Andrea Alciato and the Emblem Tradition
Author | : Virginia Woods Callahan |
Publisher | : |
Total Pages | : 330 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
Download Andrea Alciato and the Emblem Tradition Book in PDF, ePub and Kindle
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Andrea Alciato And The Emblem Tradition PDF full book. Access full book title Andrea Alciato And The Emblem Tradition.
Author | : Virginia Woods Callahan |
Publisher | : |
Total Pages | : 330 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
Author | : Andrea Alciati |
Publisher | : |
Total Pages | : 504 |
Release | : 1996 |
Genre | : Reference |
ISBN | : |
Recognition of the great importance in Renaissance culture of the versatile and complex form of the emblem is increasingly widespread. This series aims to satisfy the needs of those who require access to texts in an edition as close to the original as possible.
Author | : Peter Goodrich |
Publisher | : Cambridge University Press |
Total Pages | : 313 |
Release | : 2014 |
Genre | : Art |
ISBN | : 1107035996 |
The emblem book was invented by the humanist lawyer Andrea Alciato in 1531. The preponderance of juridical and normative themes, of images of rule and infraction, of obedience and error in the emblem books is critical to their purpose and interest. This book outlines the history of the emblem tradition as a juridical genre, along with the concept of, and training in, obiter depicta, in things seen along the way to judgment. It argues that these books depict norms and abuses in classically derived forms that become the visual standards of governance. Despite the plethora of vivid figures and virtual symbols that define and transmit law, contemporary lawyers are not trained in the critical apprehension of the visible. This book is the first to reconstruct the history of the emblem tradition, evidencing the extent to which a gallery of images of law already exists and structuring how the public realm is displayed, made present and viewed.
Author | : Paul J. Smith |
Publisher | : BRILL |
Total Pages | : 700 |
Release | : 2017-09-11 |
Genre | : Art |
ISBN | : 9004347070 |
Since its invention by Andrea Alciato, the emblem is inextricably connected to the natural world. Alciato and his followers drew massively their inspiration from it. For their information about nature, the emblem authors were greatly indebted to ancient natural history, the medieval bestiaries, and the 15th- and 16th-century proto-emblematics, especially the imprese. The natural world became the main topic of, for instance, Camerarius’s botanical and zoological emblem books, and also of the ‘applied’ emblematics in drawings and decorative arts. Animal emblems are frequently quoted by naturalists (Gesner, Aldrovandi). This interdisciplinary volume aims to address these multiple connections between emblematics and Natural History in the broader perspective of their underlying ideologies – scientific, artistic, literary, political and/or religious. Contributors: Alison Saunders, Anne Rolet, Marisa Bass, Bernhard Schirg, Maren Biederbick, Sabine Kalff, Christian Peters, Frederik Knegtel, Agnes Kusler, Aline Smeesters, Astrid Zenker, Tobias Bulang, Sonja Schreiner, Paul Smith, and Karl Enenkel.
Author | : Henry Green |
Publisher | : |
Total Pages | : 378 |
Release | : 1872 |
Genre | : Emblem books |
ISBN | : |
Author | : Karl A.E. Enenkel |
Publisher | : BRILL |
Total Pages | : 499 |
Release | : 2019-02-04 |
Genre | : Art |
ISBN | : 9004387250 |
This study draws a new picture of the invention of the emblem book, and discusses the textual and pictorial means that were developed in order to transmit knowledge, from Alciato to Vaenius, with special emphasis on the emblem commentary and natural history.
Author | : Henry Green |
Publisher | : Forgotten Books |
Total Pages | : 366 |
Release | : 2017-10-23 |
Genre | : Art |
ISBN | : 9780265615164 |
Excerpt from Andrea Alciati and His Books of Emblems: A Biographical and Bibliographical Study Where these prints are not otherwise described they are cut on wood. The photo-lithographs and lithographs were executed by Mr. George Waterstone at Edinburgh; and the woodcuts by Mr. William Morton, Manchester. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Donato Mansueto |
Publisher | : Librairie Droz |
Total Pages | : 228 |
Release | : 2007 |
Genre | : Art |
ISBN | : 9780852618325 |
The Italian Emblem: A Collection of Essays is the twelfth in the series 'Glasgow Emblem Studies'. This volume is linked to a project for the study and digitization of Italian emblem books held in the Stirling Maxwell Collection (Glasgow), financed by the Sixth EU Framework Programme for activities in the field of research. It aims at exploring the history, forms, themes of the Italian emblem tradition, with particular attention to sixteenth-century emblem books and their open, multifaceted, and metamorphic nature. To capture this nature, the volume includes contributions from different disciplines, ranging from literature to history of art and political philosophy, supplied by the following distinguished scholars: Guido Arbizzoni (University of Urbino 'Carlo Bo'), Monica Calabritto (Hunter College, CUNY), Giuseppe Cascione (University of Bari), Sonia Maffei (University of Bergamo), Anna Maranini (University of Bologna), Liana de Girolami Cheney (University of Massachusetts Lowell), Silvia Volterrani (CTL-Scuola Normale Superiore, Pisa). French text.
Author | : K. A. E. Enenkel |
Publisher | : Brepols Publishers |
Total Pages | : 410 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
The thirteen articles in this volume deal with the Neo-Latin emblem book after the birth of the genre with Andrea Alciato's Emblematum libellus (1531). While the interest in emblematics has grown considerably during the last decades, the seminal Neo-Latin production has received relatively little attention. In Mundus Emblematicus an international team of experts in the field makes this part of the emblem tradition accessible to a broad scholarly audience. The articles cover a variety of emblem books published at the time, ranging from influential humanist collections (for instance those by Achille Bocchi, Hadrianus Junius, or Joachim Camerarius) to alchemist (Michael Maier) or religious emblems (such as the books of the Calvinist Theodere de Beze, or the Jesuit Herman Hugo). In each paper subjects dealt with include the historical context of the work and its makers, the relation between word and image, the structure of the collection as a whole, and the emblematic game (intertextuality in word and image). Moreover, several articles explore the interaction between the emblem and connected literary phenomena, like the commonplace-book, the fable or the use of commentaries. All papers are in English and all examples from Latin texts are translated. Together, these articles show the variety within the Neo-Latin emblem production, thus challenging traditional approaches of the emblem. As such Mundus Emblematicus contributes towards a more comprehensive view of the forms and functions of the genre as a whole.
Author | : Peter Maurice Daly |
Publisher | : |
Total Pages | : 510 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
The emblem, occupying a territory bordering literature and fine arts, was long unclaimed by scholars. But recently emblems have become the subject of resurgent interest as a key element in semiotics, communications theory, and the sociology of production and reception. his volume (the first of a series dealing with the English tradition) follows the two devoted to the emblems of Andreas Alciatus in Latin and in the main vernacular translations which comprise volume 1 of the Index Emblematicus. The books indexed in this volume are: Jan van der Noot's A Theatre for Voluptuous Worldlings (London 1569), The Worthy Tract of Paulus Jovius translated by Samuel Daniel and including Daniel's collection of 'certaine notable devises both militarie and amorous' from Domenichi (liondon 1585), and Geoffrey Whitney's A Choice of Emblemes and Other Devises (Leyden 1586). For each, Daly provides an introductory and bibliographic note; facsimilies of the emblems, and with each a description of pictures, translations of mottoes, a list of key words from the epigram, and information on dedicatee, bearer (of impresa), and references; and indexes to the various fields of information which make up each emblem or impresa as a whole. All key words are flagged. The object of this work is identification rather than interpretation. Together with those which will follow, it is an important step toward the establishment of an essential foundation on which to build emblem studies.