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| Author | : Adam Mansbach |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2004 |
| Genre | : College students |
| ISBN | : |
| Author | : Adam Mansbach |
| Publisher | : |
| Total Pages | : 364 |
| Release | : 2005 |
| Genre | : American fiction |
| ISBN | : |
From the critically acclaimed author of "Shackling Water" comes an incendiary and ruthlessly funny novel about violence, pop culture, and identity in 21st-century America.
| Author | : Mattius Rischard |
| Publisher | : Taylor & Francis |
| Total Pages | : 239 |
| Release | : 2024-05-31 |
| Genre | : Literary Criticism |
| ISBN | : 1040006183 |
Comprehensive and comparative, this volume investigates African American street novelists since the Chicago Black Renaissance and the semiotic strategies they employ in publication, consumption, and depiction of street life. Divided into three chapters, this text analyzes the content, style, and ethics of “street” narrative through a discursive/rhetorical lens, exploring the development of street literature’s formal and contextual concerns to resolve the sociocultural and political questions surrounding cultural work. The book also gives emphasis to “text” or (post)structural literary analysis by answering questions about the genre’s aesthetic and linguistic techniques that respond to the injustices of urban planning. The last chapter, “Representation,” investigates the phenomenological hermeneutics of more recent street literature and its satire, highlighting the political stakes for authorship, credibility, and subjectivity. Through historical and contemporary studies of urban space, Blackness, and adaptations of street literature, this work attempts to network activists, artists, and scholars with the greater reading public by providing a functional ontology of reading the inner city.
| Author | : Stacey Olster |
| Publisher | : Cambridge University Press |
| Total Pages | : 271 |
| Release | : 2017-06-09 |
| Genre | : Literary Criticism |
| ISBN | : 1107049210 |
Explores American fiction of the last thirty years, examining the political and cultural changes that distinguish the period
| Author | : William Jelani Cobb |
| Publisher | : NYU Press |
| Total Pages | : 208 |
| Release | : 2008-05 |
| Genre | : Music |
| ISBN | : 0814716717 |
With roots that stretch from West Africa through the black pulpit, hip hop emerged in the streets of the South Bronx in the 1970s and has spread to the farthest corners of the earth. "To the Break of Dawn" uniquely examines this freestyle verbal artistry on its own terms. A kid from Queens who spent his youth at the epicenter of this new art form, music critic William Jelani Cobb takes readers inside the beats, the lyrics, and the flow of hip hop, separating mere corporate rappers from the creative MCs that forged the art in the crucible of the street jam.The four pillars of hip hop - break dancing, graffiti art, deejaying, and rapping - find their origins in traditions as diverse as the Afro-Brazilian martial art Capoeira and Caribbean immigrants' turnstile artistry.
| Author | : Adam Bradley |
| Publisher | : Yale University Press |
| Total Pages | : 1194 |
| Release | : 2010-11-02 |
| Genre | : Music |
| ISBN | : 0300163061 |
From the school yards of the South Bronx to the tops of the "Billboard" charts, rap has emerged as one of the most influential cultural forces of our time. This pioneering anthology brings together more than 300 lyrics written over 30 years, from the "old school" to the present day.
| Author | : Mellonee V. Burnim |
| Publisher | : Routledge |
| Total Pages | : 544 |
| Release | : 2014-11-13 |
| Genre | : Music |
| ISBN | : 1317934423 |
American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
| Author | : Addison Gayle |
| Publisher | : Doubleday Books |
| Total Pages | : 464 |
| Release | : 1971 |
| Genre | : Philosophy |
| ISBN | : |
| Author | : Glenda Carpio |
| Publisher | : Oxford University Press |
| Total Pages | : 302 |
| Release | : 2008-07-01 |
| Genre | : Literary Criticism |
| ISBN | : 0199719543 |
Reassessing the meanings of "black humor" and "dark satire," Laughing Fit to Kill illustrates how black comedians, writers, and artists have deftly deployed various modes of comedic "conjuring"--the absurd, the grotesque, and the strategic expression of racial stereotypes--to redress not only the past injustices of slavery and racism in America but also their legacy in the present. Focusing on representations of slavery in the post-civil rights era, Carpio explores stereotypes in Richard Pryor's groundbreaking stand-up act and the outrageous comedy of Chappelle's Show to demonstrate how deeply indebted they are to the sly social criticism embedded in the profoundly ironic nineteenth-century fiction of William Wells Brown and Charles W. Chesnutt. Similarly, she reveals how the iconoclastic literary works of Ishmael Reed and Suzan-Lori Parks use satire, hyperbole, and burlesque humor to represent a violent history and to take on issues of racial injustice. With an abundance of illustrations, Carpio also extends her discussion of radical black comedy to the visual arts as she reveals how the use of subversive appropriation by Kara Walker and Robert Colescott cleverly lampoons the iconography of slavery. Ultimately, Laughing Fit to Kill offers a unique look at the bold, complex, and just plain funny ways that African American artists have used laughter to critique slavery's dark legacy.
| Author | : Peter Szondi |
| Publisher | : Cambridge University Press |
| Total Pages | : 176 |
| Release | : 1995-02-24 |
| Genre | : Literary Criticism |
| ISBN | : 9780521459310 |
Peter Szondi is widely regarded as being among the most distinguished post-war literary critics. This first English edition of one of his most lucid and interesting series of lectures opens up his work in hermeneutics for English-speaking readers. The question of what is involved in understanding a text occupied Biblical and legal scholars long before it became a concern of literary critics. Peter Szondi here traces the development of hermeneutics through examination of the work of eighteenth-century German scholars. Ordinarily treated only as prefigurations of Schleiermacher, the work of Enlightenment theorists Johann Martin Chladenius, George Friedrich Meier, and Friedrich Ast yields valuable insight into the 'material theory' of interpretation, on which a practical interpretive methodology might be built.
