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Japan-ness in Architecture

Japan-ness in Architecture
Author: Arata Isozaki
Publisher: National Geographic Books
Total Pages: 0
Release: 2011-02-25
Genre: Architecture
ISBN: 0262516055

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One of Japan's leading architects examines notions of Japan-ness as exemplified by key events in Japanese architectural history from the seventh to the twentieth century; essays on buildings and their cultural context. Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context—not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In Japan-ness in Architecture, he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization—what Isozaki calls "Japanesquization"—lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers.


Arata Isozaki

Arata Isozaki
Author: Arata Isozaki
Publisher: Universe Publishing(NY)
Total Pages: 0
Release: 1998
Genre: Architects
ISBN: 9780789302304

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Arata Isozaki is one of Japan's greatest architects and a commanding presence in international architecture, as demonstrated in such buildings as The Museum of Contemporary Art in Los Angeles (MOCA), the Disney Building in Lake Buena Vista, Florida, and the New Tokyo City Hall. From the author of MOCA's 1991 Isozaki exhibition catalog comes this pioneering new book featuring twenty new projects, including the new designs for Toyonokuni Libraries for Cultural Resources and the Kyoto Concert Hall. All are illustrated with photographs, drawings and plans and analyzed by Isozaki himself.


Arata Isozaki

Arata Isozaki
Author: Arata Isozaki
Publisher: Rizzoli International Publications
Total Pages: 304
Release: 1991
Genre: Architecture
ISBN: 9780847813193

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Describes forty-five projects designed by the influential Japanese architect


Katsura Villa

Katsura Villa
Author: Arata Isozaki
Publisher: Rizzoli International Publications
Total Pages: 286
Release: 1987
Genre: Architecture
ISBN:

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Katsura

Katsura
Author: Arata Isozaki
Publisher: Phaidon Press
Total Pages: 0
Release: 2011-09-19
Genre: Architecture
ISBN: 9780714862545

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A detailed history of Katsura, the seventeenth-century Imperial Palace in Kyoto, Japan, a pivotal work of Japanese architecture, often described as the 'quintessence of Japanese taste'. First revealed to the modern architectural world by Bruno Taut, the great German architect, in the early twentieth-century, Katsura stunned and then excited the architectural community of the West. Le Corbusier and Walter Gropius, pillars of the Modernist establishment, were fascinated by Katsura's 'modernity'. This book documents the palace in detail, combining newly commissioned photographs, detailed drawings, archival material, and historical analysis.


Re: CP

Re: CP
Author: Cedric Price
Publisher: Springer Science & Business Media
Total Pages: 196
Release: 2003-08-25
Genre: Architecture
ISBN: 9783764366360

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"For forty years, British architect Cedric Price has been one of the most challenging and witty provocateurs in the field, forcing us to cast a fresh eye on what architecture is." (Canadian Centre for Architecture, Montreal)


Arata Isozaki

Arata Isozaki
Author: Arata Isozaki
Publisher:
Total Pages: 326
Release: 1993
Genre: Architecture, Modern
ISBN:

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Project Japan

Project Japan
Author: Rem Koolhaas
Publisher:
Total Pages: 728
Release: 2011
Genre: Architecture
ISBN:

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Metabolism was a movement launched in Japan that took inspiration for buildings and cities from biological systems. With interviews and commentary and hundreds of images, Project Japan unearths a history that casts new light on the key issues that both enervate and motivate architecture today.


The Changing of the Avant-garde

The Changing of the Avant-garde
Author: Terence Riley
Publisher:
Total Pages: 200
Release: 2002
Genre: Architecture
ISBN: 9780870700040

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Featuring 165 expertly reproduced visionary architectural drawings from The Museum of Modern Art's Howard Gilman Archive, this collection brings together a selection of idealized, fantastic and utopian architectural drawings.


Japan-ness in Architecture

Japan-ness in Architecture
Author: Arata Isozaki
Publisher: MIT Press (MA)
Total Pages: 380
Release: 2006
Genre: Architecture
ISBN:

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One of Japan's leading architects examines notions of Japan-ness as exemplified by key events in Japanese architectural history from the seventh to the twentieth century; essays on buildings and their cultural context. Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context - not to be defined forever by their everlasting materiality but as texts to be interpreted and reread continually. In Japan-ness in Architecture he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyses the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, the twelfth-century Todai-ji Temple and its sixteenth-century reconstruction, and the seventeenth-century Katsura Imperial Villa. the West's concept of architectural permanence and in the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the constructive power of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness that was born in moments of historic self-definition; the purified stylisation - what Isozaki calls Japanesquisation - lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures. autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and pre-eminent architectural thinkers.