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| Author | : Drid Williams |
| Publisher | : University of Illinois Press |
| Total Pages | : 332 |
| Release | : 2004 |
| Genre | : Performing Arts |
| ISBN | : 9780252071348 |
Drid Williams explores dance and dance-related subjects ranging from Aboriginal and African dances to the Royal Ballet, and makes a compelling case for moving beyond the Western view of the dance as mere entertainment.
| Author | : Anya Peterson Royce |
| Publisher | : Rowman Altamira |
| Total Pages | : 273 |
| Release | : 2004-05-05 |
| Genre | : Performing Arts |
| ISBN | : 0759115656 |
Anya Peterson Royce turns the anthropological gaze on the performing arts, attempting to find broad commonalities in performance, art, and artists across space, time, and culture. She asks general questions as to the nature of artistic interpretation, the differences between virtuosity and artistry, and how artists interplay with audience, aesthetics, and style. To support her case, she examines artists as diverse as Fokine and the Ballets Russes, Tewa Indian dancers, 17th century commedia dell'arte, Japanese kabuki and butoh, Zapotec shamans, and the mime of Marcel Marceau, adding her own observations as a professional dancer in the classical ballet tradition. Royce also points to the recent move toward collaboration across artistic genres as evidence of the universality of aesthetics. Her analysis leads to a better understanding of artistic interpretation, artist-audience relationships, and the artistic imagination as cross-cultural phenomena. Over 29 black and white photographs and drawings illustrate the wide range of Royce's cross-cultural approach. Her well-crafted volume will be of great interest to anthropologists, arts researchers, and students of cultural studies and performing arts.
| Author | : Paul Spencer |
| Publisher | : Cambridge University Press |
| Total Pages | : 244 |
| Release | : 1985 |
| Genre | : Music |
| ISBN | : 9780521315500 |
Presenting seven examples from Africa, Southeast Asia, Melanesia and Oceania, this study attempts to further the anthropological understanding of dance's social significance and critical relevance by exploring it as a reflection of social forces.
| Author | : Hélène Neveu Kringelbach |
| Publisher | : Berghahn Books |
| Total Pages | : 240 |
| Release | : 2012-10-01 |
| Genre | : Performing Arts |
| ISBN | : 0857455761 |
Dance is more than an aesthetic of life – dance embodies life. This is evident from the social history of jive, the marketing of trans-national ballet, ritual healing dances in Italy or folk dances performed for tourists in Mexico, Panama and Canada. Dance often captures those essential dimensions of social life that cannot be easily put into words. What are the flows and movements of dance carried by migrants and tourists? How is dance used to shape nationalist ideology? What are the connections between dance and ethnicity, gender, health, globalization and nationalism, capitalism and post-colonialism? Through innovative and wide-ranging case studies, the contributors explore the central role dance plays in culture as leisure commodity, cultural heritage, cultural aesthetic or cathartic social movement.
| Author | : T. Buckland |
| Publisher | : Springer |
| Total Pages | : 223 |
| Release | : 1999-07-19 |
| Genre | : Social Science |
| ISBN | : 0230375294 |
This international collection on dance ethnography - the first of its kind - comprises original contributions on fieldwork in dance and human movement. Based on extensive fieldwork experience, it explores the major theoretical approaches, methods and concerns of dance and movement research from anthropological and ethnochoreological perspectives. The result underlines the existing and continuing growth in dance ethnography which will also be of interest to those in dance studies, anthropology, cultural studies, folklore, ethnomusicology and sociology.
| Author | : Evangelos Chrysagis |
| Publisher | : Berghahn Books |
| Total Pages | : 282 |
| Release | : 2017-04-01 |
| Genre | : Performing Arts |
| ISBN | : 1785334549 |
Across spatial, bodily, and ethical domains, music and dance both emerge from and give rise to intimate collaboration. This theoretically rich collection takes an ethnographic approach to understanding the collective dimension of sound and movement in everyday life, drawing on genres and practices in contexts as diverse as Japanese shakuhachi playing, Peruvian huayno, and the Greek goth scene. Highlighting the sheer physicality of the ethnographic encounter, as well as the forms of sociality that gradually emerge between self and other, each contribution demonstrates how dance and music open up pathways and give shape to life trajectories that are neither predetermined nor teleological, but generative.
| Author | : Mark Franko |
| Publisher | : Oxford Studies in Dance Theory |
| Total Pages | : 272 |
| Release | : 2015 |
| Genre | : Music |
| ISBN | : 0199794014 |
This is a historical and theoretical examination of French baroque court ballet from approximately 1573 until 1670. Spanning the late Renaissance and the Baroque, it brings aesthetic and ideological criteria to bear on court ballet libretti, period accounts, contemporaneous performance theory, and related commentary on dance and movement in literature. It studies the formal choreographic apparatus that characterises late Valois and early Bourbon ballet spectacle and how its changing aesthetic ultimately reflected the political situation of the nobles who devised et performed court ballets.
| Author | : STEPHEN. COTTRELL |
| Publisher | : |
| Total Pages | : |
| Release | : 2021-09-15 |
| Genre | : |
| ISBN | : 9781912385317 |
This volume celebrates the significant resurgence of interest in the anthropology of music and dance in recent decades. Traversing a range Traversing a range of fascinating topics, from the reassessment of historical figures such as Katherine Dunham and John Blacking, to the contemporary salience of sonic conflict between Islamic Uyghurand the Han Chinese, the essays within Music, Dance, Anthropology make a strong argument for the continued importance of the work of ethnomusicologists and ethnochoreologists, and of their ongoing recourse to anthropological theories and practices. Case studies are offered from areas as diverse as Central Africa, Ireland, Greece, Uganda and Central Asia, and illuminate core anthropological concepts such as the nature of embodied knowledge, the role of citizenship, ritual practices, and the construction of individual and group identities via a range of ethnographic methodologies. These include the consideration of soundscapes, theuse of ethnographic filmmaking, and a reflection on the importance of close cultural engagement over many years.Taken together these contributions show the study of music and dance practices to be essential to any rounded study of social activity, in whatever context it is found. For as this volume consistently demonstrates, the performance of musicand dance is always about more than just the performance of music and dance.
| Author | : Drid Williams |
| Publisher | : Scarecrow Press |
| Total Pages | : 324 |
| Release | : 2000 |
| Genre | : History |
| ISBN | : 9780810837072 |
The first section contains four essays on themes ranging from the political nature of dancing in South Africa to the origins of English forms of traditional dance. Confusions that exist regarding ideas of evolution, subjectivity and objectivity, progress, primitivity, and universality in dance and sign languages is the subject of the second part. Finally, intellectual resources on ancient dances, movement literacy and evidence, and the basic structures of argument are presented. Annotation copyrighted by Book News, Inc., Portland, OR
| Author | : Anya Peterson Royce |
| Publisher | : Bloomington : Indiana University Press |
| Total Pages | : 272 |
| Release | : 1977 |
| Genre | : Dance |
| ISBN | : |
General introduction; brief reference to Australian Aboriginal dance.
