American Portraits, 1979-1989
Author | : Leon Borensztein |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Photography, Artistic |
ISBN | : 9781590053058 |
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Author | : Leon Borensztein |
Publisher | : |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Photography, Artistic |
ISBN | : 9781590053058 |
Author | : Kwong Chi Tseng |
Publisher | : |
Total Pages | : 0 |
Release | : 2008 |
Genre | : Photography, Artistic |
ISBN | : 9780979416453 |
This handsome volume features 100 works from Tseng Kwong Chi's pioneering series of large-scale black-and-white self-portraits, produced from 1979 to 1989, many of which have never been published. The son of exiled Chinese nationalists, Kwong Chi was part of a 1980s New York circle that included Keith Haring, Kenny Scharf and Cindy Sherman. His ironic portraits of himself posed in a Mao suit--with a visitor badge reading SLUTFORART in front of American tourist destinations--found their way to Communist China through Western magazines smuggled into the country in the 1980s, greatly influencing China's avant-garde. Ann Magnuson, a ubiquitous downtown performer in the 80s, mused, "Just who is this visitor from that forbidden land, who is both tasting the fruits of American freedom and slyly satirizing our home of the brave?"
Author | : Keith H. Basso |
Publisher | : Cambridge University Press |
Total Pages | : 146 |
Release | : 1979-08-31 |
Genre | : History |
ISBN | : 9780521295932 |
Drawing on current theory in symbolic anthropology and sociolinguistics, this interpretive essay investigates a complex form of joking based on material collected in a Western Apache community wherein Apaches stage carefully crafted imitations of Anglo-Americans.
Author | : Joan M. Marter |
Publisher | : Oxford University Press, USA |
Total Pages | : 3140 |
Release | : 2011 |
Genre | : Architecture |
ISBN | : 0195335791 |
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Author | : |
Publisher | : Rizzoli Publications |
Total Pages | : 193 |
Release | : 2016-04-05 |
Genre | : Art |
ISBN | : 0847848388 |
Published by Skira Rizzoli in association with Peter Freeman, Inc. Catherine Murphy has been celebrated as a representational painter of exceptional precision, and this, her first monograph, Catherine Murphy, surveys her complete work, which unites American Minimalism and American naturalist painting. Murphy has evolved a style that combines obsessive authenticity with Minimalist rigor. From the shaded lawns of the New Jersey suburbs to the Massachusetts woods, from childhood interiors to self-portraits and detailed images of buttons and dust, carpeted stairs, or a stuccoed ceiling, Murphy always paints and draws from life, often the domestic and quotidian. John Yau notes in his introduction that, “her attachment to the commonplace is not just amatter of convenience, of painting and drawing what she can see from her window or inside herapartment. In her choice of subjects—and I am speaking here of Murphy’s entire career, which stretches across five decades—the artist has made a conscious decision to stay true to both what she could observe and to her own working-class background, and the aesthetic choices that people of that milieuare constantly making, from illustrated calendars and inexpensive objets d’art to wallpaper andrefrigerator magnets.”
Author | : ShiPu Wang |
Publisher | : Penn State Press |
Total Pages | : 198 |
Release | : 2017-09-05 |
Genre | : Art |
ISBN | : 0271080728 |
In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture. Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.
Author | : Vicki Goldberg |
Publisher | : Chronicle Books |
Total Pages | : 246 |
Release | : 1999 |
Genre | : Photography |
ISBN | : 0811826228 |
This beautiful and informative photographic history includes images from 1900 to 1999. Many are often seen (bullet piercing the apple, splashing crown of milk, Sophia Loren looking askance at Jayne Mansfield's plunging decollete, and Dorothea Lange's Migrant Mother); but most are probably unknown, because the photos were selected not only for their visual and cognitive qualities but also for their importance to the history and development of photographic technique and usage. The century is divided into thirds for explanation's sake, and there is at least one photograph for every year. While this is a picture book, the accompanying text provides informative introductions to the uses and abuses of perhaps the century's most important medium. The book is companion to the PBS series. Oversize: 12.5x9.5". Annotation copyrighted by Book News Inc., Portland, OR
Author | : Wolfgang M. Freitag |
Publisher | : Routledge |
Total Pages | : 572 |
Release | : 2013-10-28 |
Genre | : Literary Criticism |
ISBN | : 1134830416 |
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Author | : Jules Heller |
Publisher | : Routledge |
Total Pages | : 732 |
Release | : 2013-12-19 |
Genre | : Art |
ISBN | : 1135638829 |
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Bates Lowry |
Publisher | : Getty Publications |
Total Pages | : 258 |
Release | : 2000-02-03 |
Genre | : Art |
ISBN | : 0892365366 |
By the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.