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| Author | : Merle Goldman |
| Publisher | : Cambridge University Press |
| Total Pages | : 620 |
| Release | : 2002-05-16 |
| Genre | : History |
| ISBN | : 9780521797108 |
This book is the only comprehensive book on modern China's intellectual history.
| Author | : Timothy Cheek |
| Publisher | : Cambridge University Press |
| Total Pages | : 395 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 1107021413 |
A vivid account of Chinese intellectuals across the twentieth century that provides a guide to making sense of China today.
| Author | : Timothy Cheek |
| Publisher | : Cambridge University Press |
| Total Pages | : 395 |
| Release | : 2016-01-05 |
| Genre | : History |
| ISBN | : 1316351858 |
This vivid narrative history of Chinese intellectuals and public life provides a guide to making sense of China today. Timothy Cheek presents a map and a method for understanding the intellectual in the long twentieth century, from China's defeat in the Sino-Japanese war in 1895 to the 'Prosperous China' since the 2008 Beijing Olympics. Cheek surveys the changing terrain of intellectual life over this transformative century in Chinese history to enable readers to understand a particular figure, idea or debate. The map provides coordinates to track different times, different social worlds and key concepts. The historical method focuses on context and communities during six periods to make sense of ideas, institutions and individual thinkers across the century. Together they provide a memorable account of the scenes and protagonists, and arguments and ideas, of intellectuals and public life in modern China.
| Author | : Joey Bonner |
| Publisher | : Harvard University Press |
| Total Pages | : 342 |
| Release | : 1986 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780674945944 |
In this first full-fledged intellectual biography of the brilliant and multifaceted Chinese scholar Wang Kuo-wei (1877-1927), Joey Bonner throws important new light on the range and course of ideas in early twentieth-century China. Coincidentally, she illuminates the nature of Wang's intimate, thirty-year personal and professional association with the well-known Chinese scholar Lo Chen-y (1866-1940) and provides a most comprehensive and compelling account of her biographee's posthumously controversial career in the years following the 1911 Revolution. Pursuing her subject across the whole spectrum of his many scholarly interests, Bonner critically examines Wang's essays on German philosophy and philosophical aesthetics; his poetry, literary criticism, and aesthetic theory; and his works on ancient Chinese history, particularly of the Shang dynasty. Insightfully relating his strenuous intellectual search in the fields of philosophy, literature, and history to his very personal quest for truth, beauty, and virtue, Bonner shows in this finely crafted book how Wang's unhappiness in later life as well as his suicide can be understood only within the context of his humanistic concerns in general and his extreme commitment in the postimperial period to the Confucian ethicoreligious tradition in particular. Without compromising the clearheaded critical detachment that characterizes her analysis of the intricacies of his thought, Bonner has produced a portrait of Wang Kuo-wei suffused with warmth and sympathetic respect.
| Author | : Chun-Jo Liu |
| Publisher | : BRILL |
| Total Pages | : 219 |
| Release | : 1973-06-30 |
| Genre | : History |
| ISBN | : 1684171466 |
An analytic bibliography of periodical articles on controversies in modern Chinese intellectual history, mainly focused on the May Fourth movement and the Post-May Fourth periods..
| Author | : Robert Culp |
| Publisher | : Columbia University Press |
| Total Pages | : 409 |
| Release | : 2019-05-28 |
| Genre | : History |
| ISBN | : 0231545355 |
Amid early twentieth-century China’s epochal shifts, a vital and prolific commercial publishing industry emerged. Recruiting late Qing literati, foreign-trained academics, and recent graduates of the modernized school system to work as authors and editors, publishers produced textbooks, reference books, book series, and reprints of classical texts in large quantities at a significant profit. Work for major publishers provided a living to many Chinese intellectuals and offered them a platform to transform Chinese cultural life. In The Power of Print in Modern China, Robert Culp explores the world of commercial publishing to offer a new perspective on modern China’s cultural transformations. Culp examines China’s largest and most influential publishing companies—Commercial Press, Zhonghua Book Company, and World Book Company—during the late Qing and Republican periods and into the early years of the People’s Republic. He reconstructs editors’ cultural activities and work lives as a lens onto the role of intellectuals in cultural change. Examining China’s distinct modes of industrial publishing, Culp explains the emergence of the modern Chinese intellectual through commercial and industrial processes rather than solely through political revolution and social movements. An original account of Chinese intellectual and cultural history as well as global book history, The Power of Print in Modern China illuminates the production of new forms of knowledge and culture in the twentieth century.
| Author | : David Der-wei Wang |
| Publisher | : Harvard University Press |
| Total Pages | : 1033 |
| Release | : 2017-05-22 |
| Genre | : Literary Criticism |
| ISBN | : 0674967917 |
Featuring over 140 Chinese and non-Chinese contributors, this landmark volume, edited by David Der-wei Wang, explores unconventional forms as well as traditional genres, emphasizes Chinese authors’ influence on foreign writers as well as China’s receptivity to outside literary influences, and offers vibrant contrasting voices and points of view.
| Author | : Yiyan Wang |
| Publisher | : Routledge |
| Total Pages | : 195 |
| Release | : 2020-11-10 |
| Genre | : Art |
| ISBN | : 1000207927 |
How did art reform fit into the many initiatives for social and cultural change that contributed to the New Cultural Movement that transformed the Chinese cultural landscape during the Republican period? "Modern art for a modern China" was the rallying cry of Chinese intellectuals, many of whom were artists, critics, writers, poets and educators. Wang describes how these groups discussed and implanted changes in China’s conception and practice of art. She demonstrates how art reforms fit into the many initiatives for social and cultural change that contributed to the New Cultural Movement that transformed the Chinese cultural landscape during the Republican period. In doing so, she analyses two key areas in the intellectual history of Republican China: China’s art reform in the early decades of the twentieth century; and the connection and intersection between colonialism, nationalism and cosmopolitanism, including their direct impact on the development of art and art practice in China. Modern Art for a Modern China is an invaluable resource for scholars and students of China’s twentieth-century intellectual history and art history.
| Author | : Conrad Schirokauer |
| Publisher | : |
| Total Pages | : 388 |
| Release | : 1982 |
| Genre | : Political Science |
| ISBN | : |
Concentrates on the main currents of modern Chinese and Japanese history from the seventeenth century to the present. Balances social and political facets as well as Far Eastern thought, religion, and the arts.
| Author | : Charles Horner |
| Publisher | : University of Georgia Press |
| Total Pages | : 224 |
| Release | : 2009 |
| Genre | : History |
| ISBN | : 0820335886 |
China's sense of today and its view of tomorrow are both rooted in the past--and we need to understand that connection, says China scholar Charles Horner. In Rising China and Its Postmodern Fate, Horner offers a new interpretation of how China's changed view of its modern historical experience has also changed China's understanding of its long intellectual and cultural tradition. Spirited reevaluations of history, strategy, commerce, and literature are cooperating--and competing--to define the future. The capstone of modern China was the founding of the People's Republic in 1949 and its rejection of Confucianism, capitalism, and modernity. Yet today's rising China retains few vestiges of what Mao wrought. What then, Horner asks, is post-Mao, postmodern China? Where did it come from? How did it get here? Where is it going? Contemporary views of the great periods in Chinese history are having a significant influence on the development of rising China's national strategy, says Horner. He looks at the revival of interest in, and changing interpretations of, three dynasties--the Yuan (1272-1368), the Ming (1368-1644), and the Qing (1644-1912)--that, together with the People's Republic of China, provide examples of great power success. The future of every major country is now connected to China's, and this book explains how China, now seeing itself as the complex and thriving result of the old and the new, is poised to change the world.
