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| Author | : Donald W. Nichol |
| Publisher | : University of Toronto Press |
| Total Pages | : 314 |
| Release | : 2016-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1442647965 |
In celebration of its tercentenary, this collection brings together ten eminent scholars with new perspectives on the poem.
| Author | : Don Nichol |
| Publisher | : University of Toronto Press |
| Total Pages | : 314 |
| Release | : 2016-01-27 |
| Genre | : Literary Criticism |
| ISBN | : 1442669683 |
Alexander Pope’s heroi-comical, mock-epic poem, The Rape of the Lock, continues to sparkle after three hundred years as a peerless gem in the canon of English literature. In celebration of its tercentenary, this collection brings together ten eminent scholars with new perspectives on the poem. Their approaches reflect the vast range of interpretation of Pope’s text, from discussions of religion, gender, and eighteenth-century biological science to an interview with Sophie Gee about her novelization of the poem in The Scandal of the Season. These stimulating analyses will be essential reading for students and teachers of The Rape of the Lock and a valuable resource for investigating eighteenth-century culture.
| Author | : A. D. Cousins |
| Publisher | : Routledge |
| Total Pages | : 240 |
| Release | : 2020-11-29 |
| Genre | : Literary Collections |
| ISBN | : 1000264033 |
This is the first collection of essays since George Sherburn’s landmark monograph The Early Career of Alexander Pope (1934) to reconsider how the most important and influential poet of eighteenth-century Britain fashioned his early career. The volume covers Pope’s writings from across the reign of Queen Anne and just beyond. It focuses, in particular, on his interaction with the courtly culture constellated round the Queen. It examines, for instance, his representations of Queen Anne herself, his portrayals of politics and patronage under her reign, his negotiations with current literary theory, with the classical tradition, with chronologically distant yet also contemporaneous English poets, with current thought on the passions, and with membership of a religious minority. In doing so, it comprehensively reconsiders anew the ways in which Pope, increasingly supportive of Anne’s rule and mindful of the Virgilian rota, sought at first to realise his authorial aspirations.
| Author | : Abigail Williams |
| Publisher | : Princeton University Press |
| Total Pages | : 328 |
| Release | : 2023-09-19 |
| Genre | : Literary Criticism |
| ISBN | : 0691252343 |
How eighteenth-century literature depended on misinterpretation—and how this still shapes the way we read Reading It Wrong is a new history of eighteenth-century English literature that explores what has been everywhere evident but rarely talked about: the misunderstanding, muddle and confusion of readers of the past when they first met the uniquely elusive writings of the period. Abigail Williams uses the marginal marks and jottings of these readers to show that flawed interpretation has its own history—and its own important role to play—in understanding how, why and what we read. Focussing on the first half of the eighteenth century, the golden age of satire, Reading It Wrong tells how a combination of changing readerships and fantastically tricky literature created the perfect grounds for puzzlement and partial comprehension. Through the lens of a history of imperfect reading, we see that many of the period’s major works—by writers including Daniel Defoe, Eliza Haywood, Mary Wortley Montagu, Alexander Pope and Jonathan Swift—both generated and depended upon widespread misreading. Being foxed by a satire, coded fiction or allegory was, like Wordle or the cryptic crossword, a form of entertainment, and perhaps a group sport. Rather than worrying that we don’t have all the answers, we should instead recognize the cultural importance of not knowing.
| Author | : Joseph Hone |
| Publisher | : Oxford University Press |
| Total Pages | : 224 |
| Release | : 2021-01-28 |
| Genre | : Literary Criticism |
| ISBN | : 0192579681 |
How did Alexander Pope become the greatest poet of the eighteenth century? Modern scholarship has typically taken Pope's rise to greatness and subsequent remoteness from lesser authors for granted. As a major poet he is treated as the successor of Milton and Dryden or the precursor of Wordsworth. Drawing on previously neglected texts and overlooked archival materials, Alexander Pope in the Making immerses the poet in his milieux, providing a substantial new account of Pope's early career, from the earliest traces of manuscript circulation to the publication of his collected Works and beyond. In this book, Joseph Hone illuminates classic poems such as An Essay on Criticism, The Rape of the Lock, and Windsor-Forest by setting them alongside lesser-known texts by Pope and his contempories, many of which have never received sustained critical attention before. Pope's earliest experiments in satire, panegyric, lyric, pastoral, and epic are all explored alongside his translations, publication strategies, and neglected editorial projects. By recovering values shared by Pope and the politically heterodox men and women whose works he read and with whom he collaborated, this book constructs powerful new interpretive frameworks for some of the eighteenth century's most celebrated poems. Alexander Pope in the Making mounts a comprehensive challenge to the 'Scriblerian' paradigm that has dominated scholarship for the past eighty years. It sheds fresh light on Pope's early career and reshapes our understanding of the ideological landscape of his era. This book will be essential reading for scholars and students of eighteenth-century literature, history, and politics.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 191 |
| Release | : 2022-01-17 |
| Genre | : Literary Criticism |
| ISBN | : 9004505679 |
A comprehensive reassessment of Disraeli’s political and authorial careers written by leading scholars from Great Britain, Canada, the United States and Australia, exploring how Disraeli’s fictions represent and intervene in debates about selfhood, political theory, religion and cultural histories.
| Author | : Margaret K. Powell |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 256 |
| Release | : 2020-12-10 |
| Genre | : History |
| ISBN | : 1350087947 |
Hair, or lack of it, is one the most significant identifiers of individuals in any society. In Antiquity, the power of hair to send a series of social messages was no different. This volume covers nearly a thousand years of history, from Archaic Greece to the end of the Roman Empire, concentrating on what is now Europe, North Africa, and the Near East. Among the key issues identified by its authors is the recognition that in any given society male and female hair tend to be opposites (when male hair is generally short, women's is long); that hair is a marker of age and stage of life (children and young people have longer, less confined hairstyles; adult hair is far more controlled); hair can be used to identify the 'other' in terms of race and ethnicity but also those who stand outside social norms such as witches and mad women. The chapters in A Cultural History of Hair in Antiquity cover the following topics: religion and ritualized belief, self and society, fashion and adornment, production and practice, health and hygiene, gender and sexuality, race and ethnicity, class and social status, and cultural representations.
| Author | : William Hutchings |
| Publisher | : Open Book Publishers |
| Total Pages | : 271 |
| Release | : 2023-12-19 |
| Genre | : Literary Criticism |
| ISBN | : 1800644140 |
The book is a chronological reading of Alexander Pope’s poems, from the Pastorals (1709) to the four-book Dunciad (1743). Each of the 26 chapters forming the volume selects examples for detailed scrutiny, demonstrating how close reading can generate understanding of a whole poem and how critical appraisal can build into a creative survey of an entire poetic career. The book’s approach is intended to be both scholarly and accessible and 'Wit's Wild Dancing Light' will be of interest to scholars, students and anybody interested in Pope’s masterful poetry.
| Author | : A.D. Cousins |
| Publisher | : Taylor & Francis |
| Total Pages | : 171 |
| Release | : 2023-05-05 |
| Genre | : Literary Criticism |
| ISBN | : 1000831388 |
This volume is the first to discuss the canon of Pope’s verse in relation to Early British Enlightenment thinking about mythology and mythography. Pope did not merely use classical (along with non-classical) mythology in his verse as a traditional, richly diverse medium through which to represent the diversity of private and civic life in his day, but he was an ambitious translator as well as refashioner of myth. It is a medium that he shapes anew and variously across all his major poems. This volume enhances appreciation of myth as a mode of apprehension as well as expression throughout Pope’s verse. In doing so it illuminates how, in early eighteenth-century Britain, understandings of what myth is and what it does were taking new directions – not least in response to Baconian thought and its legacy.
| Author | : A.D. Cousins |
| Publisher | : Taylor & Francis |
| Total Pages | : 161 |
| Release | : 2024-08-29 |
| Genre | : Literary Criticism |
| ISBN | : 1040104649 |
The aim of the book is to propose new interpretations of poets who are among the most valued and discussed in the British Enlightenment. In fulfilling its aim, the book covers English poetry—and intellectual history—from the Restoration to the later eighteenth century. It examines how the myth of the donna angelica (the angelic lady), ancient in origin but given its best-known form within the medieval literature of fin’amor, lives on beyond the Middle Ages and the Renaissance into the Enlightenment. To be more precise, it studies how some major Augustan poets appropriate and recreate what, for convenience, can be called the donna angelica topos (or, the angelic lady motif). They do so for a great many reasons linked with quite diverse circumstances. Nevertheless, the myth’s intellectual richness, emotional intensity, and inherent ambiguities mean that it offers each of them a powerful way for articulating, interpreting, exploring refractions of eros—whether singly or diversely directed, concerned with sexuality or spirituality, informing personal or public experience. The myth has as many faces, so to speak, as does desire; it is one and yet many. Thus, the book pursues a particular fable of eros that appears in a multiplicity of texts in a multiplicity of guises. It studies how some of the most interesting poets from Dryden to Crabbe bring the angelic lady motif into modernity.
