American Sculpture of the Sixties
Author | : Maurice Tuchman |
Publisher | : |
Total Pages | : 258 |
Release | : 1969 |
Genre | : Sculpture, American |
ISBN | : |
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Author | : Maurice Tuchman |
Publisher | : |
Total Pages | : 258 |
Release | : 1969 |
Genre | : Sculpture, American |
ISBN | : |
Author | : Maurice Tuchman |
Publisher | : Los Angeles : Printed by Anderson, Ritchie & Simon for the Los Angeles County Museum of Art |
Total Pages | : 270 |
Release | : 1967 |
Genre | : Art |
ISBN | : |
Author | : Maurice Tuchman |
Publisher | : |
Total Pages | : 258 |
Release | : 1967 |
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Total Pages | : 0 |
Release | : 1967 |
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Author | : Jo Applin |
Publisher | : Yale University Press |
Total Pages | : 71 |
Release | : 2012-10-30 |
Genre | : Art |
ISBN | : 0300181981 |
In America during the 1960s, sculpture as an artistic practice underwent a series of radical transformations. Artists including Lee Bontecou, Claes Oldenburg, Lucas Samaras, H. C. Westermann, and Bruce Nauman offered alternative ways of imagining the three-dimensional object. The objects they created were variously described as erotic, soft, figurative, aggressive, bodily, or, in the words of the critic Lucy Lippard, "eccentric." Looking beyond the familiar and canonic artworks of the 1960s, the book challenges not only how we think about these artists, but how we learn to look at the more familiar narratives of 1960s sculpture, such as Pop and Minimalism. Ambivalent and disruptive, the work of this decade articulated a radical renegotiation—rejection, even—of contemporary paradigms of sculptural practice. This invigorating study explores that shift and the ways in which the kinds of work made in this period defied established categories and questioned the criteria for thinking about sculpture.
Author | : Irving Sandler |
Publisher | : HarperCollins |
Total Pages | : 448 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
"Sandler covers the art, artists and movements of the sixties--Painterly and Post Painterly Painting, Pop Art, New Perceptual Realism, Op Art and Kinetic Sculpture, Minimal Sculpture, Construction Sculpture, Eccentric and Process Art, Earthworks, Conceptual and Performance Art and so on. He discusses the aesthetics of art as well as the social and political context of art, the art market, the art world and the culture heroes of the sixties." -- Provided by publisher
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Release | : 1967 |
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Author | : Maurice Tuchman |
Publisher | : |
Total Pages | : 258 |
Release | : 1967 |
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Release | : 1967 |
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Author | : Julia M. Busch |
Publisher | : Associated University Presses |
Total Pages | : 208 |
Release | : 1974 |
Genre | : Art and technology |
ISBN | : 0879820071 |
The book includes many plate images both color and black and white. The Acknowledgements page (p. 15) includes a list of the contributing artists: Carl Andre, Anne Arnold, Mike Bakaty, Francois and Bernard Baschet, Sondra Beal, Bruce Beasley, Larry Bell, Fletcher Benton, Ronald Bladen, Robert Breer, Anthony Caro, John Chanmberlain, Judy Chicago (Gerowitz), Ligia Calrk, Toney DeLap, Jose De Rivera, Tom Doyle, Fred Eversley, Dan Flanin, Peter Forakis, Jane Frank [Jane Schenthal Frank], Charles R. Frazier, James Grant, Karl Gerstner, Robert Grosvenor, John Healy, Eva Hesse, Robert Hudson, Jasper Johns, Donald Judd, Lila Katzen, Lyman Kipp, Bernard Kirschenbaum, Gabriel Kohn, Peter Kowalski, Sol LeWitt, Frank Malina, Marisol, Eugene Massin, John McCracken, Robert Morris, Sadamasa Motonaga, Forrest Myers, Elie Nadelman, Louise Nevelson, Claes Oldenburg, Otto Piene, Peter Pinchbeck, Robert Rauschenberg, Martial Raysse, Ad Reinhardt, Bridgitt Riley, Nicolas Schoffer, George Segal, Jason Seley, David Slivka, David Smith, Tony Smith, Robert Smithson, Kenneth Snelson, Frank DStella, George Sugarman, Takis, Victor Vasarely, David Von Schlegell, Al Vrana, David Weinrib, H. C. Westermann, Audrey Corwin Wright, Wilfred Zogbaum.