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| Author | : Jonas Grethlein |
| Publisher | : Cambridge University Press |
| Total Pages | : 209 |
| Release | : 2023-04-30 |
| Genre | : History |
| ISBN | : 1009339591 |
Argues compellingly for a new approach to ancient narrative which goes beyond narratology and is alert to its specific logic.
| Author | : René Nünlist |
| Publisher | : BRILL |
| Total Pages | : 608 |
| Release | : 2017-07-31 |
| Genre | : Literary Criticism |
| ISBN | : 9047405706 |
This is the first in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees, time, focalization, characterization, description, speech, and plot. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The first volume lays the foundation for all volumes to come, discussing the definition and boundaries of narrative, and the roles of its producer, the narrator, and recipient, the narratees.
| Author | : Jonas Grethlein |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 353 |
| Release | : 2020-01-15 |
| Genre | : History |
| ISBN | : 0198848293 |
Experience, Narrative, and Criticism in Ancient Greece pursues a new approach to ancient Greek narrative beyond the taxonomies of structuralist narratologies. Focusing on the phenomenal and experiential dimension of our response to narrative, it triangulates ancient narrative with ancient criticism and cognitive approaches, opening up new vistas within the study of classical literature while ably deploying the ancient material to demonstrate the value of a historical perspective for cognitive studies. Concepts such as immersion and embodiment help to establish a more comprehensive understanding of ancient narrative and ancient reading habits, as manifested in Greek criticism and rhetorical theory. The thirteen chapters presented here tackle a broad range of narrative genres, broadly understood: besides epic, historiography, and the novel, tragedy and early Christian texts are also considered alongside non-literary media, such as dance and sculpture. Authored by international specialists in the language, literature, and culture of ancient Greece, each chapter utilizes a rich set of theoretical and methodological tools drawn from cognitive studies, phenomenology, and linguistics that place them at the vanguard of a strong new current in classical scholarship and literary criticism more generally.
| Author | : Tim Whitmarsh |
| Publisher | : Cambridge University Press |
| Total Pages | : 313 |
| Release | : 2011-04-07 |
| Genre | : Literary Collections |
| ISBN | : 1139500589 |
The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.
| Author | : Konstantin Doulamis |
| Publisher | : Barkhuis |
| Total Pages | : 227 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 9077922857 |
Intertextuality has been recognised as an important feature of ancient prose fiction and yet it has only received sporadic attention in modern scholarship, despite the recent explosion of interest in the ancient novels. This volume is intended to make a contribution towards filling this gap by drawing attention to, and throwing fresh light on, the presence in ancient Greek and Roman narratives of earlier literary echoes. While one volume is by no means sufficient to remedy the problem of the relative lack of scholarship on the topic, nevertheless it is hoped that the present collection will create scope for debate and will generate greater scholarly interest in this area. Most of the articles collected here originated in the colloquium 'The Ancient Novel and its Reception of Earlier Literature', which was held at University College Cork in August 2007. They investigate the interconnection between Graeco-Roman narratives and earlier or contemporary works, and consider ways in which intertextual exploration is invited from the readers of these texts. What prompts the reader to associate a passage with an earlier text? What triggers in a text the evocation of motifs from antecedent literature? How might we interpret an identified allusion? In what ways can intertextuality function as a device of characterisation? These are among the questions explored by the chapters in this volume, which concentrate on the 'canonical' Greek romances and the Roman novels but also cover other novel-like works, such as the Alexander Romance and Alexander's Letter to Aristotle About India, and the Story of Apollonius King of Tyre.
| Author | : I. J. F. De Jong |
| Publisher | : |
| Total Pages | : 583 |
| Release | : 2004 |
| Genre | : |
| ISBN | : 9789004139275 |
| Author | : Ioannis M. Konstantakos |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 449 |
| Release | : 2021-02-22 |
| Genre | : Literary Criticism |
| ISBN | : 311071552X |
The use of suspense in ancient literature attracts increasing attention in modern scholarship, but hitherto there has been no comprehensive work analysing the techniques of suspense through the various genres of the Classical literary canon. This volume aspires to fill such a gap, exploring the phenomenon of suspense in the earliest narrative writings of the western world, the literature of the ancient Greeks. The individual chapters focus on a wide range of poetic and prose genres (epic, drama, historiography, oratory, novel, and works of literary criticism) and examine the means by which ancient authors elicited emotions of tense expectation and fearful anticipation for the outcome of the story, the development of the plot, or the characters' fate. A variety of theoretical tools, from narratology and performance studies to psychological and cognitive approaches, are exploited to study the operation of suspense in the works under discussion. Suspenseful effects are analysed in a double perspective, both in terms of the artifices employed by authors and with regard to the responses and experiences of the audience. The volume will be useful to classical scholars, narratologists, and literary historians and theorists.
| Author | : Irene J. F. de Jong |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 239 |
| Release | : 2014 |
| Genre | : History |
| ISBN | : 0199688699 |
Narratology and the Classics is the first introduction to narratology that deals with classical narrative in epic, historiography, biography, the ancient novel, but also the many narratives inserted in drama or lyric.
| Author | : Alex C. Purves |
| Publisher | : Cambridge University Press |
| Total Pages | : 287 |
| Release | : 2010-03-22 |
| Genre | : History |
| ISBN | : 1139487981 |
In this wide-ranging survey of ancient Greek narrative from archaic epic to classical prose, Alex Purves shows how stories unfold in space as well as in time. She traces a shift in authorial perspective, from a godlike overview to the more focused outlook of human beings caught up in a developing plot, inspired by advances in cartography, travel, and geometry. Her analysis of the temporal and spatial dimensions of ancient narrative leads to new interpretations of important texts by Homer, Herodotus, and Xenophon, among others, showing previously unnoticed connections between epic and prose. Drawing on the methods of classical philology, narrative theory, and cultural geography, Purves recovers a poetics of spatial representation that lies at the core of the Greeks' conception of their plots.
| Author | : Jonas Grethlein |
| Publisher | : Princeton University Press |
| Total Pages | : 0 |
| Release | : 2024-07-16 |
| Genre | : Literary Criticism |
| ISBN | : 0691210993 |
A fresh and original introduction to the Odyssey—and how it continues to shape literature, film, art and even the ways we make sense of our lives Reading the Odyssey is an introduction to Homer’s masterpiece like no other. It combines a cultural and intellectual history of the epic with an in-depth exploration of its unique and influential narrative structure and the ways it continues to inform issues of identity, meaning and experience. Reading the Odyssey begins with a broad history of the epic’s reception and interpretation, its place in cultural and intellectual history and its influence today on literature, film and art. After introducing the literary form of the Odyssey, the book turns to its main focus: the layered narrative that lies at the heart of the poem. Taking readers on a tour of the epic, Jonas Grethlein shows the nuanced ways the Odyssey uses a wide variety of narrative forms and functions. At the same time, he highlights how we all rely on narratives, first used by Homer, to form identities, forge communities and make sense of our lives. The result is a compelling guide to the Odyssey that demonstrates why it continues to speak so powerfully to so many readers today.
