An Anagram of Ideas on Art, Form and Film
Author | : Maya Deren |
Publisher | : |
Total Pages | : 70 |
Release | : 1946 |
Genre | : Aesthetics |
ISBN | : |
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Author | : Maya Deren |
Publisher | : |
Total Pages | : 70 |
Release | : 1946 |
Genre | : Aesthetics |
ISBN | : |
Author | : Moira Sullivan |
Publisher | : |
Total Pages | : 308 |
Release | : 1997 |
Genre | : |
ISBN | : 9789171535825 |
Author | : Bill Nichols |
Publisher | : Univ of California Press |
Total Pages | : 348 |
Release | : 2001-10-31 |
Genre | : Literary Collections |
ISBN | : 0520227328 |
Regarded as one of the founders of the postwar American independent cinema, Maya Deren was a poet, photographer, ethnographer and filmaker. These essays examine Deren's writings, films, and legacy from a variety of perspectives.
Author | : Bill Nichols |
Publisher | : |
Total Pages | : 0 |
Release | : 2010 |
Genre | : |
ISBN | : 9780520353312 |
Regarded as one of the founders of the postwar American independent cinema, the legendary Maya Deren was a poet, photographer, ethnographer, filmmaker and impresario. Her efforts to promote an independent cinema have inspired filmmakers for over fifty years. Meshes of the Afternoon (1943) ranks among the most widely viewed of all avant-garde films. The eleven essays gathered here examine Maya Deren's writings, films, and legacy from a variety of intriguing perspectives. Some address her relative neglect during the rise of feminist film theory; all argue for her enduring significance. The essays cast light on her aesthetics and ethics, her exploration of film form and of other cultures, her role as (woman) artist and as film theorist. Maya Deren and the American Avant-Garde also includes one of the most significant reflections on the nature of art and the responsibilities of the filmmaker ever written--Deren's influential but long out-of-print book, An Anagram of Ideas on Art, Form and Film, in its entirety. Among the topics covered in this volume are Deren's ties with the avant-garde of her day and its predecessors; her perspective on vodoun ritual, possession ceremonies, and social harmony; her work in relation to the modern dance tradition and its racial inflections; her thoughts, written in the shadow of Hiroshima and Nagasaki, about science, including how form can embody moral principles; the complex issue of the "woman artist" in an avant-garde dominated by men; her famous dispute with Anaïs Nin; and an exploration of issues of identification and desire in her major films. As the first critical evaluation of the enduring significance of Maya Deren, this book clarifies the filmmaker's theoretical and cinematic achievements and conveys the passionate sense of moral purpose she felt about her art. It is a long-overdue tribute to one of the most important and least written about filmmakers in American cinema, an artist who formulated the terms and conditions of independent cinema that remain with us today.
Author | : Maya Deren |
Publisher | : McPherson & Company |
Total Pages | : 261 |
Release | : 2005-01 |
Genre | : Performing Arts |
ISBN | : 9780929701653 |
Author | : Douglas Rosenberg |
Publisher | : Oxford University Press |
Total Pages | : 233 |
Release | : 2012-07-05 |
Genre | : Performing Arts |
ISBN | : 0199772622 |
The practice of dance and the technologies of representation has excited artists since the advent of film. This book weaves together theory from art and dance as well as appropriate historical reference material to propose a new theory of screendance, one that frames it within the discourse of post-modern art practice.
Author | : Vèvè A. Clark |
Publisher | : |
Total Pages | : 684 |
Release | : 1984 |
Genre | : Motion picture producers and directors |
ISBN | : 9780911689181 |
Author | : Sarah Keller |
Publisher | : Columbia University Press |
Total Pages | : 297 |
Release | : 2014-12-09 |
Genre | : Performing Arts |
ISBN | : 0231538472 |
Maya Deren (1917–1961) was a Russian-born American filmmaker, theorist, poet, and photographer working at the forefront of the American avant-garde in the 1940s and 1950s. Influenced by Jean Cocteau and Marcel Duchamp, she is best known for her seminal film Meshes of the Afternoon (1943), a dream-like experiment with time and symbol, looped narrative and provocative imagery, setting the stage for the twentieth-century's groundbreaking aesthetic movements and films. Maya Deren assesses both the filmmaker's completed work and her numerous unfinished projects, arguing Deren's overarching aesthetic is founded on principles of incompletion, contingency, and openness. Combining the contrasting approaches of documentary, experimental, and creative film, Deren created a wholly original experience for film audiences that disrupted the subjectivity of cinema, its standards of continuity, and its dubious facility with promoting categories of realism. This critical retrospective reflects on the development of Deren's career and the productive tensions she initiated that continue to energize film.
Author | : Vèvè A. Clark |
Publisher | : |
Total Pages | : 544 |
Release | : 1984 |
Genre | : Performing Arts |
ISBN | : |
Author | : Bill Nichols |
Publisher | : Univ of California Press |
Total Pages | : 356 |
Release | : 2001-10-31 |
Genre | : Literary Collections |
ISBN | : 9780520227323 |
Regarded as one of the founders of the postwar American independent cinema, Maya Deren was a poet, photographer, ethnographer and filmaker. These essays examine Deren's writings, films, and legacy from a variety of perspectives.