Ancient Chinese Art
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 97 |
Release | : 1987 |
Genre | : Art |
ISBN | : 0870994832 |
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Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 97 |
Release | : 1987 |
Genre | : Art |
ISBN | : 0870994832 |
Author | : Edward L. Shaughnessy |
Publisher | : |
Total Pages | : 148 |
Release | : 2006 |
Genre | : China |
ISBN | : 9780760780558 |
Even today the economic powerhouse of modern China takes strength and nourishment from its legacy of antiquity. Ancient China illuminates this venerable heritage with unprecedented scholarship and vividness.
Author | : Colin Mackenzie |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2013-09-23 |
Genre | : Art |
ISBN | : 9780714865751 |
The Chinese Art Book is a beautifully packaged, authoritative, and unprecedented overview of Chinese art from its earliest dynasties to the contemporary generation of artists enlivening today's art world. 300 works represent every form of Chinese visual art, including painting, calligraphy, sculpture, ceramics, figurines, jade, bronze, gold and silver, photography, video, installation, and performance art. Full of surprises for readers of all levels, The Chinese Art Book breaks new ground by pairing works that speak to one another in unexpected ways, enlightening historical, stylistic and cultural connections. Concise descriptive essays place each work in context, while cross-references lead the reader on a fascinating journey through Chinese art history. The Chinese Art Book features an introductory essay by Colin Mackenzie, Senior Curator of Chinese Art at the Nelson-Akins Museum of Art, along with an accessible summary of Chinese political and cultural history, a comprehensive glossary defining technical terms, and an illustrated timeline.
Author | : Fengwen Liu |
Publisher | : 五洲传播出版社 |
Total Pages | : 158 |
Release | : 2007 |
Genre | : Birds in art |
ISBN | : 9787508511283 |
Author | : Qingxi Lou |
Publisher | : 五洲传播出版社 |
Total Pages | : 184 |
Release | : 2002 |
Genre | : Architecture |
ISBN | : 9787801138224 |
Author | : Haiming Yang |
Publisher | : |
Total Pages | : 84 |
Release | : 2018 |
Genre | : Art, Chinese |
ISBN | : 9789834919962 |
Author | : Kwang-chih CHANG |
Publisher | : Harvard University Press |
Total Pages | : 157 |
Release | : 2009-06-30 |
Genre | : Social Science |
ISBN | : 0674029402 |
A leading scholar in the United States on Chinese archaeology challenges long-standing conceptions of the rise of political authority in ancient China. Questioning Marx's concept of an "Asiatic" mode of production, Wittfogel's "hydraulic hypothesis," and cultural-materialist theories on the importance of technology, K. C. Chang builds an impressive counterargument, one which ranges widely from recent archaeological discoveries to studies of mythology, ancient Chinese poetry, and the iconography of Shang food vessels.
Author | : American Woman's Club, Shanghai, China |
Publisher | : |
Total Pages | : 242 |
Release | : 1921 |
Genre | : Art, Chinese |
ISBN | : |
Author | : Patricia Eichenbaum Karetzky |
Publisher | : Lexington Books |
Total Pages | : 395 |
Release | : 2013-12-19 |
Genre | : Art |
ISBN | : 0739180606 |
Chinese Religious Art is a broad survey of the origins and development of the various forms of artistic expression of Chinese religions. The study begins with an overview of ancient archaeology in order to identify nascent religious ideologies in various Neolithic Cultures and early Chinese historical eras including the Shang dynasty (1300-1050 BCE) and Zhou Dynasty(1000-221 BCE) up until the era of the First Emperor (221-210 BCE) Part Two treats Confucianism as a religious tradition examining its scriptures, images, temples and rituals. Adopted as the state ideology in the Han dynasty, Confucian ideas permeated society for over two thousand years. Filial piety, ethical behavior and other principles shaped the pictorial arts. Part Three considers the various schools of Daoist belief and their expression in art. The ideas of a utopian society and the pursuit of immortality characterize this religion from its earliest phase. Daoism has an elaborate pantheon and ritualistic art, as well as a secular tradition best expressed in monochrome ink painting. Part Four covers the development of Buddhist art beginning with its entry into China in the second century. Its monuments—comprised largely of cave temples carved high in the mountains along the frontiers of China and large metropolitan temples —provide evidence of its evolution including the adoption of savior cults of the Buddha of the Western Paradise, the Buddha of the Future, the rise of Ch’an (Zen) and esoteric Buddhism. In their development, these various religious traditions interacted, sharing art, architecture, iconography and rituals. By the twelfth century a stage of syncretism merged all three traditions into a popular religion. All the religions are reviving after their extirpation during the Cultural Revolution. Using historical records and artistic evidence, much of which has not been published, this study examines their individual and shared manner of worshipping the divine forces.
Author | : Jessica Rawson |
Publisher | : British Museum Press |
Total Pages | : 256 |
Release | : 1980 |
Genre | : Art |
ISBN | : |