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Oral History Interview with Harry S. Parker

Oral History Interview with Harry S. Parker
Author: Harry S. Parker
Publisher:
Total Pages: 117
Release: 1999
Genre:
ISBN:

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Oral history interview of Harry S. Parker conducted by Sharon Zane for The Metropolitan Museum of Art Oral History Project.


Oral History Interview with Harry S. Parker Interview

Oral History Interview with Harry S. Parker Interview
Author: Harry S. Parker
Publisher:
Total Pages: 22
Release: 1972
Genre: Art, American
ISBN:

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Interview of Harry S. Parker III conducted by Barry Schwartz for the Archives of American Art "Art World in Turmoil" oral history project.


An Oral History with Harry Parker

An Oral History with Harry Parker
Author:
Publisher:
Total Pages:
Release: 2015
Genre: Blue collar workers
ISBN:

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Topics discussed include: rural life, sharecropping, working in the box factory, childhood stories, Rabbit Foot Minstrels, growing and smoking tobacco, and his baptism.


Ragged but Right

Ragged but Right
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
Total Pages: 470
Release: 2009-09-17
Genre: Music
ISBN: 1604731486

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The commercial explosion of ragtime in the early twentieth century created previously unimagined opportunities for black performers. However, every prospect was mitigated by systemic racism. The biggest hits of the ragtime era weren't Scott Joplin's stately piano rags. “Coon songs,” with their ugly name, defined ragtime for the masses, and played a transitional role in the commercial ascendancy of blues and jazz. In Ragged but Right, Lynn Abbott and Doug Seroff investigate black musical comedy productions, sideshow bands, and itinerant tented minstrel shows. Ragtime history is crowned by the “big shows,” the stunning musical comedy successes of Williams and Walker, Bob Cole, and Ernest Hogan. Under the big tent of Tolliver's Smart Set, Ma Rainey, Clara Smith, and others were converted from “coon shouters” to “blues singers.” Throughout the ragtime era and into the era of blues and jazz, circuses and Wild West shows exploited the popular demand for black music and culture, yet segregated and subordinated black performers to the sideshow tent. Not to be confused with their nineteenth-century white predecessors, black, tented minstrel shows such as the Rabbit's Foot and Silas Green from New Orleans provided blues and jazz-heavy vernacular entertainment that black southern audiences identified with and took pride in.


Swing to Bop : An Oral History of the Transition in Jazz in the 1940s

Swing to Bop : An Oral History of the Transition in Jazz in the 1940s
Author: Ira Gitler Jazz historian
Publisher: Oxford University Press, USA
Total Pages: 358
Release: 1985-11-07
Genre: Jazz
ISBN: 0195364112

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This book willserve as the basic work on the rise and development of bop in jazz. Engendered by Charlie Parker and Dizzy Gillespie, bebop, now known as bop, quickly became the most powerful musical force in modern jazz. Today it is still the main musical language of jazz musicians. Over a ten-year period, Ira Gitler interviewed more than 50 of the seminal figures in jazz history to preserve for posterity their recollections of how jazz moved from the big band era in the late '30s and '40s into the modern jazz period. The musicians interviewed recreate not only their own experiences but also evoke the legendary figures of bop who where so influential in its development but were never recorded, people like Clyde Hart and Freddie Webster. Swing to Bop shows how the music first established itself in jam sessions in Harlem and then spread to New York's famed 52nd Street and beyond. Separate chapters describe how young musicians in major cities such as Los Angeles, Chicago and Detroit became swept up in the movement. Along with the music and the personalities who made it, the book vividly recreates the atmosphere of the country in the '30s and '40s: traveling on the ballroom theather curcuit; racial attitudes and interaction; extra-musical pastimes; the relationship to World War II; and the influence of drugs. Thus Swing to Bop reveals not only how the music evolved but the environment in which it flourished and what effect in turn the music had on that environment and the music to follow. About the Author Ira Gitler is the author of Jazz Masters of the '40s and The Encyclopedia of Jazz in the Seventies. He was previously Professor of Jazz History at City College of New York and Associate Editor of Downbeat.


Report

Report
Author: National Endowment for the Humanities
Publisher:
Total Pages: 1070
Release:
Genre: Endowments
ISBN:

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Manhattan, the Army and the Atomic Bomb

Manhattan, the Army and the Atomic Bomb
Author: Vincent C. Jones
Publisher:
Total Pages: 660
Release: 1985
Genre: Atomic bomb
ISBN:

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The role of the War Department, Manhattan District, and other Army agencies and individuals from 1939 through World War II in developing and employing the atomic bomb.