, light detection and ranging (LiDAR) scanning, remotely controlled drones, and underground mapping. New and updated coverage includes flotation samples and processing, oxidizable carbon ratio dating, phytolith sampling, and water screening. Covers classification and typology, creating forms and records, measurement and conversion, laboratory handling and processing, artifact mapping, drawing, and photographing Offers new and updated material on legislation regarding archaeological fieldwork and emerging topics such as community engagement and public archaeology. Provides up-to-date definitions and explanations of key terms and new diagrams, line drawings, and glosses Includes a guide to research publication, an extensive bibliography, references to relevant associations and publications, and information on where to buy supplies The Archaeologist’s Fieldwork Guide, Second Edition is an indispensable resource for undergraduate and graduate archaeology students, students taking courses in anthropology, ethnography, and cultural resource management (CRM), archaeology enthusiasts and volunteers, and professional archeologists at any level.


Noise

Noise
Author: David Hendy
Publisher: Harper Collins
Total Pages: 320
Release: 2013-10-15
Genre: History
ISBN: 006228309X

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What if history had a sound track? What would it tell us about ourselves? Based on a thirty-part BBC Radio series and podcast, Noise explores the human dramas that have revolved around sound at various points in the last 100,000 years, allowing us to think in fresh ways about the meaning of our collective past. Though we might see ourselves inhabiting a visual world, our lives have always been hugely influenced by our need to hear and be heard. To tell the story of sound—music and speech, but also echoes, chanting, drumbeats, bells, thunder, gunfire, the noise of crowds, the rumbles of the human body, laughter, silence, conversations, mechanical sounds, noisy neighbors, musical recordings, and radio—is to explain how we learned to overcome our fears about the natural world, perhaps even to control it; how we learned to communicate with, understand, and live alongside our fellow beings; how we've fought with one another for dominance; how we've sought to find privacy in an increasingly noisy world; and how we've struggled with our emotions and our sanity. Oratory in ancient Rome was important not just for the words spoken but for the sounds made—the tone, the cadence, the pitch of the voice—how that voice might have been transformed by the environment in which it was heard and how the audience might have responded to it. For the Native American tribes first encountering the European colonists, to lose one's voice was to lose oneself. In order to dominate the Native Americans, European colonists went to great effort to silence them, to replace their "demonic" "roars" with the more familiar "bugles, speaking trumpets, and gongs." Breaking up the history of sound into prehistoric noise, the age of oratory, the sounds of religion, the sounds of power and revolt, the rise of machines, and what he calls our "amplified age," Hendy teases out continuities and breaches in our long relationship with sound in order to bring new meaning to the human story.