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| Author | : Russell Sanjek |
| Publisher | : |
| Total Pages | : |
| Release | : 1988 |
| Genre | : Music |
| ISBN | : 9780195040289 |
| Author | : Russell Sanjek |
| Publisher | : |
| Total Pages | : 734 |
| Release | : 1988 |
| Genre | : Music |
| ISBN | : |
| Author | : the late Russell Sanjek |
| Publisher | : Oxford University Press |
| Total Pages | : 741 |
| Release | : 1988-07-28 |
| Genre | : Music |
| ISBN | : 0198021275 |
This volume focuses on developments in the music business in the twentieth century, including vaudeville, music boxes, the relationship of Hollywood to the music business, the "fall and rise" of the record business in the 1930s, new technology (TV, FM, and the LP record) after World War II, the dominance of rock-and-roll and the huge increase in the music business during the 1950s and 1960s, and finally the changing music business scene from 1967 to the present, especially regarding government regulations, music licensing, and the record business.
| Author | : the late Russell Sanjek |
| Publisher | : Oxford University Press |
| Total Pages | : 750 |
| Release | : 1988-07-28 |
| Genre | : Music |
| ISBN | : 0190243309 |
This volume focuses on developments in the music business in the twentieth century, including vaudeville, music boxes, the relationship of Hollywood to the music business, the "fall and rise" of the record business in the 1930s, new technology (TV, FM, and the LP record) after World War II, the dominance of rock-and-roll and the huge increase in the music business during the 1950s and 1960s, and finally the changing music business scene from 1967 to the present, especially regarding government regulations, music licensing, and the record business.
| Author | : Russell Sanjek |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 378 |
| Release | : 1991 |
| Genre | : Music |
| ISBN | : |
This book is an abridgment of the third volume of American Popular Music and Its Business--The First Four Hundred Years by Russell Sanjek, my late father. It covers the years 1900 to 1984, a rich and provocative period in the history of American entertainment, one marked by persistent technological innovation, an expansion of markets, the refinement of techniques of commercial exploitation, and the ongoing democratization of American culture.
| Author | : B. Lee Cooper |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 386 |
| Release | : 2004-04-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0313072728 |
The function of print resources as instructional guides and descriptors of popular music pedagogy are addressed in this concise volume. Increasingly, public school teachers and college-level faculty members are introducing and utilizing music-related educational approaches in their classrooms. This book lists reports dealing with popular music resources as classroom teaching materials, and will stimulate further thought among students and teachers. It focuses on the growing spectrum of published scholarship available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles). Building on two recent publications: Teaching with Popular Music Resources: A Bibliography of Interdisciplinary Instructional Approaches, Popular Music and Society, XXII, no. 2 (Summer 1998), and American Culture Interpreted through Popular Music: Interdisciplinary Teaching Approaches (Bowling Green State University Popular Press, 2000), this volume focuses on the growing spectrum of published scholarship that is available to instructors in specific teaching fields (art, geography, social studies, urban studies, and so on) as well as on the multitude of general resources (including biographical directories and encyclopedias of artist profiles).
| Author | : Russell Sanjek |
| Publisher | : New York : Oxford University Press |
| Total Pages | : 504 |
| Release | : 1988 |
| Genre | : Music |
| ISBN | : |
This three-volume work tells the complete story of American popular songs, their authors, and the business they set in motion. Volume one explores the inception of the music publishing business in Elizabethan England and traces music activity in England until 1790, examining popular balladry, copyright problems, the start of music printing, religious music, professional music makers, musical theater, eighteenth-century music, and such leading musical figures as Purcell, Handel, and Haydn. Also discussed are the beginnings of music in the United States, including musical theater, black music, and the Great Awakening and its relationship to music publishing.
| Author | : Kay Dickinson |
| Publisher | : Psychology Press |
| Total Pages | : 228 |
| Release | : 2003 |
| Genre | : Motion picture music |
| ISBN | : 9780415281607 |
This reader brings together a wide range of writings to examine the role of music in cinema. Articles by leading critics including Theodor Adorno, Lawrence Grossberg and Lisa A. Lewis explore the function of the soundtrack, the place of song in film, andlook at how cinema has represented music and the music industry.
| Author | : Paul Douglas Lopes |
| Publisher | : Cambridge University Press |
| Total Pages | : 308 |
| Release | : 2002-05-30 |
| Genre | : Music |
| ISBN | : 9780521000390 |
This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies.
| Author | : David Neumeyer |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 697 |
| Release | : 2014 |
| Genre | : Music |
| ISBN | : 0195328493 |
The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.
