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| Author | : E. Pemberton |
| Publisher | : [London] : Gregg International Publishers ; [Brooklyn, N.Y.] : Dance Horizons |
| Total Pages | : 0 |
| Release | : 1970 |
| Genre | : Dance |
| ISBN | : 9780576289658 |
| Author | : E. Pemberton |
| Publisher | : Gregg Revivals |
| Total Pages | : 86 |
| Release | : 1970 |
| Genre | : Dance |
| ISBN | : |
| Author | : E. Pemberton |
| Publisher | : |
| Total Pages | : |
| Release | : 1970 |
| Genre | : Dance |
| ISBN | : |
| Author | : E. Pemberton |
| Publisher | : [London] : Gregg International Publishers ; [Brooklyn, N.Y.] : Dance Horizons |
| Total Pages | : 84 |
| Release | : 1970 |
| Genre | : Performing Arts |
| ISBN | : |
| Author | : E. Pemberton |
| Publisher | : |
| Total Pages | : 114 |
| Release | : 1711 |
| Genre | : Ballroom dancing |
| ISBN | : |
This is a collection of dances with music in Feuillet notation by numerous eighteenth-century dancing masters including Thomas Caverley, Anthony l'Abbee, Louis-Guillaume Pecour, and Josiah Priest. Designed for the young ladies of a boarding school, the collection includes country dances, "Borě," "Jigge," and several group dances including country dances and figured minuets.
| Author | : Wendy Hilton |
| Publisher | : Pendragon Press |
| Total Pages | : 478 |
| Release | : 1997 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 9780945193982 |
This collection of selected writings of Ms. Hilton includes a complete facsimile of her 1981 book Dance of Court & Theater (no longer available) as well as two significant articles, and a notated triple-meter danse � deux by LouisP�cour. Book One (the facsimile) provides in-depth analysis of primary sources on dance of the baroque period.The main body of the text is devoted to mastery of the Beauchamp-Feuillet notation system,which includes the relationships of steps to music in such dance types as the menuet,gavotte, bourr�e, sarabande, passacaille, loure, gigue, and entr�e grave. Instruction is also given on style, bows and courtesies, the use of the hat, and the ballroom menuet ordinaire as given by Pierre Rameau.Book Two adds theslow Seventeenth-Century French Courante; A survey of the 56 dances extant to music by J.B. Lully with their airs and some of the more virtuosic, theatrical step-units in notation; Louis P�cour's ballroom dance Aimable Vainqueur (1701 in six pages of dance notation with a five-part score of Andr� Campra's music from Hesione (1700)and an updated bibliography.
| Author | : Jennifer Thorp |
| Publisher | : Liverpool University Press |
| Total Pages | : 388 |
| Release | : 2024-04-28 |
| Genre | : Music |
| ISBN | : 1835533388 |
The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne considers the life and times of the dancer known as Mr Isaac, performer, teacher and creator of prestigious dances for performance at the royal court. Includes facsimiles and discussion of his surviving dances and their context.
| Author | : Amanda Eubanks Winkler |
| Publisher | : Cambridge University Press |
| Total Pages | : 261 |
| Release | : 2020-06-04 |
| Genre | : Art |
| ISBN | : 1108490867 |
The first book to systematically analyze the role the performing arts played in English schools after the Reformation.
| Author | : Tilden Russell |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 251 |
| Release | : 2017-11-10 |
| Genre | : Performing Arts |
| ISBN | : 1611496624 |
During the first two decades of the eighteenth century, two evolving dance-historical realms intersected—theory and practice. While the French produced works on notation, choreography, and repertoire, German dance writers responded with an important body of work on dance theory. This book examines the reception of French dance in Germany.
| Author | : Rebecca Harris-Warrick |
| Publisher | : Cambridge University Press |
| Total Pages | : 364 |
| Release | : 2005-09-29 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521020220 |
Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance to the study of French Baroque dance. This facsimile reproduction of the entire manuscript is accompanied by a comprehensive study of the work itself and the context in which it was created and performed. Dated 1688, it provides a wealth of new and detailed information on numerous aspects of theatrical dance. It differs from the known choreographic sources in many respects, the two most important being the completeness of all its components--choreography, music, and text--and the use of a previously unknown dance notation system.
