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Androids, Humanoids, and Other Science Fiction Monsters

Androids, Humanoids, and Other Science Fiction Monsters
Author: Per Schelde
Publisher: NYU Press
Total Pages: 292
Release: 1994-07
Genre: Art
ISBN: 0814779956

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Unlike science fiction literature, science fiction film has until now been largely neglected as a genre worthy of study and scholarship. Androids, Humanoids, and Other Folklore Monsters explores science fiction (sf) film as the modern incarnation of folklore, emblematic of the struggle between nature and culture-but with a new twist.


Robots Versus Slime Monsters

Robots Versus Slime Monsters
Author: A. Lee Martinez
Publisher:
Total Pages: 204
Release: 2013-12-30
Genre: Fiction
ISBN: 9781628906288

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A. Lee Martinez delivers his first short story collection, featuring ten original tales based on his previous fantasy and science fiction novels. If you're a Martinez fan, this collection is surely something you've been waiting for. If you're simply Martinez curious (and who isn't?) this is a great sampling of strange worlds of fantasy featuring talking gorillas, sensible housekeeping kobolds, cosmic monster gods, and world-conquering space squids. These all-new, all-different tales are available for the first time. Within you'll find tales of werewolf versus bigfoot, ogre versus wizard, and rock alien versus romantic entanglement. You'll experience a terrifying descent into madness via pizza delivery and the existential angst of the gods of death. You'll discover why it's a bad idea to feed the pixies and why it's a good idea to always bring along a magical broom on your adventures. A collection eight years in the making (and worth every year), Robots versus Slime Monsters might not actually have any stories where a robot fights a slime monster, but it does feature a gorilla wrestling a lion. And in the end, isn't that almost as good?


Science Fiction Cinema

Science Fiction Cinema
Author: Geoff King
Publisher: Wallflower Press
Total Pages: 150
Release: 2000
Genre: Science fiction films
ISBN: 9781903364031

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This book charts the dimensions of one of the most popular genres in the cinema. From lurid comic-book blockbusters to dark dystopian visions, science fiction is seen as both a powerful cultural barometer of our times and the product of particular industrial and commercial frameworks. The authors outline the major themes of the genre, from representations of the mad scientist and computer hacker to the relationship between science fiction and postmodernism, exploring issues such as the meaning of special effects and the influence of science fiction cinema on the entertainment media of the digital age. Over one hundred films are discussed and the book concludes with an extensive case study of Star Wars I: The Phantom Menace.


Technophobia!

Technophobia!
Author: Daniel Dinello
Publisher: University of Texas Press
Total Pages: 342
Release: 2013-08-26
Genre: Literary Criticism
ISBN: 0292758464

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Techno-heaven or techno-hell? If you believe many scientists working in the emerging fields of twenty-first-century technology, the future is blissfully bright. Initially, human bodies will be perfected through genetic manipulation and the fusion of human and machine; later, human beings will completely shed the shackles of pain, disease, and even death, as human minds are downloaded into death-free robots whereby they can live forever in a heavenly "posthuman" existence. In this techno-utopian future, humanity will be saved by the godlike power of technology. If you believe the authors of science fiction, however, posthuman evolution marks the beginning of the end of human freedom, values, and identity. Our dark future will be dominated by mad scientists, rampaging robots, killer clones, and uncontrollable viruses. In this timely new book, Daniel Dinello examines "the dramatic conflict between the techno-utopia promised by real-world scientists and the techno-dystopia predicted by science fiction." Organized into chapters devoted to robotics, bionics, artificial intelligence, virtual reality, biotechnology, nanotechnology, and other significant scientific advancements, this book summarizes the current state of each technology, while presenting corresponding reactions in science fiction. Dinello draws on a rich range of material, including films, television, books, and computer games, and argues that science fiction functions as a valuable corrective to technological domination, countering techno-hype and reflecting the "weaponized, religiously rationalized, profit-fueled" motives of such science. By imaging a disastrous future of posthuman techno-totalitarianism, science fiction encourages us to construct ways to contain new technology, and asks its audience perhaps the most important question of the twenty-first century: is technology out of control?


British Science Fiction Cinema

British Science Fiction Cinema
Author: I.Q. Hunter
Publisher: Routledge
Total Pages: 231
Release: 2002-01-04
Genre: Social Science
ISBN: 1134702779

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British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British science fiction, from literary adaptions like Nineteen Eighty-Four and A Clockwork Orange to pulp fantasies and 'creature features' far removed from the acceptable face of British cinema. Through case studies of key films like The Day the Earth Caught Fire, contributors explore the unique themes and concerns of British science fiction, from the postwar boom years to more recent productions like Hardware, and examine how science fiction cinema drew on a variety of sources, from TV adaptions like Doctor Who and the Daleks, to the horror/sf crossovers produced from John Wyndham's cult novels The Day of the Triffids and The Midwich Cuckoos (filmed as Village of the Damned). How did budget restrictions encourage the use of the 'invasion narrative' in the 1950s films? And how did films such as Unearthly Stranger and Invasion reflect fears about the decline of Britain's economic and colonial power and the 'threat' of female sexuality? British Science Fiction Cinema celebrates the breadth and continuing vitality of British sf film-making, in both big-budget productions such as Brazil and Event Horizon and cult exploitation movies like Inseminoid and Lifeforce.


The Humanoids

The Humanoids
Author: Jack Williamson
Publisher:
Total Pages: 188
Release: 1963
Genre: Androids
ISBN:

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On the far planet Wing IV, a brilliant scientist creates the humanoids--sleek black androids programmed to serve humanity. Slowly the humanoids spread throughout the galaxy, threatening to stifle all human endeavor. Only a hidden group of rebels can stem the humanoid tide ... if it's not too late.


Neuroscience in Science Fiction Films

Neuroscience in Science Fiction Films
Author: Sharon Packer, M.D.
Publisher: McFarland
Total Pages: 298
Release: 2014-11-19
Genre: Performing Arts
ISBN: 1476618003

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As the gap between science fiction and science fact has narrowed, films that were intended as pure fantasy at the time of their premier have taken on deeper meaning. This volume explores neuroscience in science fiction films, focusing on neuroscience and psychiatry as running themes in SF and finding correlations between turning points in "neuroscience fiction" and advances in the scientific field. The films covered include The Strange Case of Dr. Jekyll and Mr. Hyde, The Island of Dr. Moreau, Robocop, The Stepford Wives, The Mind Snatchers and iconic franchises like Terminator, Ironman and Planet of the Apes. Examining the parallel histories of psychiatry, neuroscience and cinema, this book shows how science fiction films offer insightful commentary on the scientific and philosophical developments of their times.


100 Science Fiction Films

100 Science Fiction Films
Author: Barry Keith Grant
Publisher: Bloomsbury Publishing
Total Pages: 694
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838714073

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A comprehensive guide to science fiction films, which analyzes and contextualizes the most important examples of the genre, from Un voyage dans la lune (1902), to The Road (2009).


Science Fiction Film

Science Fiction Film
Author: J. P. Telotte
Publisher: Cambridge University Press
Total Pages: 274
Release: 2001-09-24
Genre: Performing Arts
ISBN: 9780521596473

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Examines one of the most enduring genres of Hollywood cinema: the science fiction film.


The Cambridge Handbook of Psychology and Economic Behaviour

The Cambridge Handbook of Psychology and Economic Behaviour
Author: Alan Lewis
Publisher: Cambridge University Press
Total Pages: 1240
Release: 2018-02-15
Genre: Psychology
ISBN: 1108547680

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There has recently been an escalated interest in the interface between psychology and economics. The Cambridge Handbook of Psychology and Economic Behaviour is a valuable reference dedicated to improving our understanding of the economic mind and economic behaviour. Employing empirical methods - including laboratory and field experiments, observations, questionnaires and interviews - the Handbook provides comprehensive coverage of theory and method, financial and consumer behaviour, the environment and biological perspectives. This second edition also includes new chapters on topics such as neuroeconomics, unemployment, debt, behavioural public finance, and cutting-edge work on fuzzy trace theory and robots, cyborgs and consumption. With distinguished contributors from a variety of countries and theoretical backgrounds, the Handbook is an important step forward in the improvement of communications between the disciplines of psychology and economics that will appeal to academic researchers and graduates in economic psychology and behavioral economics.