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| Author | : Jessica A. Folkart |
| Publisher | : Bucknell University Press |
| Total Pages | : 268 |
| Release | : 2002 |
| Genre | : Literary Criticism |
| ISBN | : 9780838754863 |
In the end, it is precisely the difference and repetition imbued in oppositionality that establish, destabilize, and re-define the identity to the subject who is open to different angles on otherness."--BOOK JACKET.
| Author | : Jessica A. Folkart |
| Publisher | : Bucknell University Press |
| Total Pages | : 265 |
| Release | : 2014-10-08 |
| Genre | : Literary Criticism |
| ISBN | : 1611485800 |
Liminal Fiction at the Edge of the Millennium: The Ends of Spanish Identity investigates the predominant perception of liminality—identity situated at a threshold, neither one thing nor another, but simultaneously both and neither—caused by encounters with otherness while negotiating identity in contemporary Spain. Examining how identity and alterity are parleyed through the cultural concerns of historical memory, gender roles, sex, religion, nationalism, and immigration, this study demonstrates how fictional representations of reality converge in a common structure wherein the end is not the end, but rather an edge, a liminal ground. On the border between two identities, the end materializes as an ephemeral limit that delineates and differentiates, yet also adjoins and approximates. In exploring the ends of Spanish fiction—both their structure and their intentionality—Liminal Fiction maps the edge as a constitutive component of narrative and identity in texts by Najat El Hachmi, Cristina Fernández Cubas, Javier Marías, Rosa Montero, and Manuel Rivas. In their representation of identity on the edge, these fictions enact and embody the liminal not as simply a transitional and transient mode but as the structuring principle of identification in contemporary Spain.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 256 |
| Release | : 2015-08-17 |
| Genre | : Literary Criticism |
| ISBN | : 9004300651 |
In recent years postnational theory has become a primary tool for the analysis of European integration. Though interpretations of the concept vary, there is a wide consensus about postnationalism as a way to forge a European identity beyond a particular national history. In line with the German historical context in which this key concept was formulated in the first place, postnationalism is considered to be an adaptation of Kantian cosmopolitanism to the conditions of the modern world. This collection of essays is the first to systematically and comparatively explore the links between postnationalism and cosmopolitanism within the context of the “New Europe”. Contributors: Susana Araújo, Sibylle Baumbach, Helena Buescu, John Crosetti, Maria DiBattista, César Domínguez, Soren Frank, Birgit Mara Kaiser, Dorothy Odartey-Wellington, Maria Esteves Pereira, Karen-Margrethe Simonsen, Aysegul Turan.
| Author | : Nathan E. Richardson |
| Publisher | : Lexington Books |
| Total Pages | : 355 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 1611483964 |
Does fiction do more than just represent space? Can our experiences with fictional storytelling be in themselves spatial? In Constructing Spain: The Re-imagination of Space and Place in Fiction and Film, Nathan Richardson explores relations between cultural representation and spatial transformation across fifty years of Spanish culture. Beginning in 1953, the year Spanish space was officially reopened to Western thought and capital, and culminating in 2003, the year of Aznar's unpopular involvement of his country in the second Iraq War, Richardson traces in popular and critically acclaimed fiction and film an evolution in Spanish storytelling that, while initially representative in nature, increasingly engages its audience in spatial practices that go beyond mere perception or conception of local material geographies. In original readings of films by Luis Berlanga, Luis Bu uel, Alex de la Iglesia, Alejandro Amen bar, and Julio Medem, and novels by Juan Goytisolo, Antonio Mu oz Molina, and Javier Mar as, Richardson shows this formal evolution as a necessary response to developments, restorations, and transformations of local landscapes that resulted during these years from various human migrations, tourist-invasions, urban development plans, resurgent nationalisms, and finally globalization. As these changes occur, Richardson traces a shift in the works studied from mere representation of spatial change toward actual engagement with shifting physical and social geographies, as they inch ever closer toward the production of an actual spatial experience for their audiences. In the final chapters of this book, Richardson offers in-depth and highly original readings of the storytelling projects of Medem and Mar as in particular, showing how these two artists invite readers to not only reconceive hegemonic notions of space and place, but to practice alternative notions of being-in-place. In these final readings, Constructing Spain, points to the newest developments in contemporary Spanish narrative and film, a rise of new grammars of creation to challenge the ongoing capital-driven creative destruction of globalized Spanish geography.
| Author | : Mar Soria |
| Publisher | : U of Nebraska Press |
| Total Pages | : 360 |
| Release | : 2020-05 |
| Genre | : History |
| ISBN | : 149621997X |
Mar Soria presents an innovative cultural analysis of female workers in Spanish literature and films. Drawing from nation-building theories, the work of feminist geographers, and ideas about the construction of the marginal subject in society, Soria examines how working women were perceived as Other in Spain from 1880 to 1975. By studying the representation of these marginalized individuals in a diverse array of cultural artifacts, Soria contends that urban women workers symbolized the desires and anxieties of a nation caught between traditional values and rapidly shifting socioeconomic forces. Specifically, the representation of urban female work became a mode of reinforcing and contesting dominant discourses of gender, class, space, and nationhood in critical moments after 1880, when social and economic upheavals resulted in fears of impending national instability. Through these cultural artifacts Spaniards wrestled with the unresolved contradictions in the gender and class ideologies used to construct and maintain the national imaginary. Whether for reasons of inattention or disregard of issues surrounding class dynamics, nineteenth- and twentieth-century Spanish literary and cultural critics have assumed that working women played only a minimal role in the development of Spain as a modern nation. As a result, relatively few critics have investigated cultural narratives of female labor during this period. Soria demonstrates that without considering the role working women played in the construction and modernization of Spain, our understanding of Spanish culture and life at that time remains incomplete.
| Author | : Patricia Garcia |
| Publisher | : University of Wales Press |
| Total Pages | : 171 |
| Release | : 2019-08-15 |
| Genre | : Literary Criticism |
| ISBN | : 1786835096 |
The fantastic has been particularly prolific in Hispanic countries during the twentieth and twenty-first centuries, largely due to the legacy of short-story writers as well as the Latin-American boom that presented alternatives to the model of literary realism. While these writers’ works have done much to establish the Hispanic fantastic in the international literary canon, women authors from Spain and Latin America are not always acknowledged, and their work is less well known to readers. The aim of this critical anthology is to render Hispanic female writers of the fantastic visible, to publish a representative selection of their work, and to make it accessible to English-speaking readers. Five short stories are presented by five key authors. They attest to the richness and diversity of fantastic fiction in the Spanish language, and extend from the early twentieth to the twenty-first century, covering a range of nationalities, cultural references and language specificities from Spain, Mexico, Puerto Rico and Argentina.
| Author | : Xon de Ros |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 432 |
| Release | : 2014 |
| Genre | : History |
| ISBN | : 1855662868 |
This volume presents an overview of the issues and critical debates in the field of women's studies, including original essays by pioneering scholars as well as by younger specialists. New pathfinding models of theoretical analysis are balanced with a careful revisiting of the historical foundations of women's studies.
| Author | : Martha Eulalia Altisent |
| Publisher | : Boydell & Brewer Ltd |
| Total Pages | : 358 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 1855661748 |
The Spanish novel in a turbulent century.
| Author | : Anna Tybinko |
| Publisher | : Liverpool University Press |
| Total Pages | : 296 |
| Release | : 2023-11-16 |
| Genre | : Social Science |
| ISBN | : 1802070958 |
This book examines today’s massive migrations between Global South and Global North in light of Spain and Portugal’s complicated colonial legacies. It offers unique material on Spanish-speaking and Lusophone Africa in conjunction to transatlantic and transpacific perspectives encompassing the Americas, Asia, and the Caribbean. For the first time, these are brought together to explore how movement within and beyond these former metropoles came to define the Iberian Peninsula. The collection is composed of papers that study human mobility in Spanish-speaking or Lusophone contexts from a myriad of approaches. The project thus sheds critical light on migratory movement within the Luso-Hispanic world, and also beyond its traditional geo-linguistic parameters, through an eclectic and inter-disciplinary collection of essays, traversing anthropology, literary studies, theater, and popular culture. Beyond focusing solely on the geo-political limits of Peninsular space, several essays interrogate the legacies of Iberian colonial projects in a global perspective, and how the discursive underpinnings of these impact the politics of migration in the broader Luso-Hispanic world.
| Author | : Kathleen Mary Glenn |
| Publisher | : University of Delaware Press |
| Total Pages | : 231 |
| Release | : 2005 |
| Genre | : Literary Criticism |
| ISBN | : 0874139058 |
Cristina Fernandez Cubas is, without question, one of the most important of the Spanish writers who have begun to publish since the end of the Franco dictatorship. Credited with playing a major role in the renaissance of the short story in Spain, she has won national and international acclaim for her fiction. Works by her have been translated into eight languages and have become a staple of university courses on contemporary Peninsular literature. Fernandez Cubas has created a remarkably coherent narrative world, nourished by a core of fundamental concerns. The eleven essays of Mapping the Fiction of Cristina Fernandez Cubas examine the intellectual preoccupations, narrative strategies, and rhetorical devices that distinguish the four volumes of short stories, two novels, the play, and the book of memoirs that she has published to date.
