Antique And Modern Oriental Rugs Fine China Linens And Fabrics Oil Paintings Mirrors Fine Furniture Marbles Moving Pictures Equipment Bronzes Lamps PDF Download

Excerpt from Oriental Rugs, Antique and Modern By study and cultivation the European as well as the American is growing to value more highly the products of Oriental art. When the old sea captains carried on trade with Japan, they imported into Europe large quantities of Imari ware, which the Japanese purposely decorated with crude and vulgar colours to meet the less refined taste of the Europeans, who regarded many of them as fine speci mens of ceramic art and studiously Copied them in their factories. But so great has been the change in artistic taste since then that now they are valued principally as objects of curiosity. Likewise, many beautiful Japanese Makimonos, in which a few strong lines gave but a hint of the essential thought, formerly passed before the eyes of Europeans as the paintings of semi-barbarians. But now we begin to see, as did Whistler, that they are often the prod ucts of great genius and that they express thought and feeling with marvellous power. There has been a similar growth in the appreciation of Oriental rugs. Even within the last generation this growth has been apparent, so that the few who wisely bought those old worn pieces which thirty years ago hung at doors of little shops where dark-faced foreigners invited acquaintance, are now the envy of the many who, too late, have learned that to-day they can scarcely be bought at any price. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.