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Virtue and Beauty

Virtue and Beauty
Author:
Publisher:
Total Pages:
Release: 2001
Genre: Art, Renaissance
ISBN: 9780691114569

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Renaissance Weddings and the Antique

Renaissance Weddings and the Antique
Author: Jerzy Miziołek
Publisher: L'Erma Di Bretschneider
Total Pages: 496
Release: 2018
Genre: Love in art
ISBN: 9788891312785

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"This book is divided into two parts, the first comprises two chapters dealing with Karol Lanchkoronski and the fate of his collection, as well as wedding rituals in Renaissance Italy and the history of domestic painting. The second part, consisting of eight chapters, discusses the cassone panels and paintings derving from day beds--lettucci--and panelling of the walls--spalliere."--Back cover.


The Renewal of Pagan Antiquity

The Renewal of Pagan Antiquity
Author: Aby Warburg
Publisher: Getty Publications
Total Pages: 872
Release: 1999
Genre: Art, Renaissance
ISBN: 9780892365371

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A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.


The Cicerone

The Cicerone
Author: Jacob Burckhardt
Publisher:
Total Pages: 322
Release: 1879
Genre: Italy
ISBN:

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Art and Love in Renaissance Italy

Art and Love in Renaissance Italy
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
Total Pages: 394
Release: 2008
Genre: Art del Renaixement
ISBN: 1588393003

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"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.


Practice and Theory in the Italian Renaissance Workshop

Practice and Theory in the Italian Renaissance Workshop
Author: Christina Neilson
Publisher: Cambridge University Press
Total Pages: 367
Release: 2019-07-18
Genre: Art
ISBN: 1107172853

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Verrocchio worked in an extraordinarily wide array of media and used unusual practices of making to express ideas.


Furnishing a Museum

Furnishing a Museum
Author: Fausto Calderai
Publisher: Periscope
Total Pages: 0
Release: 2012
Genre: Furniture
ISBN: 9780914660279

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Best known for its collection of masterpiece paintings, the Gardner Museum is also one of the first museums to include a large quantity of Italian furniture. This meticulously designed catalogue includes numerous photographs that focus on individual objects and reveal characteristic forms and styles. Observations made by the museum conversation department about the techniques and materials of the pieces, which differ significantly from furniture of other countries, are also published.


Architectural Invention in Renaissance Rome

Architectural Invention in Renaissance Rome
Author: Yvonne Elet
Publisher: Cambridge University Press
Total Pages: 382
Release: 2018-01-11
Genre: Art
ISBN: 1108216110

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Villa Madama, Raphael's late masterwork of architecture, landscape, and decoration for the Medici popes, is a paradigm of the Renaissance villa. The creation of this important, unfinished complex provides a remarkable case study for the nature of architectural invention. Drawing on little known poetry describing the villa while it was on the drawing board, as well as ground plans, letters, and antiquities once installed there, Yvonne Elet reveals the design process to have been a dynamic, collaborative effort involving humanists as well as architects. She explores design as a self-reflexive process, and the dialectic of text and architectural form, illuminating the relation of word and image in Renaissance architectural practice. Her revisionist account of architectural design as a process engaging different systems of knowledge, visual and verbal, has important implications for the relation of architecture and language, meaning in architecture, and the translation of idea into form.