An Index To The Early Printed Books In The British Museum From The Invention Of Printing To The Year Md Sect 1 Germany 1898 Sect 2 Italy 1898 Sect 3 Switzerland To Montenegro Incl France Netherlands Austria Hungary Spain England Scandinavia Portugal 1898 Sect 4registers 1899 PDF Download

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An Index to the Early Printed Books in the British Museum: From the invention of printing to the year MD. sect. 1, Germany. 1898. sect. 2, Italy. 1898. sect. 3, Switzerland to Montenegro [incl. France, Netherlands, Austria-Hungary, Spain, England, Scandinavia, Portugal] 1898. sect. 4,Registers. 1899

An Index to the Early Printed Books in the British Museum: From the invention of printing to the year MD. sect. 1, Germany. 1898. sect. 2, Italy. 1898. sect. 3, Switzerland to Montenegro [incl. France, Netherlands, Austria-Hungary, Spain, England, Scandinavia, Portugal] 1898. sect. 4,Registers. 1899
Author: Robert Proctor
Publisher:
Total Pages: 440
Release: 1898
Genre: Incunabula
ISBN:

Download An Index to the Early Printed Books in the British Museum: From the invention of printing to the year MD. sect. 1, Germany. 1898. sect. 2, Italy. 1898. sect. 3, Switzerland to Montenegro [incl. France, Netherlands, Austria-Hungary, Spain, England, Scandinavia, Portugal] 1898. sect. 4,Registers. 1899 Book in PDF, ePub and Kindle


Catalogue

Catalogue
Author: Hispanic Society of America. Library
Publisher:
Total Pages: 1022
Release: 1962
Genre: Brazilian literature
ISBN:

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An Index to the Early Printed Books in the British Museum. with Notes of Those in the Bodleian Library

An Index to the Early Printed Books in the British Museum. with Notes of Those in the Bodleian Library
Author: Robert George Collier Proctor
Publisher: Palala Press
Total Pages: 286
Release: 2015-09-01
Genre:
ISBN: 9781341143755

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Ethnic and Vernacular Music, 1898-1960

Ethnic and Vernacular Music, 1898-1960
Author: Paul Vernon
Publisher: Greenwood
Total Pages: 376
Release: 1995-12-11
Genre: Music
ISBN:

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Detailed information on almost all ethnic and vernacular recordings from many countries on 78rpm is provided in this seminal work. The current state of discographical research in this wide and varied field is such that a research tool of this nature is badly needed. Jesse Walter Fewkes and Mary Hemenway recorded Native American music as early as 1890; Bela Bartok recorded rural music in the Balkans; Erich von Hornbostel, the grand old man of ethnomusicology in Europe, recorded in Southeast Asia. More than just a discography, this work demonstrates that cultures around the world and over time have more similarities than differences. A necessity for scholars, students, archivists, and individual record collectors and dealers. The goals of this volume are many and varied: to promote thought and discussion toward a concise definition of recorded ethnic music; to assist specialists working on individual discographical projects; to introduce users to the interconnectedness of cultures through regional music; to gather heretofore disparate pieces of information under one cover in a way that for the first time allows specialists to accurately identify all manner of recordings in many languages. The four sections of the volume work together for easy usage through cross referencing. The philosophy behind the volume was expressed by Rodney Gallop when he remarked that music, for him, was often the key to the understanding of other cultures.