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| Author | : Don Hahn |
| Publisher | : Random House Disney |
| Total Pages | : 104 |
| Release | : 1996 |
| Genre | : Animated films |
| ISBN | : |
Discusses the techniques and people involved in creating Disney's animated films, from the first story idea to opening night.
| Author | : David Pagano |
| Publisher | : No Starch Press |
| Total Pages | : 216 |
| Release | : 2016-10-16 |
| Genre | : Performing Arts |
| ISBN | : 159327789X |
Have you ever wondered what your LEGO creations would look like on the big screen? The LEGO Animation Book will show you how to bring your models to life with stop-motion animation—no experience required! Follow step-by-step instructions to make your first animation, and then explore the entire filmmaking process, from storyboards to post-production. Along the way, you’ll learn how to: –Create special effects like explosions and flying minifigures –Convey action and emotion with your minifigure actors –Design sets for animation—make three buildings look like an entire city! –Light, frame, and capture consistent photos –Add detail and scope to your films by building in different scales –Build camera dollies and rigs out of LEGO bricks –Choose cameras, software, and other essential animation tools Dive into the world of animation and discover a whole new way to play! For ages 10+
| Author | : David Koenig |
| Publisher | : |
| Total Pages | : 292 |
| Release | : 1997 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 9780964060517 |
This volume presents an evaluation of the quality and financial successes of the Disney Company's ventures. It also provides an overview of and behind-the-scenes information about 30 Disney animated films from "Snow White" through "The Hunchback of Notre Dame". The author relates each film to its original tale, gives the Disney version, and tells what and why cuts were made. The exposed secrets consist of such things as "Plot Holes," "Bloopers," "Hidden Images," and "Strange Reactions." Anecdotes about the growth of the Disney industry and the development of the theme-park rides are included. One of the most enticing sidebars offers over 50 names that were originally considered for the seven dwarfs.
| Author | : Amy M. Davis |
| Publisher | : Indiana University Press |
| Total Pages | : 281 |
| Release | : 2007-02-20 |
| Genre | : Social Science |
| ISBN | : 0861969014 |
An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters
| Author | : David A. Bossert |
| Publisher | : |
| Total Pages | : 136 |
| Release | : 2018 |
| Genre | : Architecture |
| ISBN | : 9781732602007 |
Kem Weber (1889--1960), a well-known mid-century architect, was part of the distinctive West Coast modernism movement that helped shaped the relaxed California lifestyle. He influenced California style during the mid-twentieth century with buildings architecture, interior designs and furniture, including his famed Air Line chair, which is part of many museum furniture collections. As chief designer for the Walt Disney Studios in Burbank in 1939, Kem Weber also designed the specialized animation furniture that went into the then new studio complex. The Disney animation furniture, which has been lauded in recent years, was designed for specific animation disciplines with input from the artists that would be using it. It was all part of Walt Disney's desire to create an efficient utopian campus for animated film production. This book is a comprehensive overview of the Kem Weber designed Disney animation furniture that takes the reader on a journey from concept sketches and photos to interviews with legendary artists. David A. Bossert celebrates and details the form and function of this unique mid-century furniture and the impact it had on the Disney animation process over the decades.
| Author | : Harley Black |
| Publisher | : Sterling Publishing Company, Inc. |
| Total Pages | : 24 |
| Release | : 2001-06-30 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9780806906003 |
Alice has her own ideas about what color things should be. Pull the tabs and watch the colors magically appear before your eyes - cover.
| Author | : Chris Pallant |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 417 |
| Release | : 2021-01-01 |
| Genre | : Animated films |
| ISBN | : 1501305735 |
"Animation: Critical and Primary Sources is a major multi-volume work of reference that brings together seminal writings on animation studies. Gathering historical and contemporary texts from a wide-ranging number of sources, the volumes provide a key resource in understanding and studying the past and future directions of animation studies. The four volumes thematically trace animation studies from its many definitions, or a lack thereof, to the institutional nature of animation production, to establishing greater space within animation discourse for the consideration of broadcast and interactive animation, and finally, giving greater contextual understanding of the field of animation studies, by focusing on 'Authorship', 'Genre', 'Identity Politics', and 'Spectatorship', thus enabling readers to engage more deeply with the ideas discussed in the final volume. Ordering the collection in this way avoids imposing an overly simplistic chronological framework, thereby allowing debates that have developed over years (and even decades) to stand side by side. Each volume is separately introduced and the essays structured into coherent sections on specific themes"--
| Author | : Paul Wells |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 216 |
| Release | : 2016-08-11 |
| Genre | : Computers |
| ISBN | : 147257527X |
Packed with examples from classic and contemporary films, The Fundamentals of Animation presents each stage of the animation production process in an engaging visual style, whilst providing an historical and critical context for four core disciplines: drawn/cel; 2D/3D stop-motion; computer generated; and experimental animation. With insightful commentary from leading animators, Wells and Moore also introduce you to the many different career paths open to aspiring animators, from storyboard artist or character designer to VFX artist or writer and director. They also provide you with key tips on producing engaging portfolios and show reels. - Illustrated with over 300 images, including preliminary sketches, frame-by-frame analyses and shots of animators at work. - Now explores the animated documentary genre and the role of visual effects and gaming in contemporary animation. - Features more than 20 interviews with a range of international practitioners including Pete Docter, Director, Monsters, Inc. (2001), Up (2009) and Inside Out (2015). Featured Artists Sarah Cox, ArthurCox Lluis Danti, Media Molecule Pete Docter, Pixar Paul Driessen Eric Fogel Cathal Gaffney, Brown Bag Films Adam Goddard Philip Hunt, STUDIO AKA The Brothers McLeod Bill Plympton Ellen Poon, Industrial Light and Magic Barry Purves Joanna Quinn Chris Randall, Second Home Studios Maureen Selwood Koji Yamamura
| Author | : Paul Wells |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 216 |
| Release | : 2017-02-09 |
| Genre | : Computers |
| ISBN | : 1474241786 |
Packed with examples from classic and contemporary films, The Fundamentals of Animation presents each stage of the animation production process in an engaging visual style, whilst providing an historical and critical context for four core disciplines: drawn/cel; 2D/3D stop-motion; computer generated; and experimental animation. With insightful commentary from leading animators, Wells and Moore also introduce you to the many different career paths open to aspiring animators, from storyboard artist or character designer to VFX artist or writer and director. They also provide you with key tips on producing engaging portfolios and show reels. - Illustrated with over 300 images, including preliminary sketches, frame-by-frame analyses and shots of animators at work. - Now explores the animated documentary genre and the role of visual effects and gaming in contemporary animation. - Features more than 20 interviews with a range of international practitioners including Pete Docter, Director, Monsters, Inc. (2001), Up (2009) and Inside Out (2015). Featured Artists Sarah Cox, ArthurCox Lluis Danti, Media Molecule Pete Docter, Pixar Paul Driessen Eric Fogel Cathal Gaffney, Brown Bag Films Adam Goddard Philip Hunt, STUDIO AKA The Brothers McLeod Bill Plympton Ellen Poon, Industrial Light and Magic Barry Purves Joanna Quinn Chris Randall, Second Home Studios Maureen Selwood Koji Yamamura
| Author | : Thomas S. Hischak |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 397 |
| Release | : 2018-04-20 |
| Genre | : Performing Arts |
| ISBN | : 1538105691 |
Animation has been a staple of the filmmaking process since the early days of cinema. Animated shorts had been produced for decades, but not until 1937 did a major studio venture into animated features when Walt Disney produced Snow White and the Seven Dwarfs. Of the hundreds of animated feature films made since, many have proven their importance over the years while also entertaining generations of audiences. There are also many recent animated movies that promise to become classics in the field. In 100 Greatest American British Animated Films, Thomas S, Hischak looks at the most innovative, influential, and entertaining features that have been produced since the late 1930s—from traditional hand-drawn works and stop-motion films to computer-generated wonders. These movies have been selected not simply because of their popularity or critical acceptance but for their importance. Entries in this volume contain plot information production history critical reaction commentary on the film’s cinematic quality a discussion of the film’s influence voice casts production credits songs sequels, spin-offs, Broadway versions, and television adaptations awards and nominations Each movie is also discussed in the context of its original release as well as the ways in which the film has lived on in the years since. Familiar favorites and lesser-known gems are included, making the book a fascinating journey for both the avid animation fan and the everyday moviegoer. With a sweeping look at more than eight decades of movies, 100 Greatest American and British Animated Films highlights some of the most treasured features of all time.
