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A Bibliography of Stephen Leacock

A Bibliography of Stephen Leacock
Author: Carl Spadoni
Publisher:
Total Pages: 728
Release: 1998
Genre: Literary Criticism
ISBN:

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Recording all of Stephen Leacock's published work from his first known venture into print in 1887 until 1998, this bibliography reveals the complexity and scope of the writer's enormous canon. Based on an in-depth examination of texts and archival documents, this resource is a research tool in the true scholarly tradition, a work that will interest Leacock enthusiasts as well as students and researchers of Canadian literature and social history. Organized into 10 sections, it describes all editions and issues; Leacock's contributions to books; his serial publications (in newspapers and magazines); reports of his speeches and lectures; lectures given; interviews; authorized adaptations; translations; recordings by Leacock; Braille, talking books and films; encyclopedia articles; and contributions in serial articles and books by others. In addition, there is a section for Lost Leads and a comprehensive index.


Bulletin of Bibliography

Bulletin of Bibliography
Author:
Publisher:
Total Pages: 214
Release: 1956
Genre: Bibliography
ISBN:

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WIND IN THE WILLOWS.

WIND IN THE WILLOWS.
Author: KENNETH. GRAHAME
Publisher:
Total Pages:
Release: 2020
Genre:
ISBN: 9780746091098

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International Books in Print

International Books in Print
Author:
Publisher:
Total Pages: 1140
Release: 1998
Genre: English imprints
ISBN:

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The Ever-changing View

The Ever-changing View
Author: Anthony Godfrey
Publisher: U.S. Government Printing Office
Total Pages: 688
Release: 2005
Genre: Nature
ISBN:

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"United States Department of Agriculture, Forest Service, Pacific Southwest Region"


Writing and Literature

Writing and Literature
Author: Tanya Long Bennett
Publisher: University of North Georgia
Total Pages: 284
Release: 2018-01-10
Genre: Language Arts & Disciplines
ISBN: 9781940771236

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In the age of Buzzfeeds, hashtags, and Tweets, students are increasingly favoring conversational writing and regarding academic writing as less pertinent in their personal lives, education, and future careers. Writing and Literature: Composition as Inquiry, Learning, Thinking and Communication connects students with works and exercises and promotes student learning that is kairotic and constructive. Dr. Tanya Long Bennett, professor of English at the University of North Georgia, poses questions that encourage active rather than passive learning. Furthering ideas presented in Contribute a Verse: A Guide to First-Year Composition as a complimentary companion, Writing and Literature builds a new conversation covering various genres of literature and writing. Students learn the various writing styles appropriate for analyzing, addressing, and critiquing these genres including poetry, novels, dramas, and research writing. The text and its pairing of helpful visual aids throughout emphasizes the importance of critical reading and analysis in producing a successful composition. Writing and Literature is a refreshing textbook that links learning, literature, and life.


Those Barren Leaves

Those Barren Leaves
Author: Aldous Huxley
Publisher: BoD - Books on Demand
Total Pages: 454
Release: 2023-06-15
Genre: Fiction
ISBN:

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We rely on your support to help us keep producing beautiful, free, and unrestricted editions of literature for the digital age. Will you support our efforts with a donation? Mrs. Aldwinkle, an English aristocrat of a certain age, has purchased a mansion in the Italian countryside. She wishes to bring a salon of intellectual luminaries into her orbit, and to that end she invites a strange cast of characters to spend time with her in her palazzo: Irene, her young niece; Ms. Thriplow, a governess-turned-novelist; Mr. Calamy, a handsome young man of great privilege and even greater ennui; Mr. Cardan, a worldly gentleman whose main talent seems to be the enjoyment of life; Hovenden, a young motorcar-obsessed lord with a speech impediment; and Mr. Falx, a socialist leader. To this unlikely cast is soon added Mr. Chelifer, an author with an especially florid, overwrought style that is wasted on his day job as editor of The Rabbit Fancier’s Gazette, and the Elvers, a scheming brother who is the guardian of his mentally-challenged sister. As this unlikely group mingles, they discuss a great many grand topics: love, art, language, life, culture. Yet very early on the reader comes to realize that behind the pompousness of their elaborate discussions lies nothing but vacuity—these characters are a satire of the self-important intellectuals of Huxley’s era. His skewering of their intellectual barrenness continues as the group moves on to a trip around the surrounding country, in a satire of the Grand Tour tradition. The party brings their English snobbery out in full force as they traipse around Rome, sure of nothing else except in their belief that Italy is culturally superior simply because it’s Italy. As the vacation winds down, we’re left with a biting lampoon of the elites who suppose themselves to be at the height of art and culture—the kinds of personalities that arise in every generation, sure of their own greatness but unable to actually contribute anything to the world of art and culture that they feel is so important.